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Norman Tait Inglés
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Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. The photograph shows this second stage of doing rough cuts on the totem pole: getting the design on, plugging any damaged areas, making the first cuts, cutting all the figures, designing and cutting any add-on pieces, making the background uniform. This stage is hard manual labour, with the carvers using bigger adzes just to clear away a lot of wood. It should be noted that there’s no really easy delineation between these stages (Stage One = Rounding the pole; Stage Two = Roughing the pole) because some figures are worked ahead of others. But the change is signaled by switching from heavier tools (2-handed adzes and mallets) to smaller ones (single-handed adzes and curved knives. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING).

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. The photograph shows this second stage of doing rough cuts on the totem pole: getting the design on, plugging any damaged areas, making the first cuts, cutting all the figures, designing and cutting any add-on pieces, making the background uniform. This stage is hard manual labour, with the carvers using bigger adzes just to clear away a lot of wood. It should be noted that there’s no really easy delineation between these stages (Stage One = Rounding the pole; Stage Two = Roughing the pole) because some figures are worked ahead of others. But the change is signaled by switching from heavier tools (2-handed adzes and mallets) to smaller ones (single-handed adzes and curved knives. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING).

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. The photograph shows this second stage of doing rough cuts on the totem pole: getting the design on, plugging any damaged areas, making the first cuts, cutting all the figures, designing and cutting any add-on pieces, making the background uniform. This stage is hard manual labour, with the carvers using bigger adzes just to clear away a lot of wood. It should be noted that there’s no really easy delineation between these stages (Stage One = Rounding the pole; Stage Two = Roughing the pole) because some figures are worked ahead of others. But the change is signaled by switching from heavier tools (2-handed adzes and mallets) to smaller ones (single-handed adzes and curved knives. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING).

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. The photograph shows this second stage of doing rough cuts on the totem pole: getting the design on, plugging any damaged areas, making the first cuts, cutting all the figures, designing and cutting any add-on pieces, making the background uniform. This stage is hard manual labour, with the carvers using bigger adzes just to clear away a lot of wood. It should be noted that there’s no really easy delineation between these stages (Stage One = Rounding the pole; Stage Two = Roughing the pole) because some figures are worked ahead of others. But the change is signaled by switching from heavier tools (2-handed adzes and mallets) to smaller ones (single-handed adzes and curved knives. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING).

Geographic Location: UBC Carving Shed

Rounding the log

Item is a colour negative of a photograph of crew working on log at the Turnbull & Gail construction yard in Richmond (contractors for building the new Native Education Centre). Corresponds to info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING. Photo shot for Douglas & McIntyre book

Geographic location: Turnbull & Gail construction yard in Richmond

Squirrel Dance and Paddles

Norman as he performs his squirrel dance on top of the canoe log. A set of paddles can be seen set against the canoe log. At the right of the image, a Tait family member is holding a skin drum with his back to the camera.

Squirrel Dance

Image is of Tait family members, Mercy and Josiah wearing button blankets and watching Norman as he performs his squirrel dance on top of the canoe log.

Joe David and daughter

Joe David and his daughter are in front of the canoe log. The little girl appears tucked under her father's button blanket.
Norman Tait stands at the left of image holding one of the canoe paddles.

Joe David and daughter

At the center of image, Joe David's daughter can be seen tucked under her father's button blanket in such a way that her eyes are entirely covered by the cloak. Norman Tait stands on the left side of image.

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