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Marjorie M. Halpin fonds (private records)

  • 117
  • Fundo
  • 1924 - 2000, predominant 1966 - 2000

Fonds consists of records created by Marjorie Halpin as a professor and scholar of Anthropology. The records mainly consist of textual records and audio-visual material including photographs, slides, audio-cassettes, video-cassettes, posters and maps. The records include correspondence, memoranda, reports, curriculum vitae, cue cards, invitations, lecture notes, planning notes, research notes, draft copies of articles and papers, reviews of publications written by Halpin and reviews of Halpin’s own work, grant applications, budgets, negatives, contact sheets, postcards, overheads, taped interviews, minutes of committee meetings, published proceedings of conferences and other material relating to Halpin’s participation in conferences.

The fonds has been organized into the following series:

  1. Teaching and Education Files, 1971-2000
  2. Research Files, 1938-1999
  3. Published and Unpublished Works, 1968-2000
  4. Community Service Files, 1972-2000
  5. Correspondence Files, 1924-2000

Sem título

Robert Keziere fonds

  • 76
  • Fundo
  • 1982

The fonds consists of 17 photographic prints taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions. In 2021 an additional roll of film was discovered by Keziere and prints, negatives, contact sheet, and USB flash drive were added to the fonds.

Sem título

Beatrice Pilon fonds

  • 14
  • Fundo
  • 1926-1979, predominant 1947-1949

The fonds consists of material Pilon created and collected when she was in China from 1947-49. Pilon worked for the Pioneer Timber Co., and attended the Medical College at West China Union University (WCUU), in Chengtu, Szechwan, China. Prominent themes among the fonds materials are the daily life of an international student in China, Christian missionary work in China, and discussions (among English speakers) on the contemporary Chinese Revolution of 1949.

Records include letters, photos from China and Tibet, local publications, and drafts of Pilon's essays. The fonds also includes an original book of Mongolian Folklore (1926) and other misc. related items. Also includes digitized copies of material, created by Pilon's niece, Jane Wagner.

The records are organized into the following function-based files:

  1. Correspondence
  2. Photography
  3. Collected Publications
  4. Personal Writing
  5. Ideas
  6. Passports
  7. Mongolian Folk Lore
  8. Blank Stationary
  9. Collection of Chinese Currency
  10. Stamp Collection

Sem título

MOA Partnership of Peoples Renewal Project fonds

  • 150
  • Fundo
  • 1998 - 2010

MOA’s Partnership for the Peoples Renewal project (MRP) was a multi-year major expansion and renovation project, undertaken to enhance physical, visual and virtual access to MOA collections in order to better facilitate ongoing research. The project lasted from 2004-2010, and cost approximately $55.5 million. It was funded in large part by a Canada Foundation for Innovation (CFI) grant. Additional funds came from provincial (British Columbia) grants, a Museums Assistance Program (MAP), and the University of British Columbia. Prior to the launch of the MRP, MOA’s thirty year old infrastructure was no longer able to successfully serve the increasing demands of its communities and users due to insufficient space to safely store or display material, to acquire new acquisitions, or to conduct research

Renovations included a new research wing, new offices, laboratories, a culturally sensitive research room, recording studio, and a new exhibition hall (The Audain Gallery). Other enhancements included MOA's new Multiversity Galleries, the creation of the Reciprocal Research Network (RRN), expansion of the Museum Shop, a new cafe, and courtyard and outdoor events area.

The work of the MRP was carried out by different streams: Program Wide stream, Building stream, Collections Research and Enhancement Project (CREP), the Reciprocal Research Network (RRN), and the Laboratory of Archaeology stream. Records in the fonds are divided into series based on these streams.

The MRP had physical and virtual components. The physical components included:
• Expanding the building (from approx.. 50,000 square feet to 120,000 square feet)
• Creation of spaces suitable for interdisciplinary and collaborative community-based research
• New 5,600 square foot exhibition space
• A redesign and expansion of visible storage into the “Multiversity Galleries”
• Expanded capacity for direct object study through the creation of research suites
• New large object storage rooms for textiles, works on paper, and three dimensional works
• New offices for staff
• New chemistry lab
• New library and archives space
• Installation of a Museum cafe
• Expansion and relocation of the Museum Shop

Virtual components included:
• Development of the Reciprocal Research Network (RRN)
• The digitization of MOA’s object collection, and development of an online catalogue to make these images and object information accessible.
• Consultations with originating communities regarding the handling and description of MOA’s object collection

