Archival holdings at the Museum of Anthropology, University of British Columbia

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Archival description

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Photographs Included in the Book

138-03-01
Sub subseries
1894 – 1996

Parte dePaddling to Where I Stand collection

Series includes photographs and other graphic materials related to the editing of the book

Sin título

Additional Photos Not in the Book

138-03-02
Sub subseries
1895 – 1993

Parte dePaddling to Where I Stand collection

Subseries includes photographs and other graphic materials related to the editing of the book. Subseries came with a note reading: "Additional photos not in the book. OK on computer."

Sin título

General

118-3-I-1
Sub subseries
1983-1998

Parte deMarjorie Halpin (MOA Curator) fonds

Exhibition schedules

100-1-A-1
Sub subseries
1987-2001

Parte deCarol Mayer fonds

Grants

118-1-G-1
Sub subseries
1984-1986

Parte deMarjorie Halpin (MOA Curator) fonds

General

118-2-D-1
Sub subseries
1974-2000

Parte deMarjorie Halpin (MOA Curator) fonds

Great Hall exhibit photos/drawings numerical order archive copy

1-4-E-1
Sub subseries
[ca. 2005]

Parte deWilliam McLennan (MOA Curator) fonds

Sub subseries consists of photocopies of photographs and sketches of totem poles and other carvings from the MOA Great Hall which were used to create object labels. Many of the photographs show the carvings in their place of origin or on display at MOA.

General

118-3-A-1
Sub subseries
1970-1997

Parte deMarjorie Halpin (MOA Curator) fonds

Correspondence

118-6-A-1
Sub subseries
1973-1985

Parte deMarjorie Halpin (MOA Curator) fonds

Research and Teaching Committee

118-2-D-2
Sub subseries
1992-2000

Parte deMarjorie Halpin (MOA Curator) fonds

Gitanyow, Haida, Nisga'a, Oweekeno, Salish

1-4-E-2
Sub subseries
[ca. 2005]

Parte deWilliam McLennan (MOA Curator) fonds

Sub subseries consists of reproductions of photographs of totem poles and other carvings from the MOA Great Hall which were used to create object labels. Many of the photographs show the carvings in their place of origin.

Button Robes