Affichage de 64 résultats

description archivistique
Sous-série organique Museum of Anthropology
Aperçu avant impression Affichage :

Transforming Image

Subseries contains records directly related to the planning, development and execution of the Transforming Image exhibit at MOA. Planning for the exhibit began in 1983 when grants were obtained to begin research on Northwest Coast paintings. The exhibit itself occurred in 1993. The exhibit was the end result of research and development of a technique to view severely faded Northwest Coast First Nations paintings and painted objects through the use of infrared technology. Records include correspondence and information requests, public relations files, grant application information, budgeting information, papers, conferences and publications about the Transforming Image, files related to the publishing of the Transforming Image book and school interest in the exhibit.

Due to its large volume, The Transforming Image subseries has been broken down further into sub- subseries: Administration records; Research files; Book related; and Institutional photographs.

ref # 1-1-MMM-1

Signed without signature

Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.

Speaking to memory

Subseries consists of records relating to research on residential schools that led to the production of the exhibit Speaking to Memory: Images and Voices from St. Michael's Residential School, held at the Museum of Anthropology, UBC.

Museum quality

Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.

Hunt Family heritage

Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."

Robes of power: Totem poles on cloth

Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

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