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Karen Duffek fonds
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106 cm textual records
ca. 1400 photographs : negatives, slides, prints, and transparencies
7 optical discs: DVD+R
3 videocassettes: VHS
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História biográfica
In spring of 1983, Karen Duffek received her Masters of Arts in Anthropology from the University of British Columbia with a thesis titled The Contemporary Northwest Coast Indian Art Market. Karen Duffek’s relationship with the Museum of Anthropology has spanned over twenty years. From 1985 through 1999, Duffek was a Guest Curator and Research Associate, during which time she worked closely with Marjorie Halpin. In 1999, she took on a role as Interim Manager in Administration at MOA. In 2000, she was hired by the Museum of Anthropology as a Curator of Contemporary Visual Arts & the Pacific Northwest. Since 1985, Duffek has published numerous articles, essays, and anthologies addressing issues in Native Art. She has written multiple exhibition catalogues, including The Transforming Image: Painted Arts of Northwest Coast First Nations (UBC Press, 2000), which she co-authored with Bill McLennan. The Transforming Image won the Canadian Museum Association’s 2001 Award for Outstanding Achievement in Publications, and the British Columbia Historical Federation’s Certificate of Merit for Historical Writing in 2000. In 2005, Karen Duffek co-edited the anthology, Bill Reid and Beyond: Expanding on Modern Native Art (Douglas & McIntyre, 2004).
As the Curator of Contemporary Visual Arts & the Pacific Northwest, Karen Duffek has curated some major exhibitions at the Museum of Anthropology, including Border Zones: New Art across Cultures (2010), and Robert Davidson: The Abstract Edge (2004).
História custodial
Âmbito e conteúdo
The fonds relate primarily to research Karen Duffek conducted and exhibitions she curated or was involved in. In addition, some files relate to publications Duffek wrote. Files consist of research materials, exhibition planning and implementation, publications and articles, correspondences, and artist interviews.
The fonds is arranged into the following two series:
- Research Projects
- Exhibitions
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Fonte imediata de aquisição
Karen Duffek transferred the records to the Audrey & Harry Hawthorn Library & Archives between 1994 and 2011. Accruals were added in 2012 and 2016.
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Restrições de acesso
All records are subject to Freedom of Information and Protection of Privacy Act. Copyright and other restrictions may apply. See archivist for details.
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Materiais associados
Records relating to exhibits at MOA can be found in other curators’ fonds, as well as other institutional files.
Ingressos adicionais
Further accruals are expected.
Descrição física
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Pontos de acesso - Assuntos
- Museum of Anthropology » Museum exhibitions » Robert Davidson: The Abstract Edge
- Museum of Anthropology » Museum exhibitions » Wheel: Overlays - An Installation by Edgar Heap of Birds
- Museum of Anthropology » Museum exhibitions » Gathering Strength: New Generations in Northwest Coast Art
- Museum of Anthropology » Museum exhibitions » Multiplicity: A New Cultural Strategy
- Museum of Anthropology » Museum exhibitions » Carl Beam
- Museum of Anthropology » Museum exhibitions » Raven and the First Immigrant
- Museum of Anthropology » Museum exhibitions » Forest One
- Museum of Anthropology » Museum exhibitions » A Green Dress: Objects, Memory, and the Museum
- Museum of Anthropology » Museum exhibitions » ひろしま hiroshima by Ishiuchi Miyako
- Museum of Anthropology » Museum exhibitions » Border Zones: New Art Across Cultures
- Museum of Anthropology » Museum exhibitions » My Ancestors are Still Dancing
- Museum of Anthropology » Museum exhibitions » Michael Nicoll Yahgulanaas: Meddling in the Museum
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Created December 2, 2015
Updated May 2016