Calendar prints: Popular art of South India
- 1-1-R
- Deelreeks
- 21 September 1983
Subseries consists of images of artworks from Southern India.
Calendar prints: Popular art of South India
Subseries consists of images of artworks from Southern India.
Tupilaq: Greenland spirit carvings
Subseries contains images of objects shown in the exhibition titled Tupilaq: Greenland Spirit Carvings held at the Museum of Anthropology March 4th 1984. The carvings are by Anton Utuak.
Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.
Subseries contains images of exhibit curated by students from Anthropology 431 course.
Robert Davidson “Raven” opening
Subseries contains images of Robert Davidson unveiling his work titled Raven Bringing Light to the World.
Subseries contains images of textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i>.
Subseries contains images of an artist.
File contains images of artifacts made of cedar, including baskets, hats, fishing tools, bentwood boxes and totem poles.
Zonder titel
Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."
Subseries consists of images of the Blood from a Stone exhibit.
Subseries contains records related to an exhibit on Northwest Coast metals developed by McLennan in collaboration with two anthropology students. Records include exhibit design notes including case arrangements, the exhibit proposal from the students, correspondence regarding the exhibit preparations, research regarding Northwest Coast metal works and photographs depicting various artifacts that would be included on display.
Jack Shadbolt and the Coastal Indian image
Subseries consists of images used in the booklet Jack Shadbolt and the Coastal Indian Image written by Marjorie M. Halpin as well as a copy of the booklet. In addition are photographs of Jack Shadbolt.
Subseries contains two files containing records related to the exhibit about the artist Jane Ash Poitras.
Clothing and identity: Selections from MOA’s fine costume collection
Subseries consists of the text and images used in an exhibit titled <i>Clothing Identity.</i>
Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.
Subseries contains records related to the <i>Tlingit Long-tail Canoe</i> exhibit held in Gallery 3 at MOA. The exhibit features a newly carved 38 foot Tlingit long-tail canoe created by Mr. Calvin Hunt to honour his great, great Tlingit grandmother, Anisalaga (nee Mary Ebbets). The exhibit ran from October 15 – December 13, 2009. Records include correspondence and proposals regarding the creation of the exhibit, photographs and photocopies of canoes and public relations materials promoting the exhibit.
Gathering strength: New generations in Northwest Coast Art exhibit at MOA
Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.
Subseries consists of images showing a statue and a ceremony table.
Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.
Subseries contains images of carvings and a contact sheet showing an event in the great hall at the Museum of Anthropology.