Eulachon: A fish to cure humanity
- 1-1-TT
- Subseries
- 1992
Subseries contains images of the opening ceremony for the exhibit titled <i>Eulachon: A Fish to Cure Humanity</i>.
Eulachon: A fish to cure humanity
Subseries contains images of the opening ceremony for the exhibit titled <i>Eulachon: A Fish to Cure Humanity</i>.
Subseries contains images showing artworks portraying people fishing.
Subseries contains images of carvings and a contact sheet showing an event in the great hall at the Museum of Anthropology.
Gathering strength: New generations in Northwest Coast Art exhibit at MOA
Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.
Sub-series consists of photographic prints and photocopies collected from other institutions for use on object labels in MOA's Great Hall. Items were originally housed in two large binders with dividers.
Subseries includes photographs taken by JL Gyssen of Grecian Urns.
Subseries consists of photographs and negatives of the Greek and Roman exhibition.
Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.
File 1 - 3: [Photographs ]
File 4: [Transparencies, negatives]
File 5:[Book]
File 6: [Draft of book]
File 7: [Photographs]
Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.
Subseries consists of images showing a statue and a ceremony table.
Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."
Images of life: 50,000 years of Japanese pre-history
Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).
Subseries contains images of an artist.
Jack Shadbolt and the Coastal Indian image
Subseries consists of images used in the booklet Jack Shadbolt and the Coastal Indian Image written by Marjorie M. Halpin as well as a copy of the booklet. In addition are photographs of Jack Shadbolt.
Joanna Staniszkis: Translation of tradition
Subseries contains images of textiles.
Subseries contains images of masks and of the opening ceremony.
McDonald’s exhibit (Big Mac box)
Subseries contains images of the student exhibit titled <i>Show and Tell: The Story of the Big Mac Box</i> as well as negatives of the text panels for the exhibit. Students were part of the Anthropology 431 (Museum Principles and Methods) class.
Subseries contains records related to an exhibit on Northwest Coast metals developed by McLennan in collaboration with two anthropology students. Records include exhibit design notes including case arrangements, the exhibit proposal from the students, correspondence regarding the exhibit preparations, research regarding Northwest Coast metal works and photographs depicting various artifacts that would be included on display.
Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.
Ninstints, Haida world heritage site
Subseries consists of the images used in the booklet titled Ninstints: Haida World Heritage Site by George F. MacDonald, as well as a copy of the booklet. In addition are photographs of the removal of totem poles and dismantling of houses at Anthony Island. These photographs were not taken by Bill McLennan but kept by him and used for research purposes.