- 1-1-K
- Sub-séries
- [1987 or 1988]
Parte de William McLennan (MOA Curator) fonds
This subseries contains images of the exhibit and textual panels from the exhibit as well as drafts of exhibit text and research materials.
Parte de William McLennan (MOA Curator) fonds
This subseries contains images of the exhibit and textual panels from the exhibit as well as drafts of exhibit text and research materials.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of people working in the Museum of Anthropology collections installing the exhibit On Stony Ground.
Spirit of Islam exhibit and website development
Mike Nicholl [Yahgulanaas]: “Meddling in the Museum”
Parte de Karen Duffek fonds
The records in this sub-series relate to the artist Michael Nicoll Yahgulanaas and the site-specific exhibition Meddling in the Museum which took place at MOA in 2007. Records include research notes, articles, correspondences, grant funding applications, graphic images and photographs, event transcripts, contracts and exhibition development materials.
Nicholas Galanin: “Raven and the First Immigrant”
Parte de Karen Duffek fonds
This sub-series contains records relating to the display at MOA of Nicholas Galanin’s work, “Raven and the First Immigrant.” The sculpture was displayed on the patio outside the Bill Reid Rotunda, in view of Reid’s carving, “Raven and the First Men.” “Raven and the First Immigrant” was displayed at MOA from March 12 until December 31, 2010. The sub-series include correspondence, images of the installation, loan agreements, and draft promotional materials.
Ishiuchi Miyako “ひろしま Hiroshima”
Parte de Karen Duffek fonds
This sub-series consists of records relating to “ひろしま Hiroshima,” an exhibition of photographs by Ishiuchi Miyako. The exhibition, which had never previously been displayed outside of Japan, consists of photographs of clothing and accessories of victims of the 1945 bombing of Hiroshima. “ひろしま Hiroshima” opened at MOA on October 14th, 2011, and ran until February 12th, 2012.
Records within the sub-series include the exhibition proposal, budgets, reports, grant applications, correspondence, images of artworks, interview transcripts, the exhibition’s comment log-book, promotional materials, and press cuttings.
Parte de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual records related to the exhibit on the voyages of Captain Cook to Nootka Sound. Included is the paper “Encounter 1778: Drawings and Watercolours of Nootka Sound by John Webber” by Natalie MacFarlane, exhibit scripts, video scripts, correspondence, and loan forms for the Webber drawings.
Parte de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual records for the exhibit titled “NMM: Children of the Raven” based on the beliefs and culture of British Columbia First Nations, with an emphasis on ceremonial objects and their iconographic meanings. Records include memos; exhibit floor plans, text blocks for exhibit, and colour drawings of items in the exhibit.
Parte de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of records from the photographic exhibition by David Neel, Kwagiutl, on First Nations elders in British Columbia. Records include newspaper reviews, correspondence, exhibit proposal and planning, and transcripts from interviews with chiefs and village elders. Also included are slides of portraits of chiefs and elders.
Parte de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual and graphic records related to the public exhibition of drawings and poems by Nuu-Chah-nulth artist, Ron Hamilton, which depict the cosmology of the First Nations people. Records include an artists’ biography, notes on exhibit planning, loan forms, and a copy of the exhibit comment book. Also included are photographs from the exhibit and of Hamilton’s drawings, recordings of First Nations gatherings taped at the exhibit, and sound recordings of comments by Hamilton on his work.
Raven’s Reprise: Contemporary Works by First Nations Artists
Parte de Darrin Morrison fonds
This exhibit displayed the works of five contemporary First Nations artists whose works challenge viewers’ expectations of North West Coast art.
Ancient Lives: The Maya of Guatemala
Parte de Darrin Morrison fonds
Exhibit A: Objects of Intrigue
Parte de Darrin Morrison fonds
This exhibition was created to celebrate the Museum’s 50th Anniversary; featuring works selected and commented upon by more than sixty people who have been associated with the Museum over its history.
Nunavutmiutanik Elisasiniq: A Tribute to the People of Nunavut
Parte de Darrin Morrison fonds
This exhibit honours the people of Nunavut and features more than a hundred examples of contemporary and historic sculpture, prints and drawings.
Transitions: Contemporary Canadian Indian and Inuit Art
Parte de Darrin Morrison fonds
This exhibition includes works by 24 of the most prominent contemporary First Nations and Inuit artists in Canada. The exhibit originated in Ottawa and travelled internationally.
My Ancestors are Still Dancing
Parte de Darrin Morrison fonds
This was a living exhibition in which the artist, a Tsimshian Weaver from Lax Kw’alaams, publicly weaved a child-size Chilkat robe, alongside a display of his own weavings, and some historical weavings in MOA’s collection, and historical and contemporary photographs of people weaving.
Parte de Carol Mayer fonds
From Classical to Modern: Javanese Shadow Play Figures
Parte de Carol Mayer fonds
Parte de Carol Mayer fonds
Parte de Carol Mayer fonds