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Hindy Ratner graduated with an MA in Museology and Anthropology from the University of Toronto in 1972. Previous to her employment with the University of British Columbia's Museum of Anthropology (MOA) she worked at the National Museum of Man (now the Canadian Museum of Civilization) in Ottawa, and at the BC Provincial Museum as Extension Curator. Ratner served on the ICOM Committee for Ethnology (1977-?), the board of the Jewish Festival of the Arts, and on the board of the BC Touring Council for the Performing Arts (1983-1985). Ratner was hired full time as Extension Curator at MOA in 1977.

Ratner was on a leave-of-absence from May to October 1984, maternity leave from January to July 1985, and on another leave-of-absence from September 1986 until her resignation in February, 1987. Graduate students Margaret Holm and Susan Hull performed Ratner’s duties while she was on leave. The position of Extension Curator was succeeded by the hiring of Rosa Ho as Curator of Art and Public Programmes in January 1988.

Dr. J.E. Michael Kew was born in Quesnel, British Columbia in 1932. Kew received his B.A. at the University of British Columbia in 1955 and was appointed the Assistant Curator of Anthropology at the Provincial Museum in Victoria from 1956-1959. Following a four-year period in Saskatchewan, where he was employed as a Community Development Officer at the Department of Natural Resources and a Research Assistant in Anthropology at the University of Saskatchewan, Kew returned to the University of British Columbia in 1965 as Instructor of Anthropology. During his appointment as Visiting Assistant Professor of Anthropology, Kew obtained his Ph.D. at the University of Washington, Seattle in 1970.

As part of his curatorial responsibilities at the Museum of Anthropology (MOA), Dr. Kew curated a special exhibition of Central Coast Salish art objects in 1980 entitled Visions of Power, Symbols of Wealth: Central Coast Salish Sculpture and Engraving. In preparation for the exhibition, Dr. Kew was funded by a grant from SSHRC in 1979 to visit North American museums housing Central Coast Salish sculptural objects. The objective of his travels was to create a collection of images and documentation of the sculptures found in the various museums. The majority of the objects exhibited in Visions of Power, Symbols of Wealth came from the collections of the former National Museum of Canada and the Museum of the American Indian. The collections of the British Columbia Provincial Museum, Royal Ontario Museum, American Museum of Natural History, Field Museum of Natural History, Brooklyn Art Museum, Thomas Burke Memorial Washing State Museum and the British Museum are also represented.

At the Museum of Anthropology, Michael Kew worked as Curator of Ethnology from 1977 to 1979. He curated a MOA exhibit on central Coast Salish three-dimensional art ca. 1993-1997. He also served as chair of the Ways and Means Committee beginning in 1993 when the committee was established.

Marjorie Myers Halpin was born on February 11, 1937 in Tampa, Florida. She received both her Bachelor and Master of Arts degrees in Anthropology from George Washington University in 1962 and 1965 respectively. Between 1963 and 1968, Halpin was employed as a docent and an instructor in anthropology at the Smithsonian Institution in Washington, D.C. During this time, she was also a part-time lecturer at George Washington University. Halpin’s involvement as teacher and scholar at the University of British Columbia began in 1968 when she was hired as a sessional lecturer in the Anthropology Department. Her duties evolved to include part-time curating at the Museum of Anthropology at U.B.C. She received her Ph.D. from U.B.C. in 1973 and was hired for the position of Assistant Professor and Curator in the same year. Halpin was promoted to the rank of Associate Professor and Curator at U.B.C. in 1981 and remained in this position until the time of her death in 2000. She was also Acting Director of the Museum from 1983 to 1984.

As a professor in U.B.C.’s Anthropology Department, Halpin taught both lower and higher level anthropology courses. She also supervised the work of many Master’s and Ph.D.-level students and served as Chair and University Examiner for numerous Ph.D. students. As part of U.B.C.’s faculty, Halpin served on various committees including the Department Equity Committee, the Graduate Studies Committee and Green College’s Membership Committee. As scholar and writer, Halpin’s main interests were in Coast Tsimshian and Gitksan ethnology, museum anthropology, and the anthropology of art and ritual, which led her to produce many articles and essays on native art and culture. In addition, Halpin also gave presentations and public lectures at national and international conferences. She wrote two books, Totem Poles: An Illustrated Guide and Jack Shadbolt and the Coastal Indian Image, both of which were published as part of the Museum of Anthropology’s Museum Note Series. Halpin also edited and reviewed many publications within the anthropological field and contributed chapters to Canadian Encyclopedia, The Handbook of North American Indians and Consciousness and Inquiry, among many other publications. Her scholarly interests have also led to her involvement with electronic publications on Northwest Coast art, namely with CD-Roms and websites.

Halpin was an active member of numerous societies such as the Canadian Ethnology Society, the Canadian Museums Association and the Native Studies Art Association of Canada. She was also a member of the Tri-Council (MRC, SSHRC, NRC) Committee on Collections Documentation (2000), Chair of the Totem Pole Advisory Committee for the Vancouver Board of Parks and Recreation (1983-84) and Chair of the Committee on Museum Ethics for the Canadian Ethnology Society (1974-75). In addition to her duties as teacher, scholar and anthropologist, Halpin also took on the role of consultant for numerous private projects. Marjorie Halpin passed away in White Rock in 2000.

