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File contains images of some of the artifacts in the Edenshaw exhibit, including argilite, carvings, hats, and metal works. The textual records in this record include photocopies of other artifacts in the exhibit, as well as photocopies of Northwest Coast artifacts housed in other museums.
File contains information pertaining to the <i>Where are the Children? Healing the Legacy of the Residential Schools</i> exhibit. This information includes background information about residential schools in Canada, a copy of the exhibit's preliminary design report, photocopies of images, and a copy of the exhibit's "Reference Manual: For Setting up Exhibition (floor plans, wall elevations, text, captions, etc."
File mainly contains textual records related to the background research of the Metal Works exhibit. This research contains photocopies of articles written about Northwest Coast metal works, and copies of correspondence McLennan had with NWC artists. The photographic records in this file are images of the exhibit. The artifacts in this file are copper samples.
File mainly contains textual records related to the Tlingit Long-tail Canoe Exhibit. Textual records mainly consist of photocopies of historical photographs of Tlingit canoes. Other textual records include copies of correspondence between McLennan and the Royal British Columbia Museum, where many of the images were obtained from, and information about the exhibit, including a promotional handout, and a project report.
The images contained in this file are historic photographs of Tlingit canoes.
File contains images of the artists featured in the Through My Eyes exhibit such as Jim Hart, Bob Dempsey, Bill Reid, Richard Sumner, William White, Isabell Rovidk, Doreen Jensen, Richard Hunt, and Terry Starr. There are also images of some of their pieces, also featured in this exhibit.
File contains a copy of the publication titled Bill Reid: Beyond the Essential Form, written by Karen Duffek. This book is No. 19 in the Museum Note series.
File contains edited copies of exhibit text.
File contains images of exhibit text and an image of photographer Richard Hill standing in front of his photographs.
File contains one publication titled <i>The Third Eye</i>, written by Audrey Mackay Shane. This booklet is No. 22 in the Museum Note series.
Exhibition text and photographs
File contains photographs and copies of text relating to the exhibit.
File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs.
File contains printed photographic images of a beaded object as well as negatives showing someone displaying the beaded object.
File contains images of masks in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. The masks are described on the photographs to be "Chinese opera masks from Guizhou Province.
Subseries contains images of objects in the exhibit <i>Sensibilities: Unsuspected Multicultural Harmonies</i>. Images show the exhibit displays and objects in the exhibit.
File consists of images from the exhibition <i>When World Collide.</i>. Including those of Lyle Wilson holding a flag on which his designs are printed.
File contains images of the exhibit <i>Changing Tides : The Development of Archaeology in the Fraser Delta Region</i>.
This file contains images of objects in the exhibit <i>Tibetan Robes</i>.
File contains images of the exhibit <i>Blue Jeans</i>, held at the Museum of Anthropology, UBC.
File contains images of the unveiling of Robert Davidson's work "Raven Bringing Light to the World" at the Museum of Anthropology, UBC. In addition are also images of dancers and performance at the opening
File contains images and close up images of woven textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i> at the Museum of Anthropology, UBC.