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A.A. Kingscote Collection

  • 37
  • Collection
  • [ca. 1921]

The collection consists of postcards depicting First Nations from Western Canada.

Anthony A. Kingscote

Asia-Pacific Economic Cooperation (APEC) collection

  • 98
  • Collection
  • 1996 - 2000, predominant 1997

The APEC collection was established in 1997 when the Museum of Anthropology (MOA) hired two students, Todd Tubutis and Maria Roth. These two students were supervised by Director and Professor Ruth B. Phillips, and instructed to gather information in a variety of formats that would serve to represent the events of the 1997 APEC Leaders Meeting at MOA. These materials, in addition to their archival value, were to be used in a public exhibition at the museum and for other museum educational projects.

The collection consists of materials gathered by Todd Tubutis and Maria Roth in 1997 and 1998. These two students were hired to gather information in a variety of formats that would serve to represent the events of the 1997 APEC Leaders’ Meeting at the Museum. These records consist of textual materials, sound recordings, photographs, posters and banners, and physical artifacts. The records include: photographs of the Museum of Anthropology in preparation for the Leaders’ Meeting and protests against APEC at UBC and throughout Vancouver; posters and banners collected at protests at UBC and the Museum of Anthropology; radio broadcast recordings from UBC campus radio (CITR) on the day of the APEC Leaders’ Meeting and heavy student protesting; official APEC paraphernalia (both textual and graphic); textual records of the impact APEC had at the Museum of Anthropology; newspaper and journal articles concerning the APEC Leaders’ Meeting at the Museum of Anthropology; press releases from protest groups, the Prime Minister’s Office, and APEC; concerns of the Musqueam Nation regarding APEC; and coverage of the APEC Leaders’ Meeting in U.S. newspapers.

The collection has been organized into the following series and sub-series:

Series 1: APEC textual records
Sub-Series A: Official APEC publications
Sub-Series B: APEC material from other sources

Series 2: “This Is Not An Exhibit” multi-media materials

Series 3: APEC oversized posters and banners
Sub-Series A: APEC hand-rendered protest posters and banners
Sub-Series B: APEC printed posters and signs

Series 4: APEC audio recordings
Sub-Series A: Revolutionary Radio
Sub-Series B: Post-APEC interviews

Series 5: APEC artifacts

Series 6: APEC photographs

See attached pdf document for full description of these series/sub-series and a file list.

Henry Delmonese collection

  • 54
  • Collection
  • ca. 1920

Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

Joan Goodall collection

  • 57
  • Collection
  • 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

Joan Goodall

R.A. Brooks collection

  • 72
  • Collection
  • [ca. 1940 - 1950]

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

Reginald Robinson collection

  • 74
  • Collection
  • [ca. 1945]

The collection consist of photographs Robinson took of Aboriginal Australian peoples, small placards with descriptions of tribal items and customs, and two articles and a photograph regarding a Hobby Show Robinson participated in in 1947.

Percy Broughton collection

  • 31
  • Collection
  • [189-?]-1915

Collection consists of one bound journal, reflecting Broughton's day-to-day activities and missionary work in Baffin Island between 1909 and 1915, and one photo album with images of Wycliffe College, ships and their crews, towns, Arctic wildlife, and many of the Inuit community at Lake Harbour [Kimmirut] in Nunavut, Canada.

Percy Broughton

John Williams collection

  • 59
  • Collection
  • [ca. 1837]

Collection consists of one leatherbound book which reads “The Camden”…“presented by Francis Westley to the Rev. John Williams” from circa 1838 with signatures of people who attended Williams’ fundraising talks for the Polynesian mission on the Camden. In addition, there are five letters from 1837 and six contemporary photographs of the book, pages of signatures within the book, and the letters.

Ed Eckley collection

  • 18
  • Collection
  • 1967-1968

19 colour slides of totems and sites in Nootka Sound on the west coast of Vancouver Island.

Ed Eckley

Roland Reed collection

  • 121
  • Collection
  • 1907 - 1921

Collection consists of photographic prints by Roland Reed, featuring Native Americans and scenery of the western United States.

Roland Reed

Exhibit Comment Books and Guest Registers/Guest Books collection

  • 113
  • Collection
  • 1976 -

This collection is comprised of comment books generated from exhibits held at the Museum of Anthropology (MOA) at the University of British Columbia. At each exhibit, a book is available in which viewers are welcome to write down their opinions about what they saw. The comment books are collections of the public’s opinions about exhibits held at MOA.

