Affichage de 330 résultats

Audrey Hawthorn was born November 25, 1917 in California. She was raised in New York City, and obtained a BA in 1939 at New College of Columbia University. Her thesis entitled "A curriculum for community studies in Habersham County Georgia", was completed under the supervision of Dr. Morris R. Mitchell, Professor, Community Planning. During 1939-1941 Audrey Hawthorn finished a thesis entitled "Socio Economic Appeals in Mass and Class Media", and was granted an M.A. degree. She also attended Yale Graduate School in Anthropology from 1940-1941. In 1941, Audrey and her husband, Dr. Harry Hawthorn, were given a joint fellowship in Latin American studies for coordinating the office of American Affairs and the Institute of Human Relations, Yale. Audrey Hawthorn was also a psychiatric case worker with the Family Services Agency in Yonkers, New York, in 1946 and 1947. Audrey came to the University of British Columbia in 1947 with her husband, who was appointed UBC's first anthropologist. She was appointed to the position of Honourary Curator. Audrey Hawthorn, a specialist in primitive art, was granted a regular appointment as curator in 1956. She was the first person, and the University of British Columbia the first institution in Canada, to begin the formal training of professional museum staff. From 1948 students from the Department of Anthropology voluntarily completed most of the work in the museum. By 1955, non-credit courses were offered to these students in order that they could actively pursue museum careers. In 1963, a credit course, Anthropology 331, Primitive Art, was added to the curriculum and in 1965 Anthropology 43 1, Museum Principles and Methods. For a number of years, these two courses were the only ones of their nature in Canada. Students were able to learn a great deal about the day-to-day operation of a museum by working with staff to complete a wide variety of activities. In recognition of her teaching responsibilities, Audrey Hawthorn was appointed Assistant Professor in 1966 and Associate Professor in 1971. Her most important publications are a study of Indian Arts and Crafts, commissioned by the Royal Commission on Arts, Letters and Sciences in 1951; "People of the Potlatch, the Art of the Kwakiutl Indians" and "A Labour of Love" (a history of the Museum of Anthropology). Due to deteriorating health, Audrey discontinued her museum duties in 1977. She formally retired in 1985. Audrey Hawthorn was awarded an honourary LL.D from the University of Brandon in May of 1984; received the Order of Canada in April of 1986; and an Honourary LL.D from UBC in 1986. Audrey Hawthorn died on November 18, 2000.

A Kwagu'l (Tsaxis) carver, married to Mary Hunt. Godfrey's parents were Kenneth Hunt and Minnie Wallas. On his father's side his grandparents were David Hunt and Sarah Lalaxsa; great-grandparents George Hunt and Lucy Homiskanis. (Information from Dean Bradley, grandson of Godfrey Hunt.)

Douglas & McIntyre was founded in 1971. It has since established itself as one of Canada’s largest independent book publishing houses with offices in Toronto and Vancouver. It consists of three publishing units, Douglas & McIntyre, Greystone Books and Groundwood Books. Douglas & McIntyre publishes books about many different subjects, including First Nations art and culture, food and wine, Canadian issues and politics, and the environment.

Formally incorporated on December 23rd 1977, the Friends of the Museum of Anthropology at U.B.C. (University of British Columbia) was a society that had four main objectives:

• To promote interest in, and acquaint the public with the Museum of Anthropology at U.B.C.
• To provide for the holding of educational lectures, exhibitions, public meetings, classes and conferences on the subject of anthropology
• To acquire, accept, solicit or receive any gift or real or personal property as a contribution or addition to the funds of the society
• To receive, hold, distribute, invest and reinvest contributions from donors for the collections of and operation of the Museum of Anthropology at U.B.C.

The operations of the society were physically carried out in the museum. The affairs of the society were managed by a board of 24 directors; six were directly tasked with its initial establishment, while another 18 were elected at the first annual general meeting. Various committees and sub-committees were established, including the executive committee, who had the power to exercise the will of the board. Other committees included the membership committee and the sub-committees on Finance and Fundraising. Michael Ames, then-Director of the Museum of Anthropology, worked as the secretary for the society for most of its life-span. The society was directly involved with a 1981 benefit concert that took place in the Haida House to raise funds for a special gallery for a Haida canoe they wished to acquire. The friends’ peak of activity was from 1978-1982, after which time it became less and less active; dissolution occurred sometime around 1985.

