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Doug Cranmer
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Haida house interior house post

Item is a colour image of the interior house post in the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC).

Bill Reid watching the construction of the Haida house

Item is a colour image of Bill Reid observing the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; the Double Mortuary Pole appears on the right

Construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC

Item is a colour image of the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; disassembled Wasgo appears in the centre; the House frontal post appears in the centre; the Double Mortuary Pole appears on the right. A woman and young child appear in the left foreground

Memorial pole being raised in the Haida Village

Item is a colour image of Memorial pole being raised in the Haida Village at Totem Park at the University of British Columbia (UBC). The Haida house appears to the left. The double memorial pole appears to the right.

George Szanto fonds

  • 138
  • Fundo
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

George Szanto

Doug Cranmer exhibit

File contains records relating to the exhibit of Doug Cranmer's work titled <i>Doug Cranmer's Paintings and Lyle Wilson's Transforming Grizzly Bear Human</i>. Records include loan agreements, lists of objects, correspondence between participating institutions, and exhibition text.

Sisiul print

Image depicts the mythical serpent Sisiul, painted in black on white paper. Additional notes say, "Shutter 50 Ap. 2.8__4"

Eagle painting

Image depicts an eagle, which seems to be painted on canvas rather than paper.

D'zonoqua painting

Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.

Sea eagle in ovoid form

Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.

Sea creature painting

Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.

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