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Lynn Hill fonds

  • 103
  • Fundo
  • 1998 - 2000

The fonds consists of the records created by Lynn Hill while she was employed as curator-in-residence at the Museum of Anthropology. They relate predominantly to her curation of the exhibition Raven’s Reprise. The exhibition involved the installation of works by contemporary Northwest Coast artists around the Museum, and was intended to challenge viewers’ expectations of Northwest Coast art by juxtaposing traditionally accepted aesthetics and technology with modern materials and urban sensibilities. Records reflect Hill’s planning of the exhibition, as well as her communication with artists involved in the exhibit and in a complimentary series of public talks. Other records relate to Hill’s work on Gallery 3 and with the Native Youth Program.

Documents include source books, correspondence, reports, training materials, budgets, grant applications, exhibit proposals, draft exhibition materials, resumes, brochures, photographs, interview transcripts, and copies of print materials.

Lynn Hill

Darrin Morrison fonds

  • 106
  • Fundo
  • 1998 - 2005

Fonds consists of material related to Morrison’s involvement with several exhibits at the Museum of Anthropology at the University of British Columbia, as well as his work planning and implementing preventative conservation measures, and his work design the Museum Research Centre. The fonds consists of one series of Exhibitions with sub-series corresponding to separate exhibits. Another series consists of information on a book on textiles and costumes. The last series consists of information about building projects that Morrison was involved with. Material consists of correspondence, handwritten notes, exhibit catalogs, poster and invitation proofs, budgets, slides, copy and 35 mm negatives, floppy disks, project descriptions, postcards, video cassettes and artist histories.

The fonds is arranged in the following series:

  1. Exhibitions
  2. Textiles and Costume
  3. Building Projects

See attached pdf document for series descriptions and file lists.

Darrin Morrison

Friends of the Museum of Anthropology fonds

  • 112
  • Fundo
  • 1977 - 1992, predominant 1978 - 1984

Fonds consists of records related to the administrative functions of the society and includes meeting minutes, internal and external correspondence, membership lists, committee and sub-committee files, records about the society’s constitution and seal, and relevant financial information. There is also a file related to the 1981 benefit concert for the proposed Haida canoe wing.

Friends of the Museum of Anthropology

Audrey Hawthorn fonds (private records)

  • 115
  • Fundo
  • 1950 - 1998, predominant 1960 -1980

This fonds consists primarily of records generated by Audrey Hawthorn in her position as an anthropology professor at the University of British Columbia and records related to her publications. It includes notes, course materials, correspondence, memos, draft copies of publications, and some published materials (originals and photocopies). This fonds also contains photographic materials, primarily slides used in teaching Anthropology 331 and 431. The fonds is organized into the following series and subseries:

  1. Teaching Records (1963-1978)
    A. Anthropology 331 and Anthropology 431
    B. Teaching Slides

  2. Professional Development Records (1973-1975)

  3. Research and Publications Records (1955-1982)
    A. Art of the Kwakiutl Indians
    B. Kwakiutl Ceremonial Art
    C. A Labour of Love
    D. Exhibits and Other Research

  4. Bill Reid (1962-1998)

See attached pdf document for full finding aid and box/file lists.

Audrey Hawthorn

Michael Kew (MOA curator) fonds

  • 116
  • Fundo
  • [1978] - 1997

The fonds consists of slides collected by Dr. Kew in the course of curating the exhibition Visions of Power, Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The fonds is divided into the following series: Central Coast Salish Art Inventory ([1978]-1979), and Visions of Power, Symbols of Wealth Exhibition (1980). It also contains reports, memos, minutes and correspondence relating to the Ways and Means Committee.

There are three series in the fonds:

1.  Central Coast Salish Art Inventory
2. Visions of Power, Symbols of Wealth Exhibition
3. Ways and Means Committee

Michael Kew

Marjorie M. Halpin fonds (private records)

  • 117
  • Fundo
  • 1924 - 2000, predominant 1966 - 2000

Fonds consists of records created by Marjorie Halpin as a professor and scholar of Anthropology. The records mainly consist of textual records and audio-visual material including photographs, slides, audio-cassettes, video-cassettes, posters and maps. The records include correspondence, memoranda, reports, curriculum vitae, cue cards, invitations, lecture notes, planning notes, research notes, draft copies of articles and papers, reviews of publications written by Halpin and reviews of Halpin’s own work, grant applications, budgets, negatives, contact sheets, postcards, overheads, taped interviews, minutes of committee meetings, published proceedings of conferences and other material relating to Halpin’s participation in conferences.

