- 148-02-a035848
- Item
- 1975 or 1976
A close-up image of an elderly person. According to the documentation included with the filmstrip, the description of the image states that the man stands "in front of a store."
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A close-up image of an elderly person. According to the documentation included with the filmstrip, the description of the image states that the man stands "in front of a store."
An image of two men on a boat, one man wearing a red helmet pushes a barrel while the other man stands near by, yawning. According to the documentation included with the filmstrip, the description of the image states "Mark Sutherland yawns as Frankie Short rolls a barrel of diesel off the Betsy. The fuel will be used to run the generator."
An image of a man in a diver wet suit, wearing googles and oxygen tank. According to the documentation included with the filmstrip, the description of the image states "Tony will untangle a roap wrapped around a fish boat propeller."
An image of a boat docked at the harbor at sunset. According to the documentation included with the filmstrip, the description of the image states "The Reserve wharf at sunset."
An image of a drawing by the Kyuquot Elementary School children titled "Made by F.+W. Stocks Kyuquot B.C. 1976 with the help of the people of Kyuquot."
Wilson Duff interview with Jonathan Johnson at Kispiox
Parte deWilson Duff fonds
Item is an audio recording of an interview by Wilson Duff with Jonathan Johnson about the geography of the Gitxsan village of Kispiox and surrounding region. According to Tribal Boundaries in the Nass Watershed by Neil J. Stewart (MOA Reading Room, call number 12.7c GIT STE), Jonathan Johnson (1902-1968) of Kispiox was from the House of Xhliimlaxha and had knowledge of territories in the Nass watershed, including his father’s territory at Gwinhagiistxw. In interviews that took place on July 6 and 7, 1965, Duff gathered information about house territories in the Nass and Skeena watersheds to produce a map showing territories and numbered sites at Kispiox, see the Wilson Duff fonds at MOA, Box/File# Mc15, File# 10-B-21.
21 June 1958 Alert Bay Centennial Celebrations
Parte deDiane Elizabeth Barwick fonds
Item is a photograph of a procession of people (men, women, children) in ceremonial dress (button blankets, headdresses) walking away from the ferry terminal dock [?] in Alert Bay. The procession is led by Mungo Martin and Daisy Neel. A man dressed in regular clothes, smoking a pipe looks on from the left.
21 June 1958 Alert Bay Centennial Celebrations
Parte deDiane Elizabeth Barwick fonds
Item is a photograph of three young women, and two young girls standing in ceremonial dress (button blankets; carved and painted [wolf?] mask; and headdresses made of woven cedar, weasel(?), abalone, and eagle feathers). They are gathered for an event celebrating British Columbia's centennial in Alert Bay in 1958. Daisy Neel is in the centre wearing the frontlet and her twin sisters are the young girls in front of her. Emma Sewid [Seewid; Seaweed?] and Mabel Sewid [Seewid; Seaweed?] are on either sides of them.
(Replica) Kwakiutl housepost #5, Thunderbird Park, Victoria, B.C.
Parte deE. Polly Hammer fonds
Tallest totem pole, carved by Mungo Martin, Beacon Hill Park, Victoria, B.C.
Parte deE. Polly Hammer fonds
(Replica) Haida thunderbird and whale #16, Thunderbird Park, Victoria, B.C.
Parte deE. Polly Hammer fonds
Parte deE. Polly Hammer fonds
This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.
Kwakiutl, new Mungo Martin pole #1, Totem Park, UBC, Vancouver
Parte deE. Polly Hammer fonds
Carved by Mungo Martin 1951. Erected in UBC Totem Park. Moved to MOA in 1970’s but not erected in Great Hall until 2012 after repairs.
Kwakiutl house frame #4, Totem Park, UBC, Vancouver
Parte deE. Polly Hammer fonds
UBC Totem Park – (Sea-Lion and Thunderbird House) c. 1900 Knight Inlet. No longer on display. Now in storage at MOA.
Anget pole of Ninstints (copy by William Jeffrey)
Parte deE. Polly Hammer fonds
A button blanket, frontlet, and staff on display in Montréal
Parte deMOA General Media collection
A button blanket, frontlet, and staff on display in Montréal in Expo 67 pavilion.
Rattles on display in Montréal
Parte deMOA General Media collection
Rattles on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Masks on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Mask on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Mask on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".