Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

Image of a totem pole, with a woman standing in front of it. The pole appears to be the same as the one featured on page 67 of Carter's book "From History's Locker," which has the caption: "One of the finest remaining totems on the coast stands alone in the village of Mamalilacoola."

Image of a cemetery, with a large wooden archway at the entrance, a few totem poles, and some crosses. The archway is carved and painted, featuring two whales on either side, and a figure perched at the top between them.

Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.

The pole, known as Pole-in-Sand, represents the sandbar at mouth of Skeena River.

Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.

This pole is shown on page 127 of Carter's book Abundant Rivers, with the inaccurate caption: "This well-carved pole belongs to Mr. Russell, one of the councillors at Kitsegukla. The predominant long-billed bird is a mythical figure called 'Weneel.'"

Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.

This pole is shown on page 127 of Carter's book Abundant Rivers, with the inaccurate caption: "This well-carved pole belongs to Mr. Russell, one of the councillors at Kitsegukla. The predominant long-billed bird is a mythical figure called 'Weneel.'"

Item is an image of two buildings and three poles.

Image of a portion of one totem pole at Kispiox Village in BC. Another totem pole is visible in the background. These poles appear to be a few from a larger group that is pictured on pages 114-115 of Carter's book Abundant Rivers.

Image of four Kispoix totem poles. Snow is on the ground.

Image of totem poles, canoes, and longhouses(?) in the Nass River valley of BC.

This historic image appears to be show a box front in Ottawa that is felt to be the same box front as the original one on MOA pole A50020.

Image shows the remains of totem pole in an unidentified location. The pole is lying on the ground.

Image of the remains of a totem pole in Karlukwees, Turnour Island, BC.

Image of the remains of a totem pole in Karlukwees, Turnour Island, BC.

Image of the remains of a totem pole in Karlukwees, Turnour Island, BC.

Image of two old, unidentified totem poles in Gitsegukla, BC.

Image of a group of carved posts located in an unidentified area of coastal British Columbia, likely somewhere near Hope of Gilford Island.

Image of a piece of on old totem pole, sitting on a block. It appears to be located in a museum, possibly the Museum of Anthropology at the University of British Columbia.