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Group portrait of men, women, and children

Many women and children wearing native clothing stand outside. Men in native clothing sit on horseback, scattered among them. A man in western clothing stands in front of the crowd.

Fred Ryckman

Group portrait of men, some on horseback

Several men wearing native clothing sit astride horses, facing away from the camera. Other men stand in a field near them. A tipi can be seen copy right and mountains are visible in the distance.

Fred Ryckman

Kingcome Photo Slides

File includes photo slides of KIngcome Estuary and Kingcome Village. Slides also include a note and a business card indicating the photographer.

Helen Frances Codere fonds

  • 52
  • Fundo
  • 1955

The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.

Helen Frances Codere

Ken Kuramoto fonds

  • 61
  • Fundo
  • 1980 - 1981

This fonds consists of 39 16mm film reels of Celebration of the Raven. There are also five audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.

Ken Kuramoto

Charles S. Brant fonds

  • 38
  • Fundo
  • 1948 - [200-?], predominant 1948-1950

Fonds documents Brant’s pre-doctoral research in Burma. As a Fulbright scholar working with the United States Educational Foundation, Brant submitted quarterly reports to the foundation detailing his arrival and adjustment to life in Burma, as well as his sociological research in the community of Tadagale and other areas of the country. Brant also provided the U.S. Foreign Service with his observations of life in the Shan States, where Brant and his wife first lived when they arrived in Burma in 1949. After returning to the United States in 1950, Brant published articles on the research he completed while in Burma. Records in this series include academic and government reports; articles; Brant’s curriculum vitae; a digitized slide show and 8 mm movie; a grant application; notes; and photographic negatives and prints. It is likely that most of the photographs were taken by Jane Brant, but these are not identified.

Charles S. Brant

Douglas & McIntyre fonds

  • 42
  • Fundo
  • 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Douglas & McIntyre

Genni Hennessy fonds

  • 48
  • Fundo
  • 2002 - 2003

The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.

Genni Hennessy

Gillian Darling Kovanic fonds

  • 49
  • Fundo
  • 1973 - 2010

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

Gillian Darling Kovanic

Ronnie Tessler fonds

  • 12
  • Fundo
  • 1986 - 1987

The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.

Ronnie Tessler

Kesu': The Art and Life of Doug Cranmer

The records in this sub-series relate to the development and implementation of the exhibition curated by Jennifer Kramer titled Kesu': The Art and Life of Doug Cranmer. Records in the sub-series also relate to the development and publication of Kesu': The Art and Life of Doug Cranmer, authored by Jennifer Kramer and published in 2012 by Douglas & McIntyre. The exhibition featured the artwork of Doug Cranmer (1927-2006), a leading practitioner of Northwest Coast Kwakwaka’wakw art. Kesu' took place at the Museum of Anthropology from March 17 to September 3, 2012, the Museum at Campbell River in Campbell River, BC from October 19, 2010 to February 17, 2013 and the U’mista Cultural Centre in Alert Bay, BC from May 11 to October 8, 2013. Kramer received the 2012 British Columbia Museums Association's Museums in Motion Award of Merit for the exhibition. The book designer Jessica Sullivan received the 2012 Alcuin Society's award for First Place in the pictorial category.

Files in the sub-series consist of exhibition and publication planning notes and related correspondence, research materials pertaining to the career and life of Doug Cranmer, interview transcripts, photographs, funding proposals, object loan agreement forms, photography permission agreements, interview release forms, contracts and financial records, marketing plans, book drafts, exhibit text and labels, promotional materials and printouts of digital photographs of art work.

Haida singing Reel No. 3

Item is an audio recording of women and men singing Haida songs with drum and rattle accompaniment. There is no speaking in between songs.

Examples from How to Write the Haida Language

Item is an audio recording of Mrs. Gertrude Kelly providing Skidegate Haida translations of words to an interviewer, Randy Bouchard as part of the How to Write the Haida Language project. According to the recording, Mrs. Gertrude Kelly was formerly of Skidegate and at the time of the recording was living in Vancouver. Randy Bouchard co-founded the BC Indian Language Project in 1968 (https://www.memorybc.ca/british-columbia-indian-language-project) and is the author of numerous books pertaining to First Nations subject matter.

Examples from How to Write the Bella Coola Language

Item is an audio recording of Mrs. Marget Siwallace providing Nuxalk translations of words to an interviewer, Randy Bouchard as part of the How to Write the Haida Language project. According to the recording, Mrs. Marget Siwallace, age 62, was formerly of Kimsquit and at the time of the recording was living in Bella Coola. She is featured in the book Bella Coola: Life in the Heart of the Coast Mountains by Hans Granander. Randy Bouchard co-founded the BC Indian Language Project in 1968 (https://www.memorybc.ca/british-columbia-indian-language-project) and is the author of numerous books on First Nations subject matter.

Haida history spoken by Chief William Matthews of Masset Part 1

Item is a sound recording of Chief William Matthews of Massett, Haida Gwaii, British Columbia discussing various topics including: the formation of Native Brotherhood of British Columbia, which was established in 1931 and is recognized as Canada’s oldest active Native organization, and a senior BC fishing organization; proceeding years of the organization’s existence including who had governance in the organization, descriptions of various delegates, which villages were represented in the organization and the growth of the organization in subsequent years; personal stories about his family; history and social structure of the village he grew up in and of Haida peoples more broadly.

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