The Hudson’s Bay Company (HBC) was created by Royal Charter in 1670. For the most part of its history, the HBC was a fur trading business that played a significant role in the British colonization of North America.
During the second half of the 20th Century, the company gradually transformed into a department store chain.

Robert W. Reford was the heir to the Reford shipping and navigation business. In 1889 he journeyed from Montreal to British Columbia in order to assist with his family’s business there. He stayed in the province until 1891. Though centered in Victoria, Reford made several trips along the coast of British Columbia, into the interior and in to the Arctic. Reford was an amateur photographer and while in British Columbia he took a large number of photos, both of his acquaintances and of the local scenery and inhabitants.

No biographical information available.

In spring of 1983, Karen Duffek received her Masters of Arts in Anthropology from the University of British Columbia with a thesis titled The Contemporary Northwest Coast Indian Art Market. Karen Duffek’s relationship with the Museum of Anthropology has spanned over twenty years. From 1985 through 1999, Duffek was a Guest Curator and Research Associate, during which time she worked closely with Marjorie Halpin. In 1999, she took on a role as Interim Manager in Administration at MOA. In 2000, she was hired by the Museum of Anthropology as a Curator of Contemporary Visual Arts & the Pacific Northwest. Since 1985, Duffek has published numerous articles, essays, and anthologies addressing issues in Native Art. She has written multiple exhibition catalogues, including The Transforming Image: Painted Arts of Northwest Coast First Nations (UBC Press, 2000), which she co-authored with Bill McLennan. The Transforming Image won the Canadian Museum Association’s 2001 Award for Outstanding Achievement in Publications, and the British Columbia Historical Federation’s Certificate of Merit for Historical Writing in 2000. In 2005, Karen Duffek co-edited the anthology, Bill Reid and Beyond: Expanding on Modern Native Art (Douglas & McIntyre, 2004).

As the Curator of Contemporary Visual Arts & the Pacific Northwest, Karen Duffek has curated some major exhibitions at the Museum of Anthropology, including Border Zones: New Art across Cultures (2010), and Robert Davidson: The Abstract Edge (2004).

Lyle Wilson, a Haisla artist, was born in 1955 at Butedale, British Columbia. He grew up in the northern coastal communities of Kitimat and Kitimat Village. Wilson grew up watching his uncle, Sam Robinson, create carvings out of wood, and he later became a skilled carver and artist himself. In his explorations of art, Wilson brings together his fine-arts training and knowledge of Western European art history with his understanding of Haisla art and tradition and experiments with a range of media. In addition to the carvings he creates out of wood, horn and ivory, Wilson also creates metalwork, jewelry, drawings, and paintings.

Wilson attended the Emily Carr School of Art and Design and the University of British Columbia in the 1980s, where he was educated in European art traditions. At UBC Wilson was exposed to a wealth of Northwest Coast First Nations’ art. He studied artifacts, photographs of artifacts, and learned from practicing artists. He worked as a Project Consultant in the development of the Canadian Museum of Civilization’s Grand Hall exhibition and was an artist-in-residence at the UBC Museum of Anthropology. Wilson has worked on commissions and exhibited his work both locally in Vancouver as well as internationally in Osaka, Japan and New York.

James Cook was a British naval captain, navigator, and explorer who sailed the seaways and coasts of Canada (1759 and 1763–67), and conducted three expeditions to the Pacific Ocean (1768–71, 1772–75, and 1776–79), ranging from the Antarctic ice fields to the Bering Strait, and from the coasts of North America, to Australia and New Zealand. It was during his third voyage that Captain Cook sailed into the waters of what is now known as British Columbia. He spent a short period in the Pacific Northwest along what is now Vancouver Island during an expedition to find the fabled Northwest Passage. He never located the Passage, but paved the way for others to make a tremendous impact by establishing a British presence in the Pacific Northwest - he particularly influenced George Vancouver, who would sail as a midshipman with Captain Cook during his Pacific voyages.

When mapping the west coast of Vancouver Island, Cook gathered and recorded a vast amount of information about the Indigenous peoples of the area and their cultures. Cook also established a trading relationship with the Mowachaht Nation and their Chief Maquinna. The knowledge gathered by Cook contributed significantly to future expeditions, which eventually led to the European settlement and colonization of British Columbia. Cook died on February 14, 1779, on the Island of Hawaii.