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University of British Columbia. Museum of Anthropology. Public Relations and Communications Office

  • Entidade coletiva
  • 1982 - 1990

From 1978 to 1981, the functions of the Public Relations and Communications Office, including public programming and public relations activities, were fulfilled by the museum’s Extension Curator.

In 1982, Ruth Anderson was appointed Public Relations Coordinator. In 1985, the position was re-titled Public Relations Officer. In January 1986, Christopher Miller took over the position of Public Relations Officer. In 1987, the position’s title was changed to Public Relations and Development Officer, and was changed again in March 1990 to Public Relations and Marketing Officer.

In October, 1990, the functions of the Public Relations Office were assumed by the newly created Communications Office, headed by Kersti Krug, Director of Communications. From 1994 to 1998, Anna Pappalardo held this position and in 1998 Jennifer Webb took over. During Webb's time the Public and Community Services Department was created, and in 2006 the position was renamed Communications Manager. Webb held this position until 2013. This management position has often been supported by one or more assistants.

The Public Relations and Communications Office was established to increase the public’s awareness of the Museum of Anthropology and to promote its programs and special events. Functioning as an intermediary between the museum and the public, the Office is responsible for developing the public image of the museum. To achieve these functions, the Communications Manager is responsible for developing and maintaining media contacts, holding press conferences, writing press releases, advertising and producing publications about the museum, its programs, events, and services, building relationships with tour guides and hotel operators, and developing techniques for increasing museum attendance. In addition, the Manager is also responsible for coordinating fundraising and promotional events, conducting VIP visits, and representing the museum on various committees and at community events. Historically, this position has also been responsible for administering the museum’s Print Out Art Loan program and acting as a liaison for the Gallery Guides program.

President’s Planning and Coordinating Committee

  • Entidade coletiva
  • [1971 - 1976]

The purpose of this committee, as with all other UBC Planning Coordinating Committees, was to consider all of the interests involved in the development of the new building for the Museum of Anthropology. The Committee was formed to ensure that balanced recommendations, taking into account the overall interests of the University, could be made to the President. Committee members participated in defining terms of construction, operation, and maintenance of the museum, including choosing the architect, deciding location, and securing funds for the continuing operation of the building.

The development and construction of the museum was, in part, made possible by a federal grant, Canada’s 1971 Centennial Gift to the people of British Columbia. The University’s Senate Committee on Academic Building Needs recognized the need for a new museum, linked to the department of Anthropology and Sociology. In 1971 the President’s Planning and Coordinating Committee was formed by then University President Walter Gage to assist in the planning and construction of the Museum of Man building (now known as the Museum of Anthropology, changed in March 1973), and the new facility in the Department of Anthropology and Sociology.

Dean of Arts, Douglas T. Kenny, chaired this committee. Other members included Dr. Michael Ames, Mrs. Audrey Hawthorn, and Dr. Harry Hawthorn, among others (Wilson Duff, Marjorie Halpin, Ingeborg Ruus, Audrey Shane, Gloria Webster.)

Kyuquot Elementary Secondary School

  • Entidade coletiva
  • [19--] - present

The Kyuquot Elementary School, currently (2019) known as Kyuquot Elementary Secondary School, is located on Vancouver Island. The school provides aboriginal education to students grades K-12. The school is a part of the Vancouver Island West School District 084 that includes other four First Nations Schools.

Missionary Society of the Church of England in Canada

  • Entidade coletiva
  • 1902 - [196-]

The Missionary Society of the Church of England in Canada (MSCC) was created in September 1902 by the General Synod. The MSCC formed by combining the Domestic and Foreign Missionary Society, the Canadian Church Missionary Society, and the Woman’s Auxiliary. Its aim was to include all members of the Church into domestic and foreign missions. Internationally, it sponsored missions in Japan, China, India, Palestine, and Egypt. In Canada, the MSCC participated in assisting missionary dioceses, the Columbia Coast Mission, Church Camp Missions, Jewish Missions, Japanese Missions, Immigration chaplaincies, and Residential Schools, as well as working with First Nations and Inuit and with immigrants and settlers. The MSCC ceased operations in the late 1960s, although its Board of Management still produces financial statements related with ongoing MSCC legacies and trusts.

