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Museum of Anthropology
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Exhibit photographs

File consists of images from the exhibition <i>When World Collide.</i>. Including those of Lyle Wilson holding a flag on which his designs are printed.

Photographs

File contains images and close up images of woven textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i> at the Museum of Anthropology, UBC.

Text and photographs

File contains images of the text that was used as well as images of the exhibit <i>Show and Tell: The Story of the Big Mac Box</i>. In addition there are two images on the contact sheet that show a different exhibit titled <i>Blood from Stone</i>.

Ben Houstie

File contains images of Houstie's artwork featured in the <i>Transforming Images</i> exhibit. There are also images of Houstie working on his artwork. The textual records in this file contain photocopies on images found in this file.

Where are the children?

Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.

Calvin Hunt research

File contains research materials related to the Calvin Hunt - Tlingit Long tail Canoe Exhibit. These records include information includes photograph descriptions and credits and an exhibit concept proposal.

Dress and identity

File contains two images. The first image is a negative depicting two unidentified people dressed in traditional dress. The second image is of the back of an unidentified person looking at a museum description on a wall. There is a mannequin dressed in traditionnal dress placed to the left of the person.

Through my eyes

Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.

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