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Jim and Mary Prime fonds

  • 20
  • Fonds
  • [ca. 1928]

Fonds consists of photographic negatives of people in the South Pacific, probably Hawaii or Samoa, in their traditional dress. A Polynesian tapa from the same time period and region was donated to the museum's collections.

Jim and Mary Prime

Joan Witney fonds

  • 95
  • Fonds
  • [ca. 194-?]

Fonds consists of one notebook attributed to Witney. The notebook contains notes regarding the Cree language and alphabet, and may have been created while Moore was in Norway House.

Joan D. Witney

Helen Frances Codere fonds

  • 52
  • Fonds
  • 1955

The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.

Helen Frances Codere

Ken Kuramoto fonds

  • 61
  • Fonds
  • 1980 - 1981

This fonds consists of 39 16mm film reels of Celebration of the Raven. There are also five audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.

Ken Kuramoto

Douglas & McIntyre fonds

  • 42
  • Fonds
  • 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Douglas & McIntyre

Genni Hennessy fonds

  • 48
  • Fonds
  • 2002 - 2003

The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.

Genni Hennessy

Ronnie Tessler fonds

  • 12
  • Fonds
  • 1986 - 1987

The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.

Ronnie Tessler

Ena M. Montador fonds

  • 127
  • Fonds
  • Unknown

Hand coloured sepia photograph of Gitskan village including structures, totems poles and small groupings of walking people taken by the father of Ena M. Montador. He was a salesman who traveled up and down the coast and may be one of the people in the photograph.Gitskan is a National Historic Site of Canada located at Kitwanga, British Columbia in the Skeena Country in the northwestern region of the province. It was an 18th century earthwork fortress also known as Battle Hill. Gitskan village features several wooden totem poles (featured in the photograph) that were originally erected by several clans on Battle Hill but were moved due to floods.

Ena M. Montador

James B. W. Cater fonds

  • 130
  • Fonds
  • [193-]

Fonds consists of five glass plate negatives taken in the early 1930s by James B. W. Cater when he worked for a farming company on Rapa Nui (Easter Island), a Chilean island in the southeastern Pacific Ocean, at the southeasternmost point of the Polynesian Triangle.

Glass plate negatives feature: a young girl posed in front of a moai, the monolithic human figures carved by the Rapa Nui people; a portrait of a young girl; group portraits taken outdoors.

James B. W. Cater

E. Polly Hammer fonds

  • 134
  • Fonds
  • 1969-1974

This fonds consists of 136 slides taken by E. Polly Hammer on various trips to British Columbia, Alaska, Manitoba, and Minnesota during the time she was based in Manitoba. The slides primarily depict totem poles from throughout the Northwest coast, including carvings by Mungo Martin and Henry Hunt. There are also depictions of petroglyphs and other works of art, as well as buildings (houses, museums, forts, and other dwelling places) and landscapes. There are also several photographs of events attended and photographed by E. Polly Hammer. The fonds also contains a booklet with information on and images of totem poles in Prince Rupert, British Columbia.

E. Polly Hammer

William Carr fonds

  • 86
  • Fonds
  • [1949 or 1950]

The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.

William Carr

Lilo Berliner fonds

  • 145
  • Fonds
  • Nov. 1968 - 1975

Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.

Lilo Berliner

Stallworthy Family fonds

  • 139
  • Fonds
  • 1856-1925

The fonds reflects the religious work and family history of Rev. George Stallworthy and his descendants. The fonds consists of correspondence and drawings related to the family's time in the South Pacific; 20 photographic portraits of family members; sermons, article reprints, and correspondence related to George Burnett Stallworthy's religious work and life; and a scrapbook containing memoranda, correspondence, photographs, clippings, pamphlets, genealogical research, and other ephemera from the Stallworthy family up to 1925.

The fonds is arranged into files based on the content and medium of the records.

Stallworthy Family

Minn Sjolseth fonds

  • 144
  • Fonds
  • 1966-1999

The fonds reflects Minn Sjolseth's artistic career and travels to First Nations communities throughout British Columbia and Alaska with her husband Anthony Carter. Contents of the fonds depict First Nations cultures in British Columbia between 1960 and 1980, including Haida, Coast Salish, Kwakwaka'wakw, Gitsegukla, Kispiox, and Nisga'a. Several of the contents depict notable figures, including Chief Dan George and August Jacks.