Ronnie Tessler

  • Pessoa
  • 1944-

Ronnie Evelyn Tessler was born in Saskatoon, Saskatchewan in 1944 and has resided in Vancouver, B.C. since 1968. She attended the University of Manitoba, the Manitoba Institute of Technology, the Emily Carr College of Art and Design, the University of Victoria, and Simon Fraser University, where she received a Masters of Arts in Liberal Studies in 2006. Tessler became a documentary photographer in 1973, working on various photographic projects and exhibiting her work in Canada and the United States until 1990. Her artwork resides in a number of public collections, including the National Archives of Canada, the Canada Council Art Bank, and the Canadian Museum of Contemporary Photography. In 1990, Tessler became the first executive director of the Vancouver Holocaust Education Centre, and was instrumental in its development into a fully-staffed facility with a museum, archives, and education and resource centre. Since 1996, she has worked as an independent project consultant and editor for cultural arts groups in B.C.

Beatrice Pilon

  • Pessoa
  • Unknown

Beatrice ‘Beatty’ Pilon worked in Chengtu, Szechwan, China in the late 1940s and made a month-long trip into Tibet by horseback in 1948. Some objects Pilon purchased while in Tibet were later donated to the Museum of Anthropology.

Michael M. Ames

  • Pessoa
  • 1933 - 2006

Michael McLean Ames was born in Vancouver in 1933. He graduated from UBC with a B.A. in Anthropology in 1956, and from Harvard University with a Ph.D. in Social Anthropology in 1961. Ames also studied at the University of Michigan, University of London, and the University of Chicago between 1957 and 1962. He taught at McMaster University from 1962 to 1964, and in 1964 he began working at the University of British Columbia (UBC) as an assistant professor, followed by an associate professorship in 1966 and full professorship in 1970. In 1974 he became Director of the UBC Museum of Anthropology (MOA). From 1974 to 1976 Ames was president of the Shastri Indo-Canadian Institute which was established in 1968 with funding from the Indian Government to promote Indian studies in Canada. Ames retired from MOA in 1997, and received professor emeritus status in 1998. He remained involved with the Anthropology department at UBC, co-teaching undergraduate courses such as Humanities 101 on Vancouver’s Downtown Eastside, chairing the Dean of Arts First Nations Language Programme advisory committee, and helping to institute the Musqueam 101 seminar at Musqueam. In July 2002, Ames returned to MOA as Acting Director until 2004. Michael Ames passed away in February, 2006.

Ames received the Simon Guggenheim Fellowship in 1970, was elected a Fellow of the Royal Society of Canada in 1979, and a Fellow of the Society for Applied Anthropology in 1996. He was appointed a Member of the Order of Canada in 1998. Ames also received the UBC Alumni Award of Distinction in 2005.

Ames published an extensive number of articles and books on a range of subjects including South Asian anthropology, First Nations issues, and museology.

Rita B. Steeds

  • Pessoa
  • 1918-

Rita Steeds (nee Pollock) was born in 1918 in Yorkton, Saskatchewan. She attended business college in Regina and worked in the field of accounting between 1938 and 1955. In 1943, she married James Steeds and moved to Ottawa. She completed training in 1962 to become a medical records librarian. Between 1962 and 1964, she worked as a medical records librarian at the Ottawa Civic Hospital and the Royal National Orthopedic Hospital (London, England). She functioned as the Director of the Medical Records Department of Kingston General Hospital in Kingston, Ontario between 1964 and 1969. From 1969 to 1973, she was Director of the Medical Records Department and the Head of Medical Records Librarian Training at Severance Hospital in Seoul, South Korea. After completing this appointment, she served as a consultant at Silliman University Medical Centre at Dumguetl, Island of Negros, in the Philippines between 1973 and 1976. Prior to her retirement in 1980, Steeds worked as the Head of Medical Records at Wrinch Memorial Hospital, Hazelton, B.C. Rita Steeds is the author of several publications related to medical records in addition to her autobiography, Woman Not Alone.

