Haida Gwaii

Taxonomy

Code

Scope note(s)

Source note(s)

Display note(s)

Hierarchical terms

Equivalent terms

Haida Gwaii

  • UF Queen Charlotte Islands

Associated terms

Haida Gwaii

281 Archival description results for Haida Gwaii

Only results directly related

A6985

File includes one photograph of MOA Object ID A6985 which is a totem pole. The contents of this file were used to create object labels for MOA's Great Hall.

A7103

File includes one photograph of MOA Object ID A7103 which is a bentwood chest. The contents of this file were used to create object labels for MOA's Great Hall.

A9416

File includes one photograph of MOA Object ID A9416 which is a bentwood chest. The contents of this file were used to create object labels for MOA's Great Hall.

Aerials

Aerial view of Haida Gwaii, with water, mountains and some small islands visible.

Anthony Carter

Aerials

Aerial view showing some of the Haida Gwaii coastline.

Anthony Carter

Anthony Island (Ninstins) possible resident

Portrait of a man standing outside a wooden shack located in a forest (on Anthony Island?). A large tree is behind him. Various tools and other objects are scattered across the area near the shack.

Anthony Carter

Anthony Island (Ninstints)

View looking down into a forested area and what appears to be the remains of wooden structure beams or totem poles.

Anthony Carter

Anthony Island totem poles

Image of a totem pole on Anthony Island. A picture of this pole is printed on page 115 of the book This is Haida, with the caption: "One of the largest poles on the Island. The frog was quite common in the designs of the Anthony Island carvers."

Anthony Carter

Basil and Edythe Hartley fonds

  • 27
  • Fonds
  • ca. 1941-1944, 1983

Fonds consists of audio, video, and visual materials created by Basil and Edythe Hartley. Materials include video footage of the Haisla people, which Hartley shot while working in Kitimaat from 1941-1944, a voiceover for the footage which Hartley’s widow, Edythe McClure, created in ca. 1983, a letter, and three photographs of Kitimaat people and landscapes. The three audio cassettes all contain the same 1983 recording.

Basil Hartley

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