Print preview Close

Showing 148 results

Archival description
Only top-level descriptions English
Print preview View:

7 results with digital objects Show results with digital objects

Jim and Mary Prime fonds

  • 20
  • Fonds
  • [ca. 1928]

Fonds consists of photographic negatives of people in the South Pacific, probably Hawaii or Samoa, in their traditional dress. A Polynesian tapa from the same time period and region was donated to the museum's collections.

Jim and Mary Prime

Audrey Shane fonds

  • 99
  • Fonds
  • 1973 - 1992, predominant 1975 - 1987

Fonds consists of records created by Audrey Shane as Archivist/Librarian and later Curator of Documentation of the Museum of Anthropology. The records consist of mainly textual and graphic material. The records include correspondence, internal memoranda, minutes of committee meetings, reports, student papers, handwritten notations, draft copies of articles and papers, book reviews, grant applications, drafts of text labels, photographs, negatives, contact sheets, slides and other textual and graphic material related to Shane’s functions and activities at the Museum.

The fonds has been organized into the following series:

  1. Exhibition files 1977-1987
  2. Collections files 1976-1992
  3. Project files 1979-1986
  4. Database files 1973-1987
  5. Museum history files 1974-1989
  6. Papers/teaching/lecture files 1975-1987
  7. General administration files 1975-1987
  8. External committees files 1978-1987
  9. Conference files 1977-1986

See attached pdf document for full descriptions of these series and a file list.

Audrey Patricia Mackay Shane

Joan Witney fonds

  • 95
  • Fonds
  • [ca. 194-?]

Fonds consists of one notebook attributed to Witney. The notebook contains notes regarding the Cree language and alphabet, and may have been created while Moore was in Norway House.

Joan D. Witney

Helen Frances Codere fonds

  • 52
  • Fonds
  • 1955

The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.

Helen Frances Codere

Henry Delmonese collection

  • 54
  • Collection
  • ca. 1920

Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

Ken Kuramoto fonds

  • 61
  • Fonds
  • 1980 - 1981

This fonds consists of 39 16mm film reels of Celebration of the Raven. There are also five audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.

Ken Kuramoto

Blanca and Ricardo Muratorio fonds

  • 32
  • Fonds
  • 1970 - 1990

The fonds consist of slides taken by Blanca and Ricardo Muratorio relating to fieldwork, folk arts and crafts of Ecuador and Peru taken by Blanca and Ricardo Muratorio. The colour photographs relate to the Corpus Christi [Ecuador] fiesta and dancers and the 1998 exhibit at the UBC Museum of Anthropology of works for sale by Andean artists, “Images of Andean Lives.”

Textual records consist of Ricardo Muratorio’s report on folk art, and materials relating to two exhibitions which took place at the Museum of Anthropology: the poster and Spanish text for “Images of Andean Lives” [1998] and an invitation for “Sewing Dissent: Patterns of Resistance in Chile” [1987].

Muratorio family

A.A. Kingscote Collection

  • 37
  • Collection
  • [ca. 1921]

The collection consists of postcards depicting First Nations from Western Canada.

Anthony A. Kingscote

Charles S. Brant fonds

  • 38
  • Fonds
  • 1948 - [200-?], predominant 1948-1950

Fonds documents Brant’s pre-doctoral research in Burma. As a Fulbright scholar working with the United States Educational Foundation, Brant submitted quarterly reports to the foundation detailing his arrival and adjustment to life in Burma, as well as his sociological research in the community of Tadagale and other areas of the country. Brant also provided the U.S. Foreign Service with his observations of life in the Shan States, where Brant and his wife first lived when they arrived in Burma in 1949. After returning to the United States in 1950, Brant published articles on the research he completed while in Burma. Records in this series include academic and government reports; articles; Brant’s curriculum vitae; a digitized slide show and 8 mm movie; a grant application; notes; and photographic negatives and prints. It is likely that most of the photographs were taken by Jane Brant, but these are not identified.

Charles S. Brant

Douglas & McIntyre fonds

  • 42
  • Fonds
  • 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Douglas & McIntyre

Edward Sheriff Curtis collection

  • 45
  • Collection
  • Copied [ca. 197-?] (originally created 1897 - 1930)

The collection consists of slides, photographs and negatives, all copies of Curtis’s most extensive work, “The North American Indian.”

Genni Hennessy fonds

  • 48
  • Fonds
  • 2002 - 2003

The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.

Genni Hennessy

Ronnie Tessler fonds

  • 12
  • Fonds
  • 1986 - 1987

The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.

Ronnie Tessler

Ena M. Montador fonds

  • 127
  • Fonds
  • Unknown

Hand coloured sepia photograph of Gitskan village including structures, totems poles and small groupings of walking people taken by the father of Ena M. Montador. He was a salesman who traveled up and down the coast and may be one of the people in the photograph.Gitskan is a National Historic Site of Canada located at Kitwanga, British Columbia in the Skeena Country in the northwestern region of the province. It was an 18th century earthwork fortress also known as Battle Hill. Gitskan village features several wooden totem poles (featured in the photograph) that were originally erected by several clans on Battle Hill but were moved due to floods.

Ena M. Montador

James B. W. Cater fonds

  • 130
  • Fonds
  • [193-]

Fonds consists of five glass plate negatives taken in the early 1930s by James B. W. Cater when he worked for a farming company on Rapa Nui (Easter Island), a Chilean island in the southeastern Pacific Ocean, at the southeasternmost point of the Polynesian Triangle.

Glass plate negatives feature: a young girl posed in front of a moai, the monolithic human figures carved by the Rapa Nui people; a portrait of a young girl; group portraits taken outdoors.

James B. W. Cater

E. Polly Hammer fonds

  • 134
  • Fonds
  • 1969-1974

This fonds consists of 136 slides taken by E. Polly Hammer on various trips to British Columbia, Alaska, Manitoba, and Minnesota during the time she was based in Manitoba. The slides primarily depict totem poles from throughout the Northwest coast, including carvings by Mungo Martin and Henry Hunt. There are also depictions of petroglyphs and other works of art, as well as buildings (houses, museums, forts, and other dwelling places) and landscapes. There are also several photographs of events attended and photographed by E. Polly Hammer. The fonds also contains a booklet with information on and images of totem poles in Prince Rupert, British Columbia.

E. Polly Hammer

William Carr fonds

  • 86
  • Fonds
  • [1949 or 1950]

The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.

William Carr

Lilo Berliner fonds

  • 145
  • Fonds
  • Nov. 1968 - 1975

Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.

Lilo Berliner

X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) collection

  • 135
  • Collection
  • 1974 - 1980

Collection consists of Haisla cultural documentation and X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) learning material, including sound recordings, stories, a dictionary, and lessons/workbooks. The collection has been divided into two series:

  1. Sound recordings
  2. Textual materials

Stallworthy Family fonds

  • 139
  • Fonds
  • 1856-1925

The fonds reflects the religious work and family history of Rev. George Stallworthy and his descendants. The fonds consists of correspondence and drawings related to the family's time in the South Pacific; 20 photographic portraits of family members; sermons, article reprints, and correspondence related to George Burnett Stallworthy's religious work and life; and a scrapbook containing memoranda, correspondence, photographs, clippings, pamphlets, genealogical research, and other ephemera from the Stallworthy family up to 1925.

The fonds is arranged into files based on the content and medium of the records.

Stallworthy Family

Results 1 to 20 of 148