Jean Telfer

  • Pessoa
  • 1924-1980

Jean Telfer graduated from U.B.C. in 1924, and subsequently trained as a teacher. Telfer worked in this role from 1931 to 1934 at the Morley Residential School in Alberta. In the late 1930s Telfer also worked at the Alberni Residential School in British Columbia.

William McLennan

  • Pessoa
  • 1948 - 2020

William (Bill) McLennan was born in Vancouver on October 4, 1948. He received a degree in Arts and Merchandising from Vancouver City College and upon graduation, worked for the City of Vancouver, the MacMillan Planetarium, and Vancouver Centennial Museum, all in the area of exhibit and graphic design. In 1975, McLennan began to work at the Museum of Anthropology (MOA) on a contract to photograph the presentation of the visible storage system. In 1976, he became a permanent staff member at the Museum.

His initial responsibilities included exhibit design, graphic design, photography, teaching, and research. In these capacities McLennan held the responsibility of photographing collections at various stages, as well as photographing events and the physical building and exhibition spaces. Being a designer entailed working with curators and artists on exhibits, designing labels, brochures and memorabilia sold in the gift shop. His teaching responsibilities included working with students who interned under his supervision during the school year, giving classes on photography and design to students taking museum studies courses and giving lectures of Northwest Coast painting and photography. In 1993 he began to curate exhibits, McLennan’s first exhibit as curator was The Transforming Image after his discovery through extensive research that infrared film could reveal Northwest coast paintings that had disappeared under the patina of age. In 2001 he officially became a curator/project manager in addition to continuing work in the graphic design department. In addition to these duties, McLennan performed contract work for various museums.

In 1979, McLennan won the Certificate of Design Excellence for exhibit design for Print Magazine Casebooks. In 1983, he received a Canada Council Grant, followed by a BC Heritage grant in 1984 and 85, to research the possibilities of using infrared film to reveal Northwest Coast paintings that had faded with time. This research was interrupted in 1986 when McLennan took a one-year leave of absence from the Museum to work for Expo ’86 as a member of the exhibits team. In 1987, he received a planning and development grant from the Museums Assistance Program in order to develop his previous research on infrared painted images into an exhibit and book. This exhibit came to fruition in 1993 and was called ‘The Transforming Image’ from which a book was published by the same name which won the Award for Outstanding Achievement from the Canadian Museums Association in 2001. He also received a Certificate of Merit from the British Columbia Historical Federation for this book.

McLennan was also the recipient of the President’s Service Award for Excellence from the University of British Columbia in 1995 and the British Columbia Museums Associations Award of Merit for “The Respect to Bill Reid Pole” in 2002.

In 2010, McLennan curated an exhibit displaying the works of Charles and Isabella Edenshaw titled ‘Signed Without Signature: Works by Charles and Isabella Edenshaw’. This exhibit used 3D imaging technology to show the patterns on 3D objects in a flat undistorted perspective.

McLennan retired from MOA on October 31, 2013.

Marjorie M. Halpin

  • Pessoa
  • 1937 - 2000

Marjorie Myers Halpin was born on February 11, 1937 in Tampa, Florida. She received both her Bachelor and Master of Arts degrees in Anthropology from George Washington University in 1962 and 1965 respectively. Between 1963 and 1968, Halpin was employed as a docent and an instructor in anthropology at the Smithsonian Institution in Washington, D.C. During this time, she was also a part-time lecturer at George Washington University. Halpin’s involvement as teacher and scholar at the University of British Columbia began in 1968 when she was hired as a sessional lecturer in the Anthropology Department. Her duties evolved to include part-time curating at the Museum of Anthropology at U.B.C. She received her Ph.D. from U.B.C. in 1973 and was hired for the position of Assistant Professor and Curator in the same year. Halpin was promoted to the rank of Associate Professor and Curator at U.B.C. in 1981 and remained in this position until the time of her death in 2000. She was also Acting Director of the Museum from 1983 to 1984.

