Mostrando 80 resultados

Subseries consists of records relating to the 1993 exhibit, "A Rare Flower: A Century of Cantonese Opera in Canada." The exhibit began with an acquisition of historic Chinese Opera costumes from the Jin Wah Sin Music Society. The exhibit was first installed at MOA from May 16 to Nov. 7 1992, in Gallery 5. Elizabeth Johnson was both curator and coordinator. It was also a travelling exhibit with five other venues in Canada. It reopened in MOA in 1995, and later travelled to the McCord Museum. Aspects of the exhibit have been on display at numerous venues, including Hong Kong and Ghuangzhou in a panel exhibit. Subseries contains agendas, articles, artifact lists, books, business cards, agreements, correspondence, drawings, evaluations, exhibit labels, expenses, internal forms (exhibit proposal forms), financial records, guidelines, grant applications, memoranda, minutes of meetings, museum exhibit diagrams, permission forms, photographs, notes, plans, policies, press releases, proposals, publications (books and magazines), publicity records, receipts, reports, reproductions of newspaper ads and articles, research notes, schedules, slides, speaking notes, surveys, transcripts of research interviews, handbills, drafts, visitor surveys and videos.

Subseries consists of records relating to the exhibit “My Ancestors are Still Dancing” at MOA. As part of a “living” exhibition, Tsimshian weaver William White from Lax Kw’alaams was commissioned to publicly weave a child-size robe in Gallery 8. The exhibit displayed William White’s weavings, historical weavings from MOA’s collection, and historical and contemporary photographs of people wearing Chilkat regalia. The exhibit was installed in 2001 and ran through until September 28, 2002. Records include acquisition/artifact lists, artist biography, budget, correspondence, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, grant applications, internal forms (consent forms), installation diagrams, map, meeting agendas memoranda, notes, object records, photographs and slides, photocopies of photographs, professional guidelines, reports, schedules, recorded audio research interviews, transcripts of research interviews, travelling exhibit, and visitor comments.

Subseries consists of records relating to the Wong Toa Anniversary exhibit hosted by the Jin Wah Sing Musical Association. The records in this file consist of two photographs, and notes.

Series consists of records pertaining to educational programmes offered at the University of British Columbia. Records include a programme brochure, correspondence, an unpublished essay and a participant list.

Subseries consists of one file of correspondence and notes relating to a proposed exhibition of Peruvian artifacts in conjunction with the Canadian Cultural Property Export Review Board.

Series consists of records relating to Elizabeth Johnson’s statement of goals, and records relating to her projected activities as curator and her responsibilities for the MOA Archives outlined in a three-year plan. Records include statements of goals, program plans, memoranda, and correspondence.

The records in this subseries relate to an exhibit that was developed by MOA in conjunction with the Tibetan Cultural Society, the Canada Tibet Committee, and Women Working for a Free Tibet. Subseries consists of 1 file of correspondence, memos and exhibit labels.

Series consists of records relating to Elizabeth Johnson’s activities to obtain grant funding for a book on Salish weaving, research for monograph of preservation on Cantonese opera in Canada, Hakka urban village research, and collections documentation and research. Records include research and publication grant applications and reports, grant budgets, Salish weaving book, Cantonese Opera research, correspondence, and memoranda.

Subseries consists of a photograph of Elizabeth Johnson with a group of individuals standing in front of the exhibit What is Canadian cultural property?

Subseries consists of one file of correspondence, notes, exhibit proposal, relating to a proposed exhibition of Chinese women’s dress in the twentieth century.

Subseries consists of one file relating to an exhibition, proposed by Ulli Steltzer to Elizabeth Johnson, on the subject of a photograph exhibit representing indigenous and ethnic minorities in China. The subseries includes a project proposal: stage 1, correspondence, and memoranda.

In 1995, a large Musqueam weaving by Krista Point was hung in the Great Hall. Subseries consists of a book, photos, memos and drafts of the Artist's Statement.

Subseries consists of a memo to Elizabeth Johnson relating to the planning of a future exhibit in Gallery 3 which would show the relationship between MOA and leading NWC artists of the last century. Also included are lists of artists and relevant objects from the Museum of Anthology’s collections, which were considered for inclusion in the exhibit.

Subseries consists of records relating to the exhibit, "Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam," which was installed at MOA from January 28 to July 20, 1986. The exhibit was co-curated by Wendy Grant and Debra Sparrow of the Musqueam Weavers, and Elizabeth Johnson of MOA. Subseries contains agreements, attendance figures, budgets, brochure, comment book (copy), contact lists, correspondence, curators’ statement, draft text for catalogue, ethical review application, exhibit layout diagrams, grant applications, memos, newspaper articles, notes, photographs, slides, published articles, receipts, research paper, speaking notes, transcripts of research interviews, schedules, and audio-taped interviews.

Subseries consists of records relating to the Museum’s relationship with the Ming Pau Newspaper. In particular the records focus on funding given to the Museum by the newspaper for the 1993 homecoming event and an exhibition review done by the paper. The records include notes, correspondence and a photocopy of a newspaper page.

Subseries consists of records relating to the exhibit Ancient Cloth …Ancient Code? It was coordinated by Elizabeth Johnson and curated by Mary Frame. It was installed at MOA from March 4 to May 24 of 1992. The exhibit focused on textiles from various ancient societies from present day Peru. Records include grant applications, budgets, memos, correspondence and photographs.

Subseries consists of records relating to Elizabeth Johnson’s interaction with the Canadian Museums Association with a specific focus on the ‘Symposium of Cultural Diversity’ and on a mid-career development grant. The records in this file consist of correspondence, a photocopy from a journal, a business card, a procedures outline, notes, minutes, a memorandum, correspondence, agendas, events schedules, requests for funds.

Series consists of draft pages created for a costume source book.

Subseries consists of records relating to two exhibits installed at MOA, in partnership with the Chinese Cultural Centre (CCC) and supported by a grant from the Festival Hong Kong 1992 Committee. "Contrasts: Hong Kong's New Territories in the Twentieth Century" is a photographic exhibit. It opened in Nov 1992, and continued in the lobby at MOA until May 23 1993. "Possessions from the Past" is an exhibit of Hakka artifacts. It opened in Nov 1992, and continued in the lobby at MOA until Mar 14 1993. Elizabeth Johnson was both curator and coordinator for these exhibits. They were also installed at the Chinese Cultural Centre. Subseries includes budgets, completed application form, CHIN printouts, contact lists, correspondence, draft exhibit proposal, final report, invitations, memos, name lists, notes, photographic negatives, receipts, and speaking notes.

The exhibit was co-curated by Louise Jackson and Elizabeth Johnson. It was installed at MOA from Feb 18 to May 24, 1992. Subseries consists of records relating to the exhibit "Repair, Re-use and Recycle" installed at MOA in 1992. This exhibit focused on Japanese, Indian, Chinese, Philippine, Dutch and Salish textiles. The intent of the exhibit was to highlight the various techniques used by different cultures to prolong the life of household goods. Subseries includes an artifact list, a diagram, a drawing, exhibit labels and notes.