Heaven, Hell, and Somewhere In Between: Portuguese Popular Art

Référentiel

Code

Note(s) sur la portée et contenu

  • May 12 - October 12, 2015
  • CURATOR: Dr. Anthony Shelton, MOA Director
  • MOA delves deep into popular art of Portugal in the upcoming exhibition entitled Heaven, Hell and Somewhere In Between: Portuguese Popular Art, on view May 12 through October 12, 2015. The North American premiere of this extraordinary exhibition will include 300 Portuguese folk artworks – a distinct and eclectic mix of digital graffiti projections with popular rural creations: puppets, figurines, carnival masks, ceramics, and more. The exhibit will showcase the work of a passing generation of great artists—craftspeople, illustrators, and painters. The exhibition presents Portuguese popular art as multi-leveled, theatrical, politically astute, and individualistic. These creations provide a theatre of the nation, where art and culture are mediated through the eruption of personal, profound, and deeply felt sentiments. In fall 2015, Shelton will lead a group of enthusiastic participants on a 13-day trip to Portugal as part of MOA Journeys, an initiative launched in November 2014 with an inaugural voyage to Cuba. A unique cultural encounter, those partaking in the expedition will deepen their understanding of Portuguese society through encounters with select artists represented in the exhibition, excursions to artist studios, and cultural workshops.

Note(s) sur la source

Note(s) d'affichage

Termes hiérarchiques

Heaven, Hell, and Somewhere In Between: Portuguese Popular Art

Terme générique Museum exhibitions

Heaven, Hell, and Somewhere In Between: Portuguese Popular Art

Termes équivalents

Heaven, Hell, and Somewhere In Between: Portuguese Popular Art

Termes associés

Heaven, Hell, and Somewhere In Between: Portuguese Popular Art

17 description archivistique résultats pour Heaven, Hell, and Somewhere In Between: Portuguese Popular Art

17 résultats directement liés Exclure les termes spécifiques

Heaven, Hell and Somewhere In Between: Portuguese Popular Art

Subseries consists of records related to the graphic design for the Heaven, Hell and Somewhere in Between exhibit, on display at the Museum of Anthropology May 12 - October 12, 2015. The exhibit was curated by Dr. Anthony Shelton (MOA Director).

Exhibition books and catalogues

Series consists of books and catalogues pertaining to exhibitions and collections at the Museum of Anthropology. The following exhibitions and collection are covered by publications within the series:

  • Bodies of Enchantment: Puppets from Asia, Europe, Africa, and the Americas
  • Charles Edenshaw
  • Chinese Art
  • Divine Threads: The Visual and Material Culture of Cantonese Opera
  • Discerning Eye: The Walter C. Koerner Collection of European Ceramics
  • Gawa Gyani
  • Heaven, Hell, and Somewhere In Between: Portuguese Popular Art
  • ひろしま Hiroshima
  • Knowledge Within
  • Lawrence Paul Yuxweluptun: Unceded Territories
  • Layers of Influence: Unfolding Cloth Across Cultures
  • Luminescence: The Silver of Peru (English)
  • Luminiscencia: La Plata del Perú (Spanish)
  • People Among the People: The Public Art of Susan Point
  • Safar/Voyage: Contemporary Works by Arab, Iranian, and Turkish Artists
  • Savage Graces
  • The H.R. MacMillan Collection
  • The Marvellous Real: Art from Mexico, 1926 - 2011
  • The Museum of Anthropology at the University of British Columbia
  • The Potter's Art: Contributions to the Study of the Koerner Collection of European Ceramics
  • The Transforming Image
  • The Walter and Marianne Koerner Collection
  • Theatrum Mundi: Masks and Masquerades in Mexico and the Andes
  • Traces of Words: Art and Calligraphy from Asia
  • Under Different Moons: African Art in Conversation
  • Where the Power Is: Indigenous Perspectives on Northwest Coast Art

Museum of Anthropology Annual Report 2015-2016

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of collaborations with the global partners including the National Museum of Papua New Guinea, cultural preservation and conservation work in local communities and institutions, and digitization projects at the Audrey and Harry Hawthorn Library and Archives and the Oral History and Language Lab, among other initiatives.