As a professor in U.B.C.’s Anthropology Department, Halpin taught both lower and higher level anthropology courses. She also supervised the work of many Master’s and Ph.D.-level students and served as Chair and University Examiner for numerous Ph.D. students. As part of U.B.C.’s faculty, Halpin served on various committees including the Department Equity Committee, the Graduate Studies Committee and Green College’s Membership Committee. As scholar and writer, Halpin’s main interests were in Coast Tsimshian and Gitksan ethnology, museum anthropology, and the anthropology of art and ritual, which led her to produce many articles and essays on native art and culture. In addition, Halpin also gave presentations and public lectures at national and international conferences. She wrote two books, Totem Poles: An Illustrated Guide and Jack Shadbolt and the Coastal Indian Image, both of which were published as part of the Museum of Anthropology’s Museum Note Series. Halpin also edited and reviewed many publications within the anthropological field and contributed chapters to Canadian Encyclopedia, The Handbook of North American Indians and Consciousness and Inquiry, among many other publications. Her scholarly interests have also led to her involvement with electronic publications on Northwest Coast art, namely with CD-Roms and websites.

Halpin was an active member of numerous societies such as the Canadian Ethnology Society, the Canadian Museums Association and the Native Studies Art Association of Canada. She was also a member of the Tri-Council (MRC, SSHRC, NRC) Committee on Collections Documentation (2000), Chair of the Totem Pole Advisory Committee for the Vancouver Board of Parks and Recreation (1983-84) and Chair of the Committee on Museum Ethics for the Canadian Ethnology Society (1974-75). In addition to her duties as teacher, scholar and anthropologist, Halpin also took on the role of consultant for numerous private projects. Marjorie Halpin passed away in White Rock in 2000.

Dalai Lama XXIII

  • Pessoa
  • 1935-

The 14th Dalai Lama, is a Tibetan Buddhist monk who is considered to be the first Dalai Lama to become a global figure, largely for his advocacy of Buddhism and of the rights of the people of Tibet. Despite his fame, he dispensed with much of the pomp surrounding his office, describing himself as a “simple Buddhist monk.” He was born Lhamo Dhondup in a small village called Taktser in northeastern Tibet. Born to a peasant family, His Holiness was recognized at the age of two. In accordance with Tibetan tradition, as the reincarnation of his predecessor the 13th Dalai Lama, His Holiness is an incarnation of Avalokiteshvar, the Buddha of Compassion.

Darrin Morrison

  • Pessoa
  • 1965 - 2023

Darrin Morrison was born on April 19, 1965 in Toronto, Ontario. From 1984 – 88 he attended the Ontario College of Art and Design. From 1991 – 1994 he was enrolled at the University of British Columbia (UBC), attending classes in Museum Studies, Conservation, and Chemistry. During the time Darrin Morrison was enrolled at UBC, he worked as a Museum Consultant, creating Emergency Contingency Plans for several local museums

From 1991 to 2005, he was employed at the Museum of Anthropology (MOA) at UBC. He was originally employed as a Preventive Conservation Specialist (1991-93) and moved into the position of Project Manager in the area of Preventive Conservation and Design, before his departure. Morrison’s tasks included designing museum exhibitions and displays as well as planning and implementing preventive conservation measures for the collections. He also taught and supervised students in classes such as preventive conservation, exhibition design, museum principles and methods. Besides teaching and working at MOA, Morrison also devoted time to instructing at cultural centres and small museums.

Darrin worked as the Administrator/Curator at the West Vancouver Art Museum from 2005 until 2020. He passed away in 2023.

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