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File contains images of Lyle Wilson's work as well was Wilson's notes regarding a canoe at the American Museum of Natural History and ephemera from an exhibit at the West Vancouver Museum titled <i>North Star: The Art of Lyle Wilson</i>.

The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.

File contains images of various First Nations Cultural groups from the Pacific Northwest. The images include negatives and slides of Northwest Coast villages, totem poles, longhouses, and First Nations peoples dressed in regalia.

File contains a combination of historical and modern day images of canoes used by First Nation groups living on the Northwest Coast. The historical images contain images of village life and uses of the canoe in a historical context. The modern day images show canoes housed in various museums in Canada and the United States. The textual records contained in this file are photocopies of images of canoes, both from historical photographs and of modern day photographs.

File contains images of canoes from various Northwest Coast First Nations communities including Tsimshian, Haida, Nuxalk, Kwakwaka'wakw and Nuu-chah-nulth.

File contains historical photographs of Gitxsan villages, with a specific focus on totem poles and various buildings in the villages. There are also some images of the Gitxsan people in regalia. The textual records contain information to some of the photographs, listing the photograph's title and the museum and/or archive it originated from.

File contains a combination of historical photographs depicting village life of the Coast Salish people, and modern day photographs of Salish artifacts housed in various museums around the world. The historical photographs contain images of Coast Salish peoples, totem poles, house posts, canoes, and petroglyphs. The modern day photographs contain images of Coast Salish artifacts such as blankets, spindle whorls, masks, carvings, house posts and totem poles, and household items such as combs and bowls. The textual records contained in this file are photocopies of images of Coast Salish artifacts housed in various museums around the world.

File contains images of artifacts in the <i> The World of Spirits: Igbo Masks Exhibit</i>. These artifacts include masks, clothing, and shields.

File contains correspondence and two articles regarding the Tlingit.

File contains images of Norman Tait and his work at various stages of his career. In addition is a copy of transcript of an interview with Norman Tait conducted by Marjorie Halpin.

File contains images of a painting titled "Carrier of the Sweat Lodge" by John Laford. This painting was shown in the exhibit titled <i>Spirits in the Rock</i>.

File contains correspondence between McLennan and the Lax Kw'alaams Band Office.

File contains information about the Northwest Coast canoe including how they're made, their importance, and their history. There are also photocopied images of canoes from the Nuu-chah-nulth and the Kwakwaka'wakw communities.

This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.

File contains correspondence and art packages. The two art packages consists of Northwest Coast Art and The Whale House of the Chilkat. These packages contain historic photographs with full explanations, as well as high lighting the design elements. They were published by the Alaska State Museum.

File contains correspondence between members of the Heiltsuk community and McLennan regarding the Transforming Image project. In addition are copies of photographs and descriptions of the people and events in the photographs.

File contains images of masks, bowls, and textiles. In addition are correspondence with Joy Inglis and Marie Mauze.

Subseries contains photographs and textual records pertaining to the "Northwest Coast Indian Art Work" exhibit which was displayed at the BC Pavilion at the World's Fair in Seville Spain in 1992. The photo depict some of the artists involved in the project painting on a wooden screen. The textual records include copies of correspondence addressed to and written by McLennan about the artwork showcased at the World Fair. Other textual records include background information about the art work and brief biographies of the artists involved in the project.

File contains a project report on the conservation and restoration project of a Nuu-chah-nulth canoe at the UBC Museum of Anthropology.