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Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

The fonds consists of printed ephemera relating to First Nations art, correspondence, and photographs of Gitksan totem poles.

The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.

The fonds consists of records relating to African culture and craftsmanship. It includes photographs and slides of Ivory Coast and Nigerian crafts and cultural events, correspondence, research notes about African handicrafts, typed anthropological portraits of craftspeople and related drawings, postcards and magazine clippings.

Fonds consists of 83 photographs taken between 1974 and 75 when Dan Jorgensen was in Papua New Guinea to study the Telefolmin people. The images have been mounted on card and are labeled with place and title. Most of them were assigned a number and letter by Dr. Jorgensen. On the verso of the card, Dr. Jorgensen has detailed what is happening in the image.

The material is grouped according to a letter designation which Dr. Jorgensen had assigned. The assistant archivist has assigned a DJ and number to those images that Dr. Jorgensen had not numbered.

D:
1 Daduvip boy
2 village children
3 Daduvip children
4 Foiwalmin boy
5 three young girls
6 3 Telefomin girls
7 Daduvip children
8 women and children
9 women in mourning
10 women and children
11 gov’t headsman
12 Daduvip woman [Mislabeled. This is a portrait of Robinokof, a young man, of Dividuvip hamlet.]
13 father and son
14 Faiwolmin hunter
15 decorated feather bag
16 spirit house
15 Faiwolmin man
17 imitation headdress [initiation?]
19 two men in dance regalia
20 traditional dress
21 dancing costume
22 Telefolmin men

F:
1 prized taro plant
2 new taro garden
4 man and his gear
5 mother and child
6 pandanus fruit
7 preparing food
8 cooking fruit
9 placing cooking stones
10 cooking fruit parcels
11 food for feast
12 singeing pig
12 cooking for feast
13 & c. 2 small feast
14 cooking for feast
15 Daduvip women
16 pig-kill
17 binding pig for sacrifice
18 killing pig
19 kill pig
20 pig dispatched
21 singeing pig
23 butchering a pig

H:
1 & c. 2 ancestral village
2 Telfolip village
3 house building
4 house building
5 house building
6 house building
7 & c. 2 old Daduvip woman
8 spirit house
9 spirit house
10 the Yolan-ritual house
11 men’s compound
12 Kobelman
13 menstrual & childbirth hut
15 ethnographer’s house

[DJ] :
1 curing ceremony
2 plating ritual
3 ceremonial planting
4 curer & patient
5 fighting demonstration
6 fighting demonstration
7 fighting shield
8 fight demonstration
9 healing ritual
10 healing ritual
11 healing rituals
12 sacred netbag
13 child prophet NOTE: Consultation of photographer necessary before public display of this image
14 dancers
15 clay sculptures
16 Ifitamin valley
17 slow cooking technique
18 preparing a fire
19 ceremony
20 curing ritual
21 food for feast
22 (H 14 F 3) old garden house