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Minn Sjolseth fonds
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Artwork and Exhibition Records

Series consists of records documenting Minn Sjolseth’s practice as a painter and printmaker from the 1960s to the 1990s. Records include photographic documentation of Sjolseth’s paintings, other artwork, and exhibitions; newspaper clippings and other ephemera related to her artistic career; invitations, press releases, and one sheets from several of her exhibitions; textual records relating to her artworks and artistic career (including price lists, appraisal documents, and artist files from institutions); biographical and memorial pamphlets about Sjolseth; a scrapbook containing photographs and ephemera related to her art practice and personal life; and a sketchbook containing drawings and ephemera.

Artworks

Series consists of artworks created by Minn Sjolseth from the 1970s to the 1980s. These artworks include intaglio prints, pen and ink drawings, charcoal drawings, and watercolour paintings. Several of the artworks are landscapes, however the majority are portraits of First Nations individuals, including several portraits of Chief Dan George.

Bygone Days

File consists of an intaglio drypoint print (edition 5 of 7) by Minn Sjolseth.

Cape Mudge 1970 1979

File consists of slides depicting various potlatches, totem poles, as well as portraits of various people. Slides also depict some of Minn Sjolseth's paintings. Some slides are labeled with the following: "Face from a Potlatch, Kwakiutl, 1971," "Kitsequechla, 1970," "Potlatch, Kwakiutl, 1971," "Last Watch...," and "Potlatch 75."

Estate of Minn Sjolseth, images and letters, 1995

File consists of photographic documentation of Minn Sjolseth's paintings, other textual records related to her artworks (appraisal documents, price lists complied by Laila Campbell), and a pamphlet from Sjolseth's 1994 retrospective show in Norway with notes and annotations.

Haines Alaska and Caspar (Ketchikan 1966)

File consists of slides depicting one of Minn Sjolseth's paintings ("Village Watch"), Sjolseth working on a painting, a slide bearing the caption "Queen Ch. Island group," and several slides captioned "Caspar at Ketchikan."

In the Middle

File consists of a painting done by Minn Sjolseth. The donor notes that the painting depicts a girl would became the lead in The Ecstasy of Rita Joe, and an oil version of the painting also exists.

Minn Paintings

File mainly consists of slides documenting Minn Sjolseth's paintings. There is also one slide depicting Minn Sjolseth with August Jacks.

Minn Sjolseth exhibition materials

File consists of exhibition related materials, including pamphlets from Minn Sjolseth's exhibitions, copies of clippings from her artist file at the Glenbow Museum, newspaper clippings about Sjolseth and her husband Anthony Carter, photographs taken by Carter and annotated by Sjolseth in Norwegian, photographs of Sjolseth's artworks, and negatives from her exhibition at Prince George Art Gallery.

Minn Sjolseth fonds

  • 144
  • Fonds
  • 1966-1999

The fonds reflects Minn Sjolseth's artistic career and travels to First Nations communities throughout British Columbia and Alaska with her husband Anthony Carter. Contents of the fonds depict First Nations cultures in British Columbia between 1960 and 1980, including Haida, Coast Salish, Kwakwaka'wakw, Gitsegukla, Kispiox, and Nisga'a. Several of the contents depict notable figures, including Chief Dan George and August Jacks.

The fonds includes textual records including correspondence, ephemera, newspaper clippings; graphic materials such as photographs, slides, negatives, and transparencies that depict Sjolseth’s travels and artworks; and artworks produced by Sjolseth including paintings, drawings, and prints.

The fonds is organized into the following series:

  1. Personal records
  2. Artwork an Exhibition records
  3. Artworks

Minn Sjolseth

Minn Sjolseth's sketchbook

File consists of a sketchbook put together by Minn Sjolseth containing some of her drawings, as well as newspaper clippings about her and her work and photographic documentation of her artworks and exhibitions.

Minn Sjoselth Paintings 73-75 Kwakiutl (Kwakwaka'wakw)

File consists of slides depicting Minn Sjolseth's paintings and labeled "Longhouse Posts Totem, Village Island, BC, 1974," "Kitwanga Village, 1967," "'Intermission' Kwakiutl, 1974," "Kwakiutl Totems, Alert Bay 1971,", "Last Totem of Skidegate QCI," "Native Cariboo Child, 1973," "Final Rest 1973," "Kwakiutl Totem 1973," "Dominic Charlie, Weather Prophet, Squamish Tribe, 1972," "Wilderness Watch, 1973," and "Basket Weaver." Many of these paintings depict individuals also photographed by Anthony Carter for his book publications.

Paintings 1970s-1980s, mostly watercolour

File consists of slides documenting Minn Sjolseth's paintings and exhibitions, including paintings depicting Totem poles from the 1970s-1980s, paintings depicting Mexico, and other scenics.

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