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File consists of slides depicting various potlatches, totem poles, as well as portraits of various people. Slides also depict some of Minn Sjolseth's paintings. Some slides are labeled with the following: "Face from a Potlatch, Kwakiutl, 1971," "Kitsequechla, 1970," "Potlatch, Kwakiutl, 1971," "Last Watch...," and "Potlatch 75."

File consists of slides depicting totems in what the file annotation refers to as Alert Bay and Kingcome.

File consists of slides depicting totem poles, likely located near Battle Bay, British Columbia.

File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."

File consists of slides labeled "Spruceroot digs Emily Minn etc 1967," "Nora pulling spruce roots Tow Hill QCI Aug 1967," and "Alert Bay Sept 1970."

File consists of slides labeled "Ketchikan," "Miss Guinanook," "Mt Currie res," and "LRH Charles."

File consists of slides depicting one of Minn Sjolseth's paintings ("Village Watch"), Sjolseth working on a painting, a slide bearing the caption "Queen Ch. Island group," and several slides captioned "Caspar at Ketchikan."

File consists of slides labeled "Andy," "Mr and Mrs Williams, Friendly Cove, Nootka," "Anthony Island Queen Charlotte Island 1967," "Minn Sketching at Yan QCI, Haida," "Kitwancool 1969," "Kasper," "Mary Ann 1967 Squamish," and "Kingcome."

Series consists of records (primarily photographic slides) documenting Minn Sjolseth's travels with her husband Anthony Carter to visit events and communities at locations including Haida Gwaii, Ketchikan, Kitwancool, Kingcome Inlet, Kispiox, Gitsegukla, Kitwanga and Skidegate among others. The contents of the series reflect First Nations cultures in British Columbia throughout the 1960s and 1970s, including Haida, Nuu-Chah-Nulth, Skwxwú7mesh, Nisga'a, Kwakwaka'wakw. The photographs document potlatches, totem poles, villages, landscapes, as well as portraits of individuals. The series also contains files with a small number of photographs documenting Sjolseth's paintings on these subjects, as well as Sjolseth at work on her art on location in these communities and locations.

File consists of three print copies of a drawing of Chief Dan George done by Minn Sjolseth

File consists of a painting done by Minn Sjolseth. The donor notes that the painting depicts a girl would became the lead in The Ecstasy of Rita Joe, and an oil version of the painting also exists.

File consists of a charcoal drawing of Chief Dan George done by Minn Sjolseth.

File consists of photographic documentation of Minn Sjolseth's paintings, and an invitation to one of her exhibitions.

Series consists of artworks created by Minn Sjolseth from the 1970s to the 1980s. These artworks include intaglio prints, pen and ink drawings, charcoal drawings, and watercolour paintings. Several of the artworks are landscapes, however the majority are portraits of First Nations individuals, including several portraits of Chief Dan George.

File consists of a tracing of a Bill Reid image done by Minn Sjolseth.

File consists of materials collected in a photographic album icluding clippings, documentation of paintings, brochures and exhibition invites.

File consists of an artist proof intaglio print by Minn Sjolseth.

File consists of an intaglio drypoint print (edition 5 of 7) by Minn Sjolseth.

File consists of photographic documentation of Minn Sjolseth's paintings, other textual records related to her artworks (appraisal documents, price lists complied by Laila Campbell), and a pamphlet from Sjolseth's 1994 retrospective show in Norway with notes and annotations.

File consists of miscellaneous photographs (some of Anthony Carter) by unknown photographers, newspaper clippings related to Minn Sjolseth and her artwork, and pamphlets from her exhibitions.