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File consists of photographic prints depicting Salish cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for Canada Museum of History Object ID VII-G-359 and MOA Object ID A1780; A1781; A50003; A50004; and A50005 a, b, & c in MOA's Great Hall.
Rufus Moody & Lisette in Minn Sjolseth's home in Vancouver Point Grey
Part of Anthony Carter fonds
Image of Rufus Moody & Lucette [Moody?], with Minn Sjolseth, Carter's wife. They are sitting in what looks like a living room.
Anthony Carter
Rufus Moody & Lisette in Minn Sjolseth's home in Vancouver Point Grey
Part of Anthony Carter fonds
Image of Rufus Moody & Lucette [Moody?], with Minn Sjolseth, Carter's wife. They are sitting in what looks like a living room.
Anthony Carter
Rufus Moody & Lisette in Minn Sjolseth's home in Vancouver Point Grey
Part of Anthony Carter fonds
Image of Rufus Moody & Lucette [Moody?], with Minn Sjolseth, Carter's wife. They are sitting in what looks like a living room.
Anthony Carter
Rufus Moody & Lisette in Minn Sjolseth's home in Vancouver Point Grey
Part of Anthony Carter fonds
Image of Rufus Moody & Lucette [Moody?]. They are sitting in what looks like a living room.
Anthony Carter
Rufus Moody & Lisette in Minn Sjolseth's home in Vancouver Point Grey
Part of Anthony Carter fonds
Image of Rufus Moody & Lucette [Moody?]. They are sitting in what looks like a living room.
Anthony Carter
Part of Anthony Carter fonds
File consists of image of Haida artist Rufus Moody, taken in what appears to be a home. A woman identified as Lucette is featured as well in a number of the images, possibly his wife. Also included is an image of some of his argillite carvings.
Anthony Carter
Part of MOA General Media collection
Display cases at the Vancouver Centennial Museum. These were part of the opening exhibition which was curated by the Museum of Anthropology. According to the annotation on the slide, the cases were designed by Rudy Kovach who worked extensively as a designer for the Museum of Anthropology.
Part of MOA General Media collection
Rosalind Wong working on the Asian items catalogue in the Museum of Anthropology's old location in the library basement.
The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.
Ronnie Tessler
Part of MOA General Media collection
Gillian Darling working in what appears to be the Museum of Anthropology's old location in the library basement.
Rod Paterson TA and photographer
Part of MOA General Media collection
Rod Paterson working at the Museum of Anthropology's old location in the library basement.
Part of MOA General Media collection
Rod Paterson lying on a shelf in the Museum of Anthropology's old location in the library basement.
Rod Paterson in the storage room
Part of MOA General Media collection
Rod Paterson lying on a shelf in the Museum of Anthropology's old location in the library basement.
Rod Paterson in the storage room
Part of MOA General Media collection
Rod Paterson lying on a shelf in the Museum of Anthropology's old location in the library basement.
Part of MOA General Media collection
Rod Paterson working at the Museum of Anthropology's old location in the library basement.
The fonds consists of 17 photographic prints taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions. In 2021 an additional roll of film was discovered by Keziere and prints, negatives, contact sheet, and USB flash drive were added to the fonds.
Robert Keziere
Part of MOA General Media collection
Reva Robinson doing archival work in the Museum of Anthropology's old location in the library basement.
(Replicas)?, mortuary poles (Haida), dwelling house and sea wolf, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
MOA Object ID numbers correspond to poles in the image from left to right.
A50030 carved by Bill Reid and Doug Cranmer (1961-62) as the frontal pole for the front of the Haida house, at the University of British Columbia, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
(Replica)?, Haida sea wolf #2, Totem Park - UBC, Vancouver
Part of E. Polly Hammer fonds
The Wasgo is a monster of Haida legend that had the ability to transform between wolf and sea creature. Carved and painted by Bill Reid and Doug Cranmer in 1962.