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Series consists of photographs depicting scenes from Zuni life, including a number of photographs of a rock with Zuni inscriptions.

Series consists of photographs depicting scenes from Hopi life.

Series consists of notes Duff took while visiting First Nations communities. The materials consist of handwritten notes by Duff concerning totem poles, carvers, language and social organization of the communities. There are also some notes of conversations with community members or stories recounted by them.

Creative works written by Duff during his lifetime. Works include rough and completed drafts of poems and short stories.

Series consists of original handwritten and typed text, reprints and journals containing articles by Duff.

Series consists of materials Duff created and gathered on various Northwest Coast tribes including Haida, Tlingit, Tsimshian and Kwakiutl. The documents include handwritten notes, typed articles, correspondence and reference materials such as photographs from other museums, Photostats and reprints and originals of articles.

Hand-written and typed materials by Duff, possibly compiled during research for lectures or publications. The records cover a variety of topics, including population distribution and native cultures, and six bracelet molds.

Series consists of records created and collected by McLennan relating to Bill Reid and his art held both in private collections and at the MOA. Projects included in these records are the installation of Raven and the First Men in the MOA and The Spirit of Haida Gwaii at the Vancouver International Airport. Photographs also document jewelry designed by Bill Reid, along with small sculptures, large scale sculptures, ivory and argillite works and drums.

Series consists of artworks created by Minn Sjolseth from the 1970s to the 1980s. These artworks include intaglio prints, pen and ink drawings, charcoal drawings, and watercolour paintings. Several of the artworks are landscapes, however the majority are portraits of First Nations individuals, including several portraits of Chief Dan George.

Series consists of records created by William McLennan in the course of planning and photographing various projects and events at MOA.

Projects are considered as having a longer duration, often occuring outside of the physical museum building, and in cooperation with other bodies. McLennan often liaised with First Nation communities and artists during the planning stages of projects.

Events are considered as having occurred over a short period of time. Events were attended by McLennan as a MOA representative and photograph.

On both projects and events McLennan took on larger roles in addition to photographer such as community liason, presenting on topics, and designer. Each project and event comprises their own sub-series.

Series consists of creative works written about Duff after his death, as well as a book of unpublished writings of Duff (Birds of Paradox). Works include rough and completed drafts of poems, short stories, articles, essays, a book and an opera.

Series consists of records created and collected by McLennan in the course of research on Northwest coast art. McLennan kept files related to research conducted in other museums and archives, on artists he came into contact with, and a series of photographs depicting art styles and objects complied and organized by culture, and ideas and research for books. Each of these comprises its own sub-series.

Series consists of binders made up of photographs, quotations, background information and photocopied text from published sources. These binders were created to provide context to Koerner’s collection of Northwest Coast Indian art. These albums were compiled by Madeline Bronsdon Rowan, who was one of the curators at the Museum of Anthropology.

Series consists of cards and postcards printed by the Museum of Anthropology. Most of the cards/postcards are blank or contain a pre-printed message.

Series consists of stationary, letterhead, and folders, printed by the Museum of Anthropology. There are 5 pieces of letterhead, 4 empty folders, 1 "Traces of Words" notepad, and 1 business card. Also included (in separate folder in box 15-8) are documents on the rebranding of MOA in 2010.

Series consists of records relating to special projects and events hosted by or produced in whole or in part by the Museum of Anthropology. Records include correspondence, notes, reports, proposals, memoranda, programs and itineraries, topographical maps, minutes, agreements, business cards, brochures, and project summaries.

The series is arranged into six subseries:

Subseries A: Bill Reid memorial
Subseries B: Totem poles and Haida House Complex
Subseries C: Vancouver Virtual Museum
Subseries D: Asia Pacific Economic Cooperation [APEC]
Subseries E: Film productions
Subseries F: MOA mobile application icon