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File consists of images of the Yan village site in Haida Gwaii.

File consists of one slide labeled Village Island 1973, and several other unlabeled slides depicting totem poles. The slides seem to have been taken at the same time as those used in "From History's Locker."

File contains images of various First Nations villages and townspeople around Skidegate, Port Simpson, and Bella Bella.

File consists of images from the Tanu village site in Haida Gwaii.

File consists of images of Haida Gwaii. Subjects include the Skedans village site, the city of Skidegate, Maud Island, and Queen Charlotte City.

File contains a portrait of Rudy Danielson, at Alliford Bay seated on a hillside holding a shotgun.

File consists of images from a pole raising ceremony in Masset, on Queen Charlotte Island, Haida Gwaii. The pole was carved by Robert Davidson, Jr. Images show the crowd, speakers (including Davidson), the process of raising the pole, and nearby scenery.

File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.

Photographs are by Earl Carter.

File consists of slides labeled "Andy," "Mr and Mrs Williams, Friendly Cove, Nootka," "Anthony Island Queen Charlotte Island 1967," "Minn Sketching at Yan QCI, Haida," "Kitwancool 1969," "Kasper," "Mary Ann 1967 Squamish," and "Kingcome."

File contains an photograph of two young girls holding hands, likely in Haida Gwaii.

File contains images of totem poles being removed from Anthony Island.

File contains images of Anthony Island, and one of Wilson Duff doing archaeology.

File consists of slides depicting First Nations chiefs and elders, Carter's wife Minn Sjolseth with August Jacks, Johnny Seaweed, miscellaneous images from Mount Currie/Lil'wat First Nation, and a photograph labeled "Potlatch Masset 60s".

File contains images of totem poles being being crated and shipped by boat.

File contains cabinet cards depicting villages, people, totem poles and house posts from in and around Haida Gwaii (Queen Charlotte Islands), as well as Northwest Coast indigenous cultural and ceremonial objects (artifacts and curios). File includes depictions of mission buildings of Reverend Thomas Crosby.

File contains photographs of steamships, houses, and houseposts from locations in and around Haida Gwaii (formerly Queen Charlotte Islands).

File consists of slides depicting Minn Sjolseth's paintings and labeled "Longhouse Posts Totem, Village Island, BC, 1974," "Kitwanga Village, 1967," "'Intermission' Kwakiutl, 1974," "Kwakiutl Totems, Alert Bay 1971,", "Last Totem of Skidegate QCI," "Native Cariboo Child, 1973," "Final Rest 1973," "Kwakiutl Totem 1973," "Dominic Charlie, Weather Prophet, Squamish Tribe, 1972," "Wilderness Watch, 1973," and "Basket Weaver." Many of these paintings depict individuals also photographed by Anthony Carter for his book publications.

File consists of images taken in the village of Masset on Haida Gwaii. Subjects include copper paintings, a painting of a young Haida woman, and scenery.