Major roles in the MRP included:
• Jill Baird (MOA staff) – Project Lead,
• UBC Properties Trust (especially Joe Redmond and Rob Brown) – The University’s development arm given responsibility to build all UBC buildings. Involved in review and approval of design and budget, including UBC Board approvals
• Lundholm Associate Architects (Michael Lundholm, Lead) – Museum architect and planning specialist. Worked on initial plans with MOA in early phase, and did the feasibility study.
• Stantec Architecture Limited (Noel Best, lead) – The architectural firm that designed the building and interior spaces renovations and additions, in consultation with Arthur Erickson (architect of the original building)
• David Cunningham – Lead project designer
• Ambit Consulting (Dan Zollmann) – Provided program management consultation for non-building components of MRP
• Goppion - Italian company that made the new cases that went in the Multiversity Galleries

Collections Care, Management and Access fonds

  • 133
  • Fundo
  • 1948 - 2014

Fonds consists of records generated by the Collections Care, Management (CCMA) department at the Museum of Anthropology. These records include administrative records and planning material that document the work of the three units within CCMA: Collections, Conservation, and the Audrey & Harry Hawthorn Library and Archives. Record types include policies, loan documentation, acquisition documentation, object evaluations and photographs, conservation notes, teaching and special project files, exhibit planning material, correspondence, budget reports, and meeting minutes.

The fonds is divided into four sous-fonds, one for each of the three units within CCMA, as well as a sous-fonds for general CCMA administrative records:

  1. Collections
  2. Conservation
  3. Audrey & Harry Hawthorn Library and Archives
  4. CCMA Administration

Because of changes to the organization of MOA over the years, there are some overlaps in these functions, especially with older material. For example, there are likely some records relevant to conservation in the Collections sous-fonds and vice-versa.

Sem título

Pam Brown fonds

  • 104
  • Fundo
  • 1987 - 2013

Fonds reflects Brown’s career as a curator at the Museum of Anthropology, including her role as Supervisor of the Native Youth Programme. Records include correspondence, memoranda, reports, press clippings, grant applications, press releases, schedules, liability waivers, itineraries, comment books, student assignments, scripts for student presentations, photographs, and audio recordings.

The records are organized into the following series:

  1. Native Youth Programme
  2. Aboriginal Cultural Stewardship Programme
  3. Aboriginal Museum Internship Program
  4. Sourcebooks and Related Materials
  5. Repatriation Forum

See attached pdf document for full description of these series and file lists.

Sem título

Beverley Brown fonds

  • 17
  • Fundo
  • [ca. 1937 - ca.1949]

The fonds consists of 478 photographs, predominantly of students at the St. Michael’s Residential School in Alert Bay. Beverley Brown and her friends took the photographs between ca. 1937 and ca. 1945 using Brown’s camera. Photographs from this period include shots of the students with their friends and of social events, as well as posed class photographs. These class photographs were taken by school supervisors who subsequently sold the prints to other students. Other photographs were taken in Brown’s hometown, Bella Bella, and in the area of the Namu cannery. These show weddings, fishing boats, landscapes, and buildings. Peter Mason Sr., Brown’s father, had the photographs developed in Vancouver.

The fonds has been arranged into three series:

  1. St. Michael’s Residential School photographs
  2. Bella Bella photographs
  3. Langley High School photographs

Sem título

Diane Elizabeth Barwick fonds

  • 41
  • Fundo
  • 1947 - 1958

The fonds consists of 7 photographs from a June 1958 centennial [centenary] celebration in Alert Bay that Barwick described as having been ordered from a local cameraman. There are also 7 postcards that contain images of Alert Bay ca. 1949 or 1950 that were purchased by Barwick in the summer of 1958. Sixteen negatives were taken by Barwick at an excavation at Beach Grove in the Fraser River delta in June of 1957, likely done under the guidance of Charles Borden, a Lecturer and later Professor of Archaeology at UBC who studied the Beach Grove site from ca. 1955 to 1958. Notes on the envelope indicate these negatives include images of D. N. Abbott, Colin McCafferty, and Nansi Swayze.

Sem título

Fuyubi Nakamura fonds

  • 153
  • Fundo
  • 1996-2016

The fonds consists of materials related to Fuyubi Nakamura's role as Curator of Asian Collections at the Museum of Anthropology (2014-present). Currently this exclusively relates to records of the exhibit (In)visible: The Spiritual World of Taiwan through Contemporary Art/形(無)形-台灣當代藝術的靈性世界 (November 20, 2015 – April 3, 2016).

Sem título

Harry B. Hawthorn fonds

  • 51
  • Fundo
  • [189-] - [200-], predominant [193-] - [197-]

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with Indigenous communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

Sem título

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