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Primarily photographs used in Marius Barbeau’s book “Totem Poles” (Vols. 1 and 2), published in 1950 -1951. Although these are copies of published images, they have been retained for reference purposes. The sub-series also contains some unidentified photographs. These photographs were accessioned into the fonds in 2002. It is unclear how Duff acquired these photographs.

Sub-series consists of records created and collected by Duff for his lectures including handwritten and typed notes, articles, and reports on a variety of subjects.

Subseries consists of images of various items from the Chinese Cultural Centre exhibition.

Subseries consists of photographs and negatives of the Greek and Roman exhibition.

Subseries consists of a program and information related to a basket weaving exhibit held at the Bellevue Arts Museum called American Indian Baskets: Trees, Reeds and Grasses.

Subseries contains binders of copies of images that McLennan has ordered, and some cases paid for, from other institutions, in addition to some that he has taken himself. He has arranged them in binders according to culture. He created these binders as an easy reference system for faculty, students, community members, and artists to use when identifying and comparing cultural artistic styles, and traditional customs. First Nations included in the culture photographs include: Tsimshian, Haisla, Kwakwaka’wakw, Northern First Nations, Ktunaxa, Kinbasket, Okanagan, Salish, Tlingit, Tahltan, Tsilhqot’in, Secwepemc, Stl’atl’lmx, Nlaka’pamux, Heiltsuk, Nuxalk, Oweekeno, Gitxsan, Haida, Nuu-chah-nulth and Nisga’a. A file also pertains to differentiating between different styles of canoes.

Subseries consists of a record relating to Elizabeth Johnson’s activities as instructor for Anthropology 302. Record consists of a lecture outline.

Subseries consists of a draft icon design for a Museum of Anthropology mobile application. There is no information about the purpose of or plans for this application. As of 2016, the application has not been created.

Sub-series consists of term papers and essays written by Duff's students, mainly for Anthropology 301. The majority of the papers are the original copy.

This subseries consists of two files reflecting the transfer of material from the museum to other locations in UBC. The records in this series are composed of correspondence.

Subseries consists of material surrounding the responsibility of insuring a museum collection. There are five files which contain information on the insurance value of items. The records in this subseries are composed of notes, correspondence, receipts and miscellaneous financial documents.

Sub-series consists of textual records kept by Duff as a member of the Department of Anthropology and Sociology Archaeology and Museum Committee. Includes minutes, reports and correspondence.

Sub-series consists of textual records relating to Duff's work for the Vancouver Centennial Museum as a member of the Professional Advisory Committee and as a consultant curator for a display in the Vancouver Centennial Museum at its opening. Documents include policy drafts for the museum, minutes of meetings, correspondence and notes.

Subseries consists of records relating to available textual resources on the subject of First nations art. The records in this series consist of notes.

Subseries consists of files providing documentation on loans received by the museum for exhibition purposes. Material includes borrower’s agreements, correspondence, ephemera, receipts for loans in, and lists of loans in (1956-1958).

This university committee identified the need for a new museum facility that would be linked to the department of Anthropology and Sociology.

Subseries consists primarily of material from the exhibit Man and His World in Montreal 1969-1970. Predominantly, the files contain correspondence with Rudy Kovach regarding design of the exhibit, as well as with Dr. Walter Gage and various Montreal officials including Mayor Drapeau. The records in this subseries take the form of correspondence, newspaper clippings, ephemera, inventories, plans and insurance evaluations.

Subseries consists of records relating to the training of native artists and funding for such programmes. It also contains a file on the conference on the contextual analysis of ideological systems. Records in this subseries consist of correspondence.