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descrição arquivística
Elizabeth Lominska Johnson Inglês
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Honouring Master Wong Toa [Restricted]

Subseries consists of photographs from the event ‘Honouring Master Wong Toa’ which was held at the Museum of Anthropology (MOA), the Asian Library and Asian Centre and St. John’s College. The photographs were taken by Hayne Wai from the Chinese Canadian Historical Society. Subseries also contain the agenda for the event.

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Programme communication and flights

Subseries consists of records relating to a work shop for curators of Korean art. This work shop was held in Seoul, Korea and the consequently elements of this file relate to travel arrangements. Records in this series are comprised of correspondence and notes.

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Opera in the Museum book proposal

Subseries consists of records relating to a proposal for a book by Johnson to be called Opera In the Museum. Included in this series is a proposal.

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Chinese painting course

Subseries consists of records relating to the course on Chinese Painting taught by Elizabeth Johnson for the department of Art History at the University of British Columbia. The records in this subseries include notes, memoranda, exhibit proposals, correspondence, and annotated essays.

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Delegations

Subseries consists of records relating to various delegations from international museums with the intent of examining and learning from MOA’s practices. The records included in this series are composed of correspondence and notes.

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Grace Young

Subseries consists of one file relating to an exhibition, proposed by Grace Young to Elizabeth Johnson, on the subject of the wok. The subseries includes a drafted exhibition proposal, correspondence, printed images, magazine and newspaper clippings, notes and extracts from Young’s book The Breath of the Wok.

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Wearing Politics

Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.

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Collaborative process

Subseries consists of records relating to the development of a book on the subject of the impact of the collaborative process on museum practice. The records in this series consist of correspondence and notes.

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Gu Xiong

Subseries relates to a proposed exhibition or portion of an exhibition which was to be called ‘Blue Thread an Installation by Gu Xiong’. The subseries includes correspondence, an exhibition catalogue of Gu Xiong’s work, a consent form, and newspaper photocopies.

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Provenancial Inquiries

Subseries consist of records relating to inquires made by individuals and families who are the hereditary owners of items which are now in the museums collection. Records include correspondence and notes.

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Francis Williams Project

Subseries consist of records relating to the acquisition of photographs by, or of the Haida artist Francis Williams. Records include correspondence and notes.

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CFI

Series consists of records relating to Elizabeth Johnson’s activities with the Classification Subgroup of CFI, Collections Access Group. Records include correspondence, memoranda, meeting minutes, preliminary decisions, reports, work summaries, Aboriginal Research Ethics Workshop: Research, Respect, Reciprocity, community consultation, principles to establish partnerships between First Peoples and Canadian Museums, principles of collection access, visible storage, exhibit ideas, terms of reference, Clothing and Textile Collection reports, and culturally sensitive objects identification list.

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Photos for publication

Subseries consists of records relating to various images used by Elizabeth Johnson in publications. In particular the records focus on images relating to the Jin Wah Sing Musical Association and the Cantonese opera as well as images relating to the Indian Homemakers exhibition. The records included in this series are composed of correspondence photographs, slides and two CD-Rs.

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Nunavutmiutanik Elisasiniq

Subseries consists of a newsletter pertaining to the exhibit “Nunavutmiutanik Elisasiniq.” This exhibit was installed at the MOA from April - September 1999. This exhibition honours the people of Nunavut, and features more than one hundred examples of contemporary and historic sculptures, prints, and drawings.

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Fiftieth Anniversary

Subseries consists of records relating to planning for MOA’s fiftieth anniversary celebrations. The records in this file consist of notes, minutes, memoranda, correspondence, agendas, events schedules, requests for funds.

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Wong Toa Anniversary exhibit

Subseries consists of records relating to the Wong Toa Anniversary exhibit hosted by the Jin Wah Sing Musical Association. The records in this file consist of two photographs, and notes.

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The Spirit of Tibet

The records in this subseries relate to an exhibit that was developed by MOA in conjunction with the Tibetan Cultural Society, the Canada Tibet Committee, and Women Working for a Free Tibet. Subseries consists of 1 file of correspondence, memos and exhibit labels.

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Convergence 2002

Subseries consists of records relating to an event entitled Convergence hosted by the Handweavers Guild of America. In particular the records in this series focus on the Museum of Anthropology’s involvement and correspondence supporting the 2002 Convergence in Vancouver, hosted by the Greater Vancouver Weavers’ and Spinners’ Guild. Records relating to the event planning activities include correspondence, letters of reference for participants in the event, presentation and seminar proposals, artist biographies, resumes, business cards, delegate registration book, schedules, roles and responsibilities, guidelines, planning notes, textile list, culturally sensitive object list, workshop descriptions and schedules, loan receipts, memoranda, Shuttle Spindle & Dyepot periodical, and ephemera.

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What is Canadian cultural property?

Subseries consists of a photograph of Elizabeth Johnson with a group of individuals standing in front of the exhibit What is Canadian cultural property?

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