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Photograph of a copper sculpture of a man
Three large totem poles with a building and forest in the background
United Church Archives materials UBC
File contains images of various First Nations villages and townspeople around Skidegate, Port Simpson, and Bella Bella.
File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.
File contains a combination of historical and modern day images of canoes used by First Nation groups living on the Northwest Coast. The historical images contain images of village life and uses of the canoe in a historical context. The modern day images show canoes housed in various museums in Canada and the United States. The textual records contained in this file are photocopies of images of canoes, both from historical photographs and of modern day photographs.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum and rattle accompaniment. There is no speaking in between songs.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Part of MOA General Media collection
Item is an audio recording of Mrs. Susan Williams and Mr. Henry Young singing Haida songs, with drum accompaniment. An unidentified speaker introduces each song in English. The recording took place in Skidegate, Haida Gwaii, British Columbia.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Oversized photographs of totem poles on Anthony Island
File contains images of totem poles being removed from Anthony Island.
Moving the totem poles on Anthony Island
File contains images of totem poles being being crated and shipped by boat.
House of Chief Albert Edward Edenshaw
Part of Robert Reford fonds
Item is an image of two totem poles by two buildings. According to annotations, photograph is of the house of Chief Albert Edward Edenshaw, G?aw (also known as Old Massett) in the Haida Gwaii archipielago.
Part of Robert Reford fonds
Item is an image of a group of people sitting for the photograph. Other people, buildings, and totem poles are visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Part of Robert Reford fonds
Item is an image of a woman walking away from the camera with three buildings and a totem pole in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Part of Robert Reford fonds
Item is an image of a coastal village, taken from the sea. According to annotations, photograph is of G?aw (also known as Old Massett) in the Haida Gwaii archipielago taken from the Ship Islander.
Part of Anthony Carter fonds
File consists of slides depicting a plaque, and various portraits, poles, and landscapes.
Part of MOA General Media collection
Image of several house frontal totem poles at Ninstints on Anthony Island. The totem pole in the foreground is recognizable as one that was transferred to the Museum of Anthropology in 1954. While the others likely were as well, they are more difficult to identify.