The Director of the Museum of Anthropology (MOA) is directly responsible for the general administration of the museum. Responsibilities carried out by the director include, but are not limited to: directing the development of museum policy, ensuring that the museum’s mandate is met and carried out, overseeing budgets and funding, maintaining correspondence with potential donors and managing staff. The Director also administers facilities and building maintenance and is responsible for overseeing exhibits and special programming hosted by the museum. As a part of the University of British Columbia (UBC), the director reports to the Dean of Arts.

MOA opened in 1947 and Dr. Harry Hawthorn, a professor of Anthropology, was appointed the first director in that year. He remained in this position until his retirement in 1974, when Michael Ames became the second director. Ames was director until he retired in 1997, when Ruth Phillips became director. She left the position in 2002, at which point Ames returned to MOA as Acting Director until Anthony Shelton was appointed as director in 2004.

Ruth Phillips served as Director of the Museum of Anthropology from 1997 - 2002.

Leonard Humphreys was a member of the Sudan Civil Service. During Leonard Humphrey’s post as a member in Sudan Civil Service, he took photographs and drew sketches which he later compiled into scrapbooks. The Sudan Civil Service was a branch of the British Civil Service working in Egypt during the period between World War One and the 1950’s.

Noah Shakspeare was a photographer, politician, labourer, activist, and civil servant. He was born on January 26, 1839 in Brierley Hill, England, son of Noah Shakespeare and Hannah Matthews. He married Eliza Jane Pearson on December 26, 1859, and they had seven children, of whom three sons and one daughter survived infancy. He and his family moved to Victoria, where he took up a career as a photographer from 1864 to the 1870s. He was elected and served as mayor of Victoria, B. C. in 1882 - 1888. He died on May 13, 1921 in Victoria.

Roland W. Reed was an American artist and photographer. Born in Wisconsin, he held a variety of jobs that took him throughout the western United States - including work on railways, sawmills, and as an Associated Press photographer. It was not until the age of 43 that he devoted his time to photographing Native Americans in the western United States. This is the work that he is best known. It is typically described as being pictorialist in nature.

Associate Director of Museum of Anthropology

Assistant Director and Department Head (Administration & Outreach), Museum of Anthropology

James Wheeler Davidson was born in Austin, Minnesota in 1872. In 1893 he took part in the Peary expedition to Greenland, attempting to find a route to the North Pole. In 1895 he traveled to Taiwan as a war correspondent for the New York Herald covering the transition to Japanese rule. That same year, he was decorated by the Emperor of Japan with the Order of the Rising Sun for aiding the Japanese army in the capture of the capital of Taipei, Formosa. Soon after he became a trader based in the town of Tamsui. During this time, Davidson became fluent in Chinese and Japanese. In 1897, President Cleveland appointed Davidson as the consular agent for the island of Formosa. He remained in this role for nine years and became very involved in the affairs of Formosa and wrote many monographs about the region. During this time he conducted the research for his work The Island of Formosa, Historical View from 1430 to 1900 (alternative title: The Island of Formosa, Past and Present), which was published in 1903. His work has been a frequently referenced resource for the English-speaking world, and still impacts the study of the history of Taiwan. After spending a year compiling a detailed survey of the territory adjacent to the Asian section of the Trans-Siberian Railway (extracts of which appeared in Century Magazine, April-June 1903), Davidson was appointed as a political consultant to Antung, Manchuria. Later he would also become consul at Antung, Manchuria, commercial attaché to the American legation in Peking, and a special agent of the Department of State. In 1905 Davidson was appointed by President Roosevelt to the position of consul general in Shanghai, also serving in Nanjing. Due to illness, Davidson returned to the US to recuperate in 1906. Once recovered, he emigrated to Calgary, in 1907 with his new wife Lillian.

In Calgary, Davidson became involved with the lumber industry. Davidson was very active in the Calgary community, and helped increase the standing of the city. He extended the Canadian Pacific Railway northeast and southeast of Calgary, and extended the Calgary based system of roads as far as Salt Lake City. Davidson expanded the Crown Lumber company into fifty-two branches with two hundred employees, and successfully invested in the Turner Valley Oil Field. He was influential in initiating the Calgary Mawson Report for proactive city planning, and helped start the Calgary Symphony.

Davidson joined the Calgary Rotary Club in 1914 and became a very invested and prominent member. Originally a “Loans Officer,” from 1919 – 1920 he was the Calgary Club President. From 1923 – 1924, he was the Zone 4 District Governor. In 1921 he was nominated as one of two Honorary Commissioners by the Canadian Advisory Committee to extend the Rotary Club into Australia and New Zealand. He was accompanied by future Canadian WWII Minister of Defense Layton Ralston. He became pivotal in the Rotary Extension program, acting as the envoy to the Mediterranean, Middle East, Southeast Asia, and Australia when the Rotary Club wanted to expand their chapters internationally. Davidson spent a quarter of a million dollars of his own money to circumnavigate the globe with Lillian and their young daughter Marjory to achieve this goal. The trip lasted 32 months from 1928-1931. During this time, Davidson was responsible for founding 23 clubs in 12 different countries. Less than two years after their return, James Davidson passed away in 1933. He was immortalized in 1935 when a peak of the Rocky Mountains was named after him. Mt. Davidson is located nine kilometers north of the Lake Minnewanka marker mountain, Devil’s Head.