The fonds has been organized into the following series:

1.  Teaching and Education Files, 1971-2000

2. Research Files, 1938-1999

3. Published and Unpublished Works, 1968-2000

4. Community Service Files, 1972-2000

5. Correspondence Files, 1924-2000

Marjorie M. Halpin

B.C. and Jessie Binnings fonds

  • 26
  • Fundo
  • 1959-1972

Fonds consists of records related to the Binnings’ correspondence with (predominantly) friends and colleagues overseas in Japan from 1959 to 1971, including Bishop Kojo Sakamoto and members of his family. Mostly composed of personal letters written by hand, several letters are painted using calligraphy. Other records include program brochures and news clippings for exhibits in Japan and North America, and scrapbooks assembled by the Binnings. These either commemorate various visits they took to Japan or of visits their Japanese friends took to Canada. Fonds is divided into three series:

  1. Correspondence
  2. Sakamoto Printed Exhibit Matter
  3. Scrapbooks

Bertram Charles (B.C.) Binning

Basil and Edythe Hartley fonds

  • 27
  • Fundo
  • ca. 1941-1944, 1983

Fonds consists of audio, video, and visual materials created by Basil and Edythe Hartley. Materials include video footage of the Haisla people, which Hartley shot while working in Kitimaat from 1941-1944, a voiceover for the footage which Hartley’s widow, Edythe McClure, created in ca. 1983, a letter, and three photographs of Kitimaat people and landscapes. The three audio cassettes all contain the same 1983 recording.

Basil Hartley

Collections Care, Management and Access fonds

  • 133
  • Fundo
  • 1948 - 2014

Fonds consists of records generated by the Collections Care, Management (CCMA) department at the Museum of Anthropology. These records include administrative records and planning material that document the work of the three units within CCMA: Collections, Conservation, and the Audrey & Harry Hawthorn Library and Archives. Record types include policies, loan documentation, acquisition documentation, object evaluations and photographs, conservation notes, teaching and special project files, exhibit planning material, correspondence, budget reports, and meeting minutes.

The fonds is divided into four sous-fonds, one for each of the three units within CCMA, as well as a sous-fonds for general CCMA administrative records:

  1. Collections
  2. Conservation
  3. Audrey & Harry Hawthorn Library and Archives
  4. CCMA Administration

Because of changes to the organization of MOA over the years, there are some overlaps in these functions, especially with older material. For example, there are likely some records relevant to conservation in the Collections sous-fonds and vice-versa.

Collections Care, Management and Access department

Charles E. Borden fonds

  • 140
  • Fundo
  • ca. 1954

The fonds consists of a file titled Tsimshian Totem Poles and contains 38 black and white photographs of Kitwancool totem poles.

Charles E. Borden

Jennifer Kramer fonds

  • 126
  • Fundo
  • 1967-2012

Fonds consists of records related to Jennifer Kramer's work as a curator at MOA. Currently only records relating to the planning and implementation of exhibits curated by Jennifer Kramer are in the fonds.

Jennifer Kramer

A.F.R. Wollaston fonds

  • 10
  • Fundo
  • ca. 1915-1919

The fonds consists of photographs likely taken by A.F.R. Wollaston in Uganda, the Congo, New Guinea, and Fiji. Also included are the envelope in which the photos were posted, and a note from M (Marjorie Halpin) to Audrey (Shane? Hawthorn?) regarding the donation of the photos to MoA.

A.F.R. Wollaston

Vickie Jensen and Jay Powell

  • 3
  • Fundo
  • 1969-2008

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitksan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials.  Often the education materials incorporated cultural lessons throughout.  The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced.  Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect.  As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work.  This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities.  This close relationship is reflected in and is integral to their work.  Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981.  Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals.  Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

1. Quileute
2. Chinook Jargon
3. Kwak’wala (U’Mista)
4. Gitksan
5. Nuu-chah-nulth
6. Salishan
7. Shuswap
8. Haisla
9. Tait
10. Northwest Coast artists
11. Northwest Coast groups
12. UBC totems/events
13. Publications

Vickie Jensen and Jay Powell

Elizabeth Johnson fonds

  • 21
  • Fundo
  • 1980 - 2006

The records in this fonds were created and received in the course of Elizabeth Johnson’s tenure at the Museum of Anthropology. The records relate to activities Johnson was involved through her various positions at the Museum in involvement with exhibitions, collections, the museums relations with the community and various community events sponsored by the museum, teaching and various administrative activities. The fonds consists of agendas, agreements, articles, artifact lists, attendance figures, books, business cards, budgets, catalogue drafts, comment book, contract lists, correspondence, curators statement, diagram, drawings, evaluations, exhibit labels, expenses, internal forms (exhibit proposal forms), financial records, flyer, final report, guidelines, grant applications, invitations, memorandums, minutes of meetings, museum exhibit diagrams, permission forms, photographs, notes, plans, policies, press releases, proposals, publications (books), publicity records, receipts, reports, reproductions of newspaper ads and articles, research notes, revisions, schedules, slide list, slides, speaking notes, student papers, surveys, teaching notes, transcripts of research interviews, audio cassettes of interviews, translations, visitor surveys and videos.