Gordon Miller collection

  • 36
  • Collection
  • [1979?]-1993

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.

Collection consists of the following items:

001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983

Gordon Miller

Edward Sheriff Curtis collection

  • 45
  • Collection
  • Copied [ca. 197-?] (originally created 1897 - 1930)

The collection consists of slides, photographs and negatives, all copies of Curtis’s most extensive work, “The North American Indian.”

Thomas and Mildred Laurie collection

  • 81
  • Collection
  • 1940 - 2003 [predominantly 1940 - 1972]

The collection includes material relating to Alert Bay that was created or collected by Thomas and Mildred Laurie, as well as photographs and textual records created or received by James Barclay Williams, who bequeathed the records to Mildred Laurie. The collection includes a photo album, photographs, postcards, correspondence, newspaper clippings, pamphlets, and a calendar. Photographs document Alert Bay and the surrounding area, including the B.C. Packers store, Christ Church, the native cemetery, St. Michael’s Residential School and Preventorium, Canada Packers, Hardy Bay, totem poles, a long house, and the Nimpkish Hotel. Photographs also document local events, including potlatches, weddings, an outdoor salmon barbeque, BC centenary celebrations in 1958, native ceremonies, and a visit by the Governor General.

The material is arranged in the following files:

01 - James Barclay Williams – Correspondence and press clippings, 1968-1972
02 - James Barclay Williams – Photographs, [1908?]-1967
03 - Mildred Laurie - Photo album photographs, [194-]-1974
04 - Mildred Laurie – Photographs and postcards, [194-]-[199-]
05 - Slides and negatives, 1952-1972
06 - Pamphlets, ephemera, and press clippings, 1947-2003
07 - James Barclay Williams – Photo album, 1940-1941

Museum of Anthropology Student Exhibition and Research collection

  • 125
  • Collection
  • 1973 - 2003

Collection consists of projects and reports written by students in Anthropology 302, 431, 432, 433, 449, 518 and other related courses and programs. The projects and reports include information about exhibits designed and displayed at the Museum of Anthropology
by the students; critiques on "current" museum exhibitions and programs; and proposal papers for student exhibit projects.

Penelope Connell collection

  • 70
  • Collection
  • [ca. 1990]

Collection consists of 14 hand-tinted photographs of Japan. Geographic areas represented by these photographs include Kobe, Enosha Island, Tokyo, Nagasaki, Chuzenji Lake at Nikko, Inland Sea at Bingo, Kamakura, Yokohama and Honmoku.

Penelope Connell

Deirdre Lott collection

  • 88
  • Collection
  • [ca. 1966-1967]

Collection consists of an Eaton's Promotion Brochure titled "Eaton's Salute to Indian Culture" circa 1966-1967. Highlights displays and activities undertaking traditional arts and cultural events.

X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) collection

  • 135
  • Collection
  • 1974 - 1980

Collection consists of Haisla cultural documentation and X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) learning material, including sound recordings, stories, a dictionary, and lessons/workbooks. The collection has been divided into two series:

  1. Sound recordings
  2. Textual materials

Hakka Mountain songs and laments collection

  • 137
  • Collection
  • 1976 - [200-]

Collection consists of six compact discs with recordings of Hakka Mountain songs and laments, sung by Mrs. Yau Chan Shek-ying in 1976, along with accompanying documentation. Documentation includes lists of recordings with song descriptions, song translations/transcriptions, a photograph and bio of the singer, and articles collected by Elizabeth Lominska Johnson. The songs were sung in an older dialect of Hakka. Song types include marriage laments, mountain songs, and funeral laments.

Hakka mountain, or Hakka hill songs, are rural songs sung in the Hakka language by the Hakka people of Southern China. The songs vary in theme/subject, and exist as a kind of oral literature and/or communication at a distance.

Elizabeth Lominska Johnson

James Davidson collection

  • 16
  • Collection
  • 1894-1902

Collection consists of Japanese hand-coloured glass lantern slides collected by James Davidson in Formosa (present day Taiwan), and possibly also in Japan, between 1894 and 1902. Davidson used these slides for his lectures. All the photographs except 10 belong to the genre known as souvenir photography. The subject of these photographs in this collection echoed those found in the Japanese ukiyo-e prints of the so-called “floating-world” of the late Edo Period, from around 1780 until the 1860s. The delicate hand colouring of the albumen silver prints is one of the characteristics of photographs of Japan from this period.

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