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archivistische beschrijving
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Conservation Records

Subseries consists of records related to conservation issues that Miriam Clavir created during her duties and activities as conservator. These include: correspondence, memoranda, photos, conservation reports (including priority reports), and notes related to her laboratory activities in the form of proposals and policy notes, suggested conservation supply stock for the MOA shop, as well as a student’s conservation course paper. Records relating to her conservation internship with the Public Archives of Canada (1982), and her collaborative participation with Virginia Salazar on the International Partnerships Among Museums (IPAM) report on museum conservation (1991-1992) are also included.

Teaching and Internship Records

Subseries consists of records related to courses taught by Clavir at the Museum of Anthropology, her training of conservation interns which was primarily funded through the Museum Assistance Programme (MAP), and to Clavir’s participation in the Aboriginal Cultural Stewardship Program. The subseries includes: course outlines, teaching notes, correspondence, memoranda, reports, application forms, cost summaries, funding contracts, a published discussion paper, and a program module.

The subseries is arranged in the following three sub sub subseries:
a: General teaching records
b: Museum Assistance Programme (MAP)
c: Aboriginal Cultural Stewardship Program

Wisdom of the Elders (by Ruth Kirk)

Subseries consists of material realted to illustrations done by Stewart for the book Wisdom of the elders: Native traditions on the Northwest Coast by Ruth Kirk.

Maps

Two printed maps drawn by Stewart, of Quadra Island and Haida Gwaii. Both include illustrations of animals and geographic and cultural aspects of the islands.

Historical and research photographs

Consists of photographs taken of historical prints and artefacts relating to the Quileute. These were taken at a number of institutions, including Brigham Young University in Utah, the Washing State Archives in Olympia, The Museum of Natural History, the Smithsonian, the Museum of the American Indian Heye Foundation, the American Philosophical Society in Philadelphia, and the University of Washington Burke Museum.

Kwak’wala photographs

Consists of photographs taken of people and events in Alert Bay and surrounding Kwak’wala speaking communities. Photographs document the activities of the era such as potlatches, fishing, trapping, and activities surrounding the opening of the U’Mista Cultural Centre, and many were taken for the purpose of using them in educational language books.

Notebooks

Consists of copies of six notebooks kept by Powell during the first two years of his work with the Haisla speaking people. Notebooks contain notes taken during interviews in Kitamaat.

Shuswap teacher training

Consists of materials produced for teaching training and development during Phase 2 of the Shuswap project. Includes a Teacher’s Manual developed with the assistance of Joy Wild, teaching units, Chilcotin readers by Maria Myers (produced during this period by Jensen) and a Chilcotin alphabet sheet.

Salishan audio recordings

Consists of audio recordings made as part of the research for the Musqueam and Seton Lake Lillooet language materials. The Musqueam recordings mainly consist of interviews with informant Andrew Guerin on lexical and grammatical aspects of the language. The information on these recordings were used by Powell in the Musqueam language books. The Lillooet recordings are of community member Cida Link reading the Lillooet alphabet. These were done to accompany educational materials.

Doreen Jensen

Consists of audio cassettes and transcripts of the photo identification session involving Sue Rowley (curator of public archaeology at the Museum of Anthropology), Vickie Jensen, and Doreen Jensen (Gitksan artist and curator). The session took place over two days, March 12, 2002 and April 9, 2002 with the goal of identifying the events and people in the photographs of Mary Johnson’s bitxw (divorce potlatch).

Gitksan artist photographs

Consists of photographs in print and slide format documenting Gitksan artists, both amateur and professional, that Jensen and Powell worked with or knew personally during their time living with the Gitksan.

Misc. photographs

Consists of photographs taken of social events and carvers connected to the Tait project, but not officially part of the project itself. Jensen was invited to a number of feasts and parties hosted by the Tait family, which she often photographed, making a gift of the pictures to the family members. At one of the parties, a family member performed a dance wearing a mask made to represent Jensen and her camera, complete with the sound of the shutter. In addition to events, Jensen met a number of artists, both Aboriginal and non-Aboriginal, through her acquaintance with the Taits, and she often photographed them.

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