Fundo 26 - B.C. and Jessie Binnings fonds

Finding aid - B.C. and Jessie Binning fonds

Área de título y declaración de responsabilidad

Título apropiado

B.C. and Jessie Binnings fonds

Tipo general de material

  • Graphic material
  • Textual record

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Fundo

Código de referencia

26

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • 1959-1972 (Criação)
    Criação
    Bertram Charles (B.C.) Binning

Área de descripción física

Descripción física

54 cm of textual records and other material.

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1909 - 1976)

Historia biográfica

Bertram Charles (B.C.) Binning was born on February 10, 1909 in Medicine Hat, Alberta. Due to an illness at a young age, he spent much of his time drawing in seclusion. His passion for art and architecture resulted in his enrolment in 1927 at the-then Vancouver School of Decorative and Applied Arts. After spending time in the United States, in 1933 Binning was appointed to a staff position with the Vancouver School of Art. Later in 1938, B.C. Married Jessie Wyllie, the daughter of a Vancouver businessman. In 1949, he was transferred to the University Of British Columbia School Of Architecture. Soon after, he founded the Department of Fine Arts at UBC, which he headed for over twenty-five years.

With his appointment to the department of Fine Arts came a shift in his artistic direction.  Whereas pre-1948 he had established himself as an internationally recognized architect, post-1948 he felt himself drawn towards expressing his creativity in oil painting.  Building upon his architectural background, Binning often painted large complementary mosaic murals for various buildings and was particularly inspired by ships, marinas and seascapes in general; these were recurring themes for most of his artistic life.

The Binnings took the first of many visits to Japan in 1958. It was there that B.C. felt particularly inspired by the Japanese art and architecture he witnessed; these were a vehicle for a new and lengthy direction for his future work. While in Japan, B.C. and Jessie forged a deep relationship with Bishop Kojo Sakamoto (1875-1969), the 37th Superintendent Priest of the Kiyoshi Kojin Seicho-ji temple. A skilled calligrapher, Sakamoto’s work was influenced by colleague and friend Tomioka Tessai (1836-1924), a talented painter and calligrapher in his own right. The Binnings’ relationship with Sakamoto resulted in over a decade of frequent correspondence between Sakamoto, his family, and other Japanese friends with both B.C. and Jessie. After Sakamoto opened a successful Tessai exhibit at the Vancouver Art Gallery in 1961, B.C. convinced him to contribute his own calligraphy for an exclusive exhibit that was eventually opened in September 1966 at the Fine Arts Gallery at the University of British Columbia.

Health problems prevented Binning from actively contributing to the art community in the early 1970’s, but by this time had built up a solid repertoire of pieces that have made their mark on the Canadian art scene. After his death on March 16th 1976, Jessie continued her role as a voice and representative for her husband’s work until her own death on May 25th, 2007. Her last public presence was as a consultant for an exhibit of B.C.’s work at the Vancouver Art Gallery that ran from January through April 2007.

Nombre del productor

(1906-2007)

Historia biográfica

Bertram Charles (B.C.) Binning was born on February 10, 1909 in Medicine Hat, Alberta. Due to an illness at a young age, he spent much of his time drawing in seclusion. His passion for art and architecture resulted in his enrolment in 1927 at the-then Vancouver School of Decorative and Applied Arts. After spending time in the United States, in 1933 Binning was appointed to a staff position with the Vancouver School of Art. Later in 1938, B.C. Married Jessie Wyllie, the daughter of a Vancouver businessman. In 1949, he was transferred to the University Of British Columbia School Of Architecture. Soon after, he founded the Department of Fine Arts at UBC, which he headed for over twenty-five years.

With his appointment to the department of Fine Arts came a shift in his artistic direction.  Whereas pre-1948 he had established himself as an internationally recognized architect, post-1948 he felt himself drawn towards expressing his creativity in oil painting.  Building upon his architectural background, Binning often painted large complementary mosaic murals for various buildings and was particularly inspired by ships, marinas and seascapes in general; these were recurring themes for most of his artistic life.

The Binnings took the first of many visits to Japan in 1958. It was there that B.C. felt particularly inspired by the Japanese art and architecture he witnessed; these were a vehicle for a new and lengthy direction for his future work. While in Japan, B.C. and Jessie forged a deep relationship with Bishop Kojo Sakamoto (1875-1969), the 37th Superintendent Priest of the Kiyoshi Kojin Seicho-ji temple. A skilled calligrapher, Sakamoto’s work was influenced by colleague and friend Tomioka Tessai (1836-1924), a talented painter and calligrapher in his own right. The Binnings’ relationship with Sakamoto resulted in over a decade of frequent correspondence between Sakamoto, his family, and other Japanese friends with both B.C. and Jessie. After Sakamoto opened a successful Tessai exhibit at the Vancouver Art Gallery in 1961, B.C. convinced him to contribute his own calligraphy for an exclusive exhibit that was eventually opened in September 1966 at the Fine Arts Gallery at the University of British Columbia.

Health problems prevented Binning from actively contributing to the art community in the early 1970’s, but by this time had built up a solid repertoire of pieces that have made their mark on the Canadian art scene. After his death on March 16th 1976, Jessie continued her role as a voice and representative for her husband’s work until her own death on May 25th, 2007. Her last public presence was as a consultant for an exhibit of B.C.’s work at the Vancouver Art Gallery that ran from January through April 2007.

Historial de custodia

Alcance y contenido

Fonds consists of records related to the Binnings’ correspondence with (predominantly) friends and colleagues overseas in Japan from 1959 to 1971, including Bishop Kojo Sakamoto and members of his family. Mostly composed of personal letters written by hand, several letters are painted using calligraphy. Other records include program brochures and news clippings for exhibits in Japan and North America, and scrapbooks assembled by the Binnings. These either commemorate various visits they took to Japan or of visits their Japanese friends took to Canada. Fonds is divided into three series:

  1. Correspondence
  2. Sakamoto Printed Exhibit Matter
  3. Scrapbooks

Área de notas

Condiciones físicas

Dates on envelopes are often very faint and hard to read.

Origen del ingreso

Records bequeathed to the Museum of Anthropology Archives by the estate of Jessie Isobel Binning in May 2007.

Arreglo

Original order maintained and variances from this principle are noted.

Idioma del material

  • inglés
  • japonés

Escritura del material

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

Condiciones de uso, reproducción, y publicación

Instrumentos de descripción

See attached pdf document for full finding aid.

Materiales asociados

The University of British Columbia Archives has a B.C. Binning fonds which contains material predominantly related to his role as professor in the faculty of Arts at UBC. The Museum of Anthropology has also received a donation of materials from the Binning Estate; predominately Japanese ceramics and scrolls from Kojo Sakamoto.

Materiales relacionados

Acumulaciones

No further accruals are expected

Descripción física

Includes 19 photographs, 6 scrapbooks, and 1 decorative box

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control

Identificador de registro de descripción

Identificador de la institución

Reglas o convenciones

Estado de elaboración

Nivel de detalle

Fechas de creación, revisión o eliminación

Updated December 8, 2015 (pdf of finding aid attached)

Idioma de descripción

Escritura de la descripción

Fuentes

Área de Ingreso

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