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James Herbert (Herb) Watson was born 5 December 1934 in Ontario. He studied Science at Waterloo College and Fine Arts at the Ontario College of Art, Toronto. In 1960, he spent one year at the Kokoschka International Academy of Vision in Salzburg, Austria.

During the late 1960s and early 1970s, Herb Watson worked as an exhibition designer in a number of museum environments: the Vancouver Maritime Museum and Vancouver City Museum, 1966; the Vancouver Centennial Museum, 1969; the Maritime and City Museums, 1970-1977. In 1977, he took a one year visiting appointment at the Museum Of Anthropology (hereafter MOA). In 1978, he became Exhibit Designer at MOA.

While at MOA, Herb Watson designed over sixty exhibitions, ten of which traveled across Canada and many of which involved studen
t trainees. He regularly taught exhibit design to studen ts in a UBC introductory museum course and supervised the design and installation of annual studen t exhibitions. He was frequently invited to give lectures and workshops at other universities and museum associations.

From 1985-90, Herb Watson managed a contract to research design and install the South Pacific Pavilion at Expo '86. His role included representing eight South Seas nations and travelling to the South Pacific to acquire artifacts. Between 1988 and 1990, Herb Watson designed the west wing extension of MOA that would house the Koerner Ceramics Collection. Herb Watson retired from MOA 28 February 28 1991.

Canadian politician, in office 1965 - 1979.

Jean Telfer graduated from U.B.C. in 1924, and subsequently trained as a teacher. Telfer worked in this role from 1931 to 1934 at the Morley Residential School in Alberta. In the late 1930s Telfer also worked at the Alberni Residential School in British Columbia.

Jeffrey Johnson was born in approximately 1897. He was Chief Hanamuk of the Fireweed House of the Gitxsan people.

Jennifer Kramer is an Associate Professor of Anthropology and Curator, Pacific Northwest at the Museum of Anthropology (MOA) at the University of British Columbia. She received a Ph.D. in Cultural Anthropology from Columbia University in 2003. Her research focuses on Northwest Coast First Nations visual culture in regards to aesthetic valuation, commodification, appropriation, tourism, legal regimes, and museums.

Kramer is the author of publications that include Switchbacks: Art, Ownership, and Nuxalk National Identity (UBC Press, 2006), Kesu’: The Art and Life of Doug Cranmer (Douglas & McIntyre Press, 2012) which won the 2012 British Columbia Museums Associations Museums in Motion Award of Merit and co-editor with Charlotte Townsend-Gault and Ki-ke-in of Native Art of the Northwest Coast: A History of Changing Ideas (UBC Press 2013) which received three awards: the 2015 Canada Prize in the Humanities, Federation for Social Sciences and Humanities; the 2015 Jeanne Clark Award in Northern History, Prince George Public Library; and the 2014 Melva J. Dwyer Award, Art Libraries Society of North America – Canadian Chapter. Kramer is also a co-applicant and partner in a $1 million SSHRC CURA grant (2011-2016) to explore new alternatives for the recovery of Indigenous heritage of two Quebecois First Nations: The Ilnu of Mashteuiatsh and the Anishnabeg of Kitigan Zibi.

Kramer's curated temporary exhibitions include: Layers of Influence: Unfolding Cloth across Cultures (UBC Museum of Anthropology, 2016-2017), Beyond the Cap + Gown: 100 Years of UBC Studen t Clothing with her ANTH 43 1 university studen ts (IK Barber Learning Commons, UBC 2016), Together Again: Nuxalk Faces of the Sky with her UBC university studen ts (UBC Museum of Anthropology and the Seattle Art Museum, 2012-2013), Kesu’: The Art and Life of Doug Cranmer (UBC Museum of Anthropology, The Museum at Campbell River, The U’mista Cultural Centre, 2012-2013) and the The Story of Nulis – a Kwakwaka’wakw Imas Mask (UBC Museum of Anthropology, 2010-2012).

Jessie Binning (nee Wyllie) was an important figure in the protection of the "Binning House" in West Vancouver and the emerging culture of West Coast Modernism. Her father was a businessman and one of the early entrepreneurs to trade with Japan and took Jessie on a trip to Japan when she was 19 years old, where she developed a lifelong appreciation for Japanese culture and art. Jessie Binning was also Bertram Charles (B.C.) Binning's wife, who founded the Department of Fine Arts at UBC in 1949 and was a renowned artist and teacher in BC. Jessie and Bert build their modern house in West Vancouver in 1941 and she lived there until her death at the age of 101.

Jim and Mary Prime, who were residents of Vancouver, made a donation to the Museum of Anthropology that consisted of early twentieth century black and white negatives that were taken in the South Pacific along with a tapa from the same region and time period. The tapa, which is an example of early Polynesian tapa, compliments MOA’s existing collection.

Dr. Joan D. Witney (also known as Dr. Joan Witney-Moore) was one of the three founding doctors of the first Community Health Clinic opened under the Saskatchewan Medical Care Insurance Act (1962). Witney had originally trained as a nurse, graduating in the first year that nurses were granted a Bachelor of Nursing degree. After the Second World War, she worked at Norway House and Moosonee. Witney-Moore trained as a doctor and interned at the Charles Camsell Hospital in Edmonton during the 1950s.
In early July 1962, Drs. Joan Witney, Margaret Mahood, and Sam Wolfe helped the Community Health Services Association open Saskatchewan’s first Community Health Clinic. Witney provided medical care during the twenty-three-day strike by most of the province’s doctors, but left the clinic at the end of the strike later in July.

Joan Goodall served as a nurse in Burma during and after the Second World War. Goodall was a volunteer at the UBC Museum of Anthropology (MOA) before the Volunteer Associates was organized. During her volunteer work at MOA, Goodall worked in the Library and then in Ethnology, serving as chairman of the Ethnology Committee and the Nominating Committee. Joan Goodall passed away on 18 January 1982.

Son of Willie Seaweed, Joe Seaweed married in 1928 to Nellie Walkus in Fort Rupert. Joe Seaweed learned to carve while working with his father, and during this time he carved many masks and other carvings very similar to his father's style. In many cases, Joe Seaweed may have done a number of works that have been previously identified as Willie Seaweed's due to their similar styles.

John Mennie was a radio operator in Alert Bay for Bull Harbor, Alert Bay Wireless and Alert Bay Radio between 1930 and 1937.