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Sub-series consists of records created and collected by Duff for his lectures including handwritten and typed notes, articles, and reports on a variety of subjects.

Primarily photographs used in Marius Barbeau’s book “Totem Poles” (Vols. 1 and 2), published in 1950 -1951. Although these are copies of published images, they have been retained for reference purposes. The sub-series also contains some unidentified photographs. These photographs were accessioned into the fonds in 2002. It is unclear how Duff acquired these photographs.

Sub-series consists of records relating to Halpin’s Gitanyou project, the Hale Project and the Tsimshian Research project.

Subseries consists of images that were selected by McLennan from Bill Holm Northwest Coast videodisk. Video disks were played in the museum. A copy of the original video disk that images are from is available in David Cunningham fonds (MOA Video 252).

Subseries contains largely photographs of artworks of Northwest Coast First Nations artists located at various cultural heritage institutions as well as in private collections. The majority of the information within the files was collected by McLennan for research purposes, and includes textual documentation about the lives of the artists, correspondence with the artists, information about exhibits based on the artists’ work and newspaper clippings and other stories about the personal life of the artists.

Sub-series consists of textual records kept by Duff as the Chair of the Department of Anthropology and Sociology Museum Program committee. Includes reports, correspondence, sample architectural renderings and four white prints of the Museum of Anthropology Phase 3, dated January 1975.

Subseries contains resources acquired by McLennan due largely in his research interest in Northwest coast art and design. The series consists largely of photographs taken by McLennan during his travels to museums and archival institutions of artifacts. There are also collections of photographs acquired by McLennan from archival institutions which he had copied. Correspondence between professionals at museums and archives is also sometimes located within the file with the photographs. The museums and archives which have files in this subseries are geographically very diverse. As a note of interest, some objects were taken out especially for McLennan, when access to them by the general public would not normally be granted.

Sub-series consists of term papers and essays written by Duff's students, mainly for Anthropology 301. The majority of the papers are the original copy.

Subseries consists of records relating to the exhibit "Proud to be Musqueam: Dedicated to Our Children." The exhibit was coordinated by Lizanne Fisher and Elizabeth Johnson. It was installed at MOA in 1989; a travelling version was later created. Subseries includes agreements, Anthropology 341 course outline, brochures, correspondence, exhibit labels, funding proposal, memos, notes, permission forms, phone message, articles from conferences, newspapers and professional journals, and a student paper.

Subseries consists of images of various items from the Chinese Cultural Centre exhibition.

Subseries consists of photographs and negatives of the Greek and Roman exhibition.

Subseries consists of material related to the illustrations that Stewart made for Wilson Duff's book Images: Stone.

Subseries consists of a program and information related to a basket weaving exhibit held at the Bellevue Arts Museum called American Indian Baskets: Trees, Reeds and Grasses.

Subseries consists of records relating to the exhibit, The Unity Quilt. Elizabeth Johnson was coordinator and co-curator with Ellen Antoine of the Indian Homemakers of BC. This exhibit focused on work made by participants in the Traditional Parenting Skills Program of the Indian Homemakers’ Association of B.C. Records include: correspondence, MOA exhibit proposal form (blank), exhibit labels, memos, notes, press release, photographs, negatives, slides, and participant statements.

Subseries contains two photographs related to the Dress and Identity exhibit.