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File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.

File includes one drawing and three photographs of MOA Object ID A50000 a, b, c, and d which is a totem pole separated into four parts. The images depict the object in its original form prior to separation. The contents of this file were used to create object labels for MOA's Great Hall.

File contains a combination of historical and modern day images of canoes used by First Nation groups living on the Northwest Coast. The historical images contain images of village life and uses of the canoe in a historical context. The modern day images show canoes housed in various museums in Canada and the United States. The textual records contained in this file are photocopies of images of canoes, both from historical photographs and of modern day photographs.

Photographs are by Earl Carter.

File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.

File includes one drawing and one photograph of MOA Object ID A50012 which is a house frontal totem pole. The photograph is annotated with handwritten information about its originating repository. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing of MOA Object ID A50013 which is a house frontal totem pole. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing and five photographs of MOA Object ID A50014 a and b which are a house totem pole that has been separated into two parts. The images depict the object in its original form prior to separation. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File includes two photographs of MOA Object ID A50016 which is a house post. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File consists of two buttons from the efforts in 1985 efforts to protect the South Moresby islands (Gwaii Haanas) of Haida Gwaii. One button has the text: "Protect Lyell island, Haida Country." The other is from the South Moresby Caravan, 1986. Protesters efforts led to the creation of the Gwaii Haanas National Park Reserve.

File contains images of various First Nations villages and townspeople around Skidegate, Port Simpson, and Bella Bella.

File includes one drawing and five photographs of MOA Object ID A50018 and other surrounding totem poles. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

Fonds consists of audio, video, and visual materials created by Basil and Edythe Hartley. Materials include video footage of the Haisla people, which Hartley shot while working in Kitimaat from 1941-1944, a voiceover for the footage which Hartley’s widow, Edythe McClure, created in ca. 1983, a letter, and three photographs of Kitimaat people and landscapes. The three audio cassettes all contain the same 1983 recording.

File consists of photographs taken during a 1957 trip to Anthony Island, part of Haida Gwaii, to survey and/or acquire and preserve totem poles from the island. This expedition was undertaken as part of the B.C. Totem Pole Preservation Committee. This committee was set up in 1953 by members of MOA, UBC's Department of Anthropology, and the BC Provincial Museum, with support from the lumber and fishing industries. Their aim was to survey existing poles of the province, and to acquire and preserve all those not in use. H.R. MacMillan and W.C. Koerner supported the purchase and transportation of the poles which were brought to Vancouver and Victoria from coastal villages.

Members of the 1957 expedition included Wilson Duff, Michael Kew, Harry Hawthorn, John Smyly, and Bill Reid.

File consists of photographic prints depicting Haida cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50000 a, b, c, & d; A50001; A50002 a, b, & c; A50012; A50013; A50014 a & b; A50015 a & b; A50017; A50018; A50021; and A50045 in MOA's Great Hall.

File consists of slides labeled "Andy," "Mr and Mrs Williams, Friendly Cove, Nootka," "Anthony Island Queen Charlotte Island 1967," "Minn Sketching at Yan QCI, Haida," "Kitwancool 1969," "Kasper," "Mary Ann 1967 Squamish," and "Kingcome."

File consists of photographs taken at Anthony Island, Haida Gwaii, on a 1957 trip. The majority of the images appear to be at the Ninstints village site on Anthony Island.

An accrual of 20 slides was added to this file in March 2022, from accession 2022-3. Most appear to be duplicates of slides already in the file. These 20 slides have not been digitized.

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.

Collection consists of the following items:

001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983

File includes one photograph of MOA Object ID A6985 which is a totem pole. The contents of this file were used to create object labels for MOA's Great Hall.

File consists of slides labeled "Spruceroot digs Emily Minn etc 1967," "Nora pulling spruce roots Tow Hill QCI Aug 1967," and "Alert Bay Sept 1970."