The fonds is arranged in the following 8 series:

  1. Proposed Exhibits
  2. Exhibits
  3. Collections
  4. Special projects and events series
  5. Correspondence series
  6. Museum education series
  7. Administrative series
  8. Academic materials

See attached pdf document for description of series and file lists.

Elizabeth Lominska Johnson

David Cunningham fonds

  • 28
  • Fundo
  • [19-?] - 2014, predominant 1990 - 2014

The fonds reflects Cunningham’s function as Manager, Design/Exhibits for MOA; his role in MOA facility planning and renovations; his position as an instructor in the Department of Anthropology at UBC; and involvement in other projects for MOA and external organizations. The records are arranged in the following series:

  1. Education records (1988 - [ca. 2004])
  2. Exhibit records (1987 - 2005)
  3. Renovation records ([19-?] - 2014)
  4. Miscellaneous project records (1987 - 2002)
  5. CFI Partnership of peoples project (1990 - [2012])
  6. Photographs (1990 - [2005])

The records include artists’ statements and artwork; banners; blueline prints; calligraphy; case lists; contact prints/proofs; contracts; correspondence; diagrams; exhibition catalogues; exhibition panels; exhibition proposals; exhibition text; guidelines; invitations; labels; lecture notes; loan agreements; manuals; measurements; memoranda; minutes; negatives; object lists; photographs; plans; policies; reports; syllabi; and tender drawings.

David Cunningham

Evelyn Goddard fonds

  • 8
  • Fundo
  • 1919-1977 [predominant 1919-1923]

Fonds consists of four photographs, and correspondence between Evelyn Goddard and the Museum of Anthropology regarding the donation of the images. The photographs include two snapshots taken by Goddard of indigenous graves at Hagwilget, BC, a photograph showing scenes around Hazelton, BC, and a postcard featuring the image of a totem pole at Kitseguecla, BC.

Evelyn Goddard

Beatrice Pilon fonds

  • 14
  • Fundo
  • c. 1948

Fonds consists of 14 negatives from a trip to Tibet that Pilon took circa 1948.

Beatrice Pilon

Michael M. Ames fonds (private records)

  • 6
  • Fundo
  • 1959-1984, predominant 1982-1984

The fonds consists mainly of slides, negatives, and other material relating to Sinhalese (Sri Lankan) and other South Asian masks held at numerous repositories worldwide, studied by Ames in the late 1950s and early 1980s. Subjects also include people, places, temples, ceremonies, and daily life in Sri Lanka, Bangkok, Cambodia, and Singapore. Numerous research articles reproduced by Ames, as well as travel brochures, are included. Material from student exhibits related to South Asian masks is also included.
The records have not been arranged into series since the entire fonds consists of closely related material.

Michael M. Ames

Herb Watson fonds

  • 107
  • Fundo
  • 1975 - 1992

Fonds consists of records generated by Watson while working as an exhibit designer at the Museum of Anthropology. Material includes records gernated during the preparation and documentation of exhibitions at the Museum, as well as records generated for two additional design projects undertaken by Watson during his tenure at MOA: the design of textile storage and display unit, 1980-1984; and the design of an extension to the west wing of MOA, 1988-1990.

Fonds is organized into two series:
1 - Museum design
2 - Exhibition design

See attached pdf document for series descriptions and file list.

James Herbert Watson

Public Programming and Education fonds

  • 110
  • Fundo
  • [1970] - 2009

The records in this fonds are not the records of one creator, but all records that support the function of Public Programming and Education at the Museum of Anthropology (MOA). The function of Public Programming and Education at MOA produces a number of different kinds of records including: textual records, correspondence, memoranda, handwritten notes, meeting minutes, reports, brochures, press releases, newspaper clippings, financial statements, grant applications, publication drafts, policy information, mission statements and other administrative materials. Graphic material include: photographs, negatives and slides.

This fond is organized into the following series:

  1. School programming
  2. Public programming and special events
  3. Special projects
  4. General Administration

See attached pdf document for descriptions of these series and file lists.

University of British Columbia. Museum of Anthropology. Public Programming and Education

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