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File consists of records about Dempsey Bob such as a student paper and exhibit proposal. In addition are images of Dempsey Bob and his artworks.

The file contains images of Northwest Coast artifacts located in unidentified First Nation villages, and in various museums in North America. The artifacts include masks, paddles, carvings, rattles, fishing equipment, and household items such as bowls and spoons. The majority of images from various museums include information about the artifact such as what it is, the museum it's housed in, and the artifact's catalogue number.

File contains images of Stan Green carving outside his workshop as well as close up images of his masks. In addition is coresspondence between Stan Green and Darrin Morrison inviting Green to speak at an event.

File contains images of Jim Hart's artworks, as well as him dancing at a pole raising and shots of him working in the Museum of Anthropology, UBC. In addition this file contains textual records such as correspondence both with and about Jim Hart.

File contains colour photographs of Northwest Coast bentwood boxes, masks, and other artifacts housed at the Royal Ontario Museum.

File contains image of mask created by Richard Hunt.

This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.

File contains images of masks created by Glen Tallio.

The fonds consists mainly of slides, negatives, and other material relating to Sinhalese (Sri Lankan) and other South Asian masks held at numerous repositories worldwide, studied by Ames in the late 1950s and early 1980s. Subjects also include people, places, temples, ceremonies, and daily life in Sri Lanka, Bangkok, Cambodia, and Singapore. Numerous research articles reproduced by Ames, as well as travel brochures, are included. Material from student exhibits related to South Asian masks is also included.
The records have not been arranged into series since the entire fonds consists of closely related material.

The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.

File contains images of Northwest Coast artifacts including bowls, baskets and nets, weavings, ropes, embroderies, hats, clothing, masks, and weapons housed in an unspecified museum(s). The textual records include a catalogue list of "materials sent to: the National Museum of Denmark, April 1928".

File contains images of Northwest Coast artifacts held by a private collector.

File contains images of Northwest Coast, possibly Heiltsuk, artifacts including a mask, sculpture, and weapons housed at the British Museum.

File contains two negatives of a Northwest Coast mask housed at the Welcome Institute in London England.

File mainly contains historical images of the Heiltsuk, Nuxalk, and Wuikinuxv First Nations. These images depict village life, architecture and house posts, and regalia. The file contains images of a group of Nuxalk who traveled to Berlin to perform there. Images that are not historical depict a ceremony happening in the Great Hall at UBC MOA, unidentified artists working on a set of drawings, and what appears to be the Acwsalcta High School in Bella Coola. Non textual records include photocopies of photographs, and photocopies of museum catalogue cards.

Subseries consists of drawings created by Sawyer of various Northwest Coast masks housed in museums in North America and Europe. On each of these drawings, Sawyer notes the museum in which the mask is housed as well as each mask’s catalogue number. For some of the drawings, Sawyer provides additional information about the masks such as the First Nations community from which the mask originated, its dimensions, the approximate dates of the mask’s creation, and other special features about the mask such as its coloring and/or any attachments included with the mask.

ref # 13-2-B

Subseries consists of material produced by museum staff, among them Wilson Duff, Harry and Audrey Hawthorn, Marjorie Halpin, and Gloria Cranmer Webster. There is extensive material on Audrey Hawthorn’s Art of the Kwakiutl Indians. Included in this subseries are ca. 2000 photographs which were collected for possible use in this book. Photographs are numbered A38-A17206 with many numbers missing throughout. The majority of photographs are of wooden masks, but they are also of bowls, bentwood boxes, paddles, rattles, totem poles, talking sticks, headdresses and frontlets, wooden figures and miniatures, whistles, spoons, silver bracelets, argillite carvings, button blankets, chilkat blankets, cedar head and neck rings, woodworking tools, stone tools, and fish hooks. Other record forms included in this subseries include correspondence, notes and published materials.

Item is a sound recording of material used in the UBC course, Anthropology 431. The recording features a speaker discussing Coast Saalish and Kwakwaka'wakw masks in terms of similarities and differences in form and meaning, particularly in reference to writing on the subject by Claude Levi-Strauss. The recording is related to the MOA exhibition Kwakiutl Masks: An Expression of Transformation, which took place from April 15 to December 31, 1979. The content of the recording is repeated three times.