- 1-2-P-4 (11.11)
- File
- 2000-2004
This file contains images of totem poles collected for research. Some images are from the collections of other institutions.
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This file contains images of totem poles collected for research. Some images are from the collections of other institutions.
AMNH [American Museum of Natural History]
File contains images of various Northwest Coast artifacts including masks, boxes, carvings, totem poles, and other items housed in the American Museum of Natural History.
Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.
Carving and installation at MOA
File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.
Dancer at the Old Masset pole raising at MOA
Item is a photo showing a man in Haida regalia dancing in front of a totem pole that is about to be raised. There is a large crowd behind him, watching. There is anther totem pole and a long house in the background.
File contains archival images and documents photocopied for research as well as correspondence and meeting minutes.
File contains historical photographs of Gitxsan villages, with a specific focus on totem poles and various buildings in the villages. There are also some images of the Gitxsan people in regalia. The textual records contain information to some of the photographs, listing the photograph's title and the museum and/or archive it originated from.
File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.
Haida artist Jim M. Hart putting finishing touches on totem pole
Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.
File contains images showing the celebration continued in the Haida House at the Museum of Anthropology with song, dance, and speeches.
File mainly contains historical images of the Heiltsuk, Nuxalk, and Wuikinuxv First Nations. These images depict village life, architecture and house posts, and regalia. The file contains images of a group of Nuxalk who traveled to Berlin to perform there. Images that are not historical depict a ceremony happening in the Great Hall at UBC MOA, unidentified artists working on a set of drawings, and what appears to be the Acwsalcta High School in Bella Coola. Non textual records include photocopies of photographs, and photocopies of museum catalogue cards.
File contains one image of a totem pole carved by Henry Green and an accompanying photocopy of a newspaper article about Henry Green and the pole he carved for Charles Hays Secondary School in Prince Rupert.
Initial carving stages at Haida Gwaii
File contains images showing artists beginning to work on Bill Reid's pole..
Jacquie Gijssen’s negatives of R. Davidson’s Pepsi-Co Commission
File contains negatives of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
Jacquie Gijssen’s photos of R. Davidson’s Pepsi-Co Commission
File contains a negative and contact sheets depicting Davidson working on and carving his totem poles for the Pepsi-Co commission project.
Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission
File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission
File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
File consists of one color negative of three totem poles and a long house in what appears to be a museum gallery.
File contains the print titled "Our Grandmother" by Jim Hart and a computer printed image showing First Nations members in regalia.
File contains images of Jim Hart carving or attending events such as pole raising.