The fonds includes textual records including correspondence, ephemera, newspaper clippings; graphic materials such as photographs, slides, negatives, and transparencies that depict Sjolseth’s travels and artworks; and artworks produced by Sjolseth including paintings, drawings, and prints.

The fonds is organized into the following series:

  1. Personal records
  2. Artwork an Exhibition records
  3. Artworks

Minn Sjolseth

Reverend Smith Stanley Osterhout fonds

  • 89
  • Fonds
  • [1870-1911]

Fonds consists of 45 glass-plate lantern slides featuring scenes from Osterhout's work with B.C. First Nations, including Haida, Tsimshian and Kwakwaka'wakw. Images document First Nations individuals, communities, totem poles and landscapes of British Columbia.

Smith Stanley Osterhout

Frederich H. Maude fonds

  • 47
  • Fonds
  • [189-?], 1977

Fonds consists of 71 black and white photographs of the Hopi, the Zuni, and Inscription Rock. The fonds is divided into threes series: Donation Letter (1977), Hopi Images [189-?], and Zuni and Inscription Rock Images [189-?].

Frederich H. Maude

Robert Reford fonds

  • 11
  • Fonds
  • [1889 - ca. 191?]

The scanned images contained on the two discs in this fonds represent a selection of Robert Reford’s amateur photographs found in two albums from his time in British Columbia (1889-1891) and in the Arctic (ca. 191?). The images are presented in the order that existed in the original albums.

Robert Reford

Rosa Ho fonds

  • 105
  • Fonds
  • 1976 - 1999, predominant 1988 - 1999

The fonds consists of records relating to Rosa Ho’s functions as a Curator of Art and Public Programmes at the Museum of Anthropology at the University of British Columbia. Records include correspondence, memoranda, handwritten notes, minutes, object lists, reports, brochures, press releases, newspaper clippings, interview transcripts and tapes, financial statements, grant applications, publication drafts, policy information, mission statements, and other materials. The records are predominantly from 1988 to 1999, while Rosa was the Curator of Art and Public Programmes. The records largely pertain to events, programming, and exhibitions held at the Museum of Anthropology. Also included in the fonds are records relating to external projects and publications.

The fonds is arranged in the following 11 series:

  1. Public programme planning
  2. Exhibition planning
  3. Institutional planning
  4. Museum of Anthropology committees
  5. Collections – information, acquisition and documentation
  6. Inuit research
  7. BC First Nations research
  8. Pow Wow
  9. Volunteers and education
  10. External publications and projects
  11. Administration

Rosa Ho

Skooker Broome fonds

  • 108
  • Fonds
  • 1987 - 2015

The fonds consists of records relating to Skooker Broome’s function as a designer and as a coordinator for building services at UBC's Museum of Anthropology and contains detailed records relating to producing, planning, designing, and installing exhibits at the Museum of Anthropology. Records include correspondence, drawings, notes, memos, minutes, reports, photographs, proofs, labels, and other materials.

The fonds is arranged into three series:

Series 1: Exhibition & design series
Series 2: Special projects & events series
Series 3: Facilities & services series

See attached pdf document for series descriptions and file list.

Skooker Broome

Inge Ruus fonds

  • 101
  • Fonds
  • ca. 1975 - 1977

The records in this fonds consist of material created and received by Ruus both in her voluntary capacity and as a curatorial assistant. The majority of the records in the fonds pertain to the 1976 Guatemalan Highlands exhibit. Other records in the fonds are largely composed of photographic documentation of the clothing and textiles of various cultures. Other materials in the fonds relate to the management of the museum’s collection, with a particular focus on research into visible storage. Records in this fonds are composed of slides, photographs, notes, memoranda, and correspondence.

The fonds has been organized into the following three series:

  1. Visual Documentation of Clothing and Textiles
  2. Guatemalan Highlands Exhibit
  3. Collection Management/Visible Storage

See attached pdf document for series descriptions and file list.

Inge Ruus

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