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Personal documents

Series consists of records documenting personal transactions, financial matters, and accomplishments of Duff.

Photographic records

Series consists of photographs, negatives, and slides taken or acquired by Duff during his study of North West coast culture and art. Included are views of objects, exhibits, places, trips, events, and people. There are six sub-series.

Images: Stone B.C. records

Correspondence, news clippings, installation and exhibition photographs, and press kits from the Images: Stone: B.C. exhibit that was displayed at the Vancouver Art Gallery and the Greater Victoria Art Gallery. Also includes 2 cassette tapes from the Vancouver Art Gallery dated May 6, 1975 and 1 U-Matic videocassette titled “Images: Stone B.C.: Hilary Stewart, Wilson Duff” dated May 16, 1975.

Research notes and materials

Hand-written and typed materials by Duff, possibly compiled during research for lectures or publications. The records cover a variety of topics, including population distribution and native cultures, and six bracelet molds.

Tsimshian files

Research notes compiled by Wilson Duff during his work on the Barbeau/Beynon material held at the National Museum of Canada (now Canadian Museum of History). This research, focused specifically on the Tsimshian culture, includes correspondence addressed to and/or written by Duff, files relating to the Nishga Land Claim of which Duff was involved as a witness, and typed manuscripts.

Posthumous writings on Duff

Series consists of creative works written about Duff after his death, as well as a book of unpublished writings of Duff (Birds of Paradox). Works include rough and completed drafts of poems, short stories, articles, essays, a book and an opera.

Ephemera

Textual records, porcupine quills, dried leaves, brochures and other materials which do not clearly fall into existing categories.

Creative writing

Creative works written by Duff during his lifetime. Works include rough and completed drafts of poems and short stories.

Textual materials

Series consists of written X̄a’islak̓ala (Haisla language) documentation and learning materials by the Dutch linguist Hein Vink (also known as Henry Vink). These language materials consist of a dictionary, one beginner course book, and one advanced level Haisla learning course book. The series also contains written tellings of traditional Kitimat stories, as told by Jeffrey Legaic and collected by Gisele Mendel.

Sound recordings

Series consists of six sound recordings, digitized from three cassette tapes. Recorded content includes Xa'islakala vocabulary and sentence exercises, along with compiled segments of radio reports and interviews regarding events in and around Kitimat in the 1970s and early 1980s. Recorded language materials are intended to be used as supplementary to the textual course materials.

Maps

Maps created, acquired, and used by Duff in his research and teaching activities. The materials show geographical features; location and boundaries of territories and villages of Northwest coast native people; reserves; language families and distribution, influences, and historical features. Included are ms. maps; and copied, traced, outline and published maps, most with added ms. notations.

The Base maps sub-series consists of topographic maps produced as bases for the creation of other maps to show the locations and territorial boundaries of native people within British Columbia. Maps include ms. notations by Duff.

The Territory maps sub-series consists of ms. maps; and base, outline, copied and photocopied maps with ms. notations. Items show location and boundaries of native territories in British Columbia and the United States. Includes maps showing extent and detail of Tsimshian territory; Kispiox sites; Kitwancool territory and sites; South Kwakiutl territory, villages and tribes. Notations identify some place names and villages.

The Reserve maps sub-series consist of copied and published maps with ms. notations showing the location and extent of various reserves. Some acreage is also included.

The Miscellaneous Maps sub-series consists of published, copied and outline maps showing language families in North America, influences on British Columbia native people, historical distribution of native people in B.C., and Vancouver Island in the 19th century.

Teaching and Research

Series consists of slides representing the inventory of Central Coast Salish art photographed by Dr. Kew during his visits to various North American museums and the British Museum in preparation for the exhibition Visions of Power Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The images illustrate a wide variety of traditional art objects including masks, adzes, spindle whorls, mat creasers, and totems poles, as well as various jewelry, instruments, and utensils. The series also includes two volumes of the Central Coast Salish Computerized Art Inventory, which provides a detailed physical description of each art object.

School programming

This series consists of records created, received, and/or used by the staff responsible for school programming.

The series includes records which document the creation, organization, administration and execution of educational programming for students. The series contains the following kinds of records: correspondence, memoranda, press releases, school kits, teachers’ notes, educational program instructions, publications, evaluation reports, newspaper clippings, promotional brochures and handouts, interviews, interview consent forms, media consent forms, photographs, audio and video recordings, and other material related to school programs.

Public programming and special events

This series consists of records relating to educational programs and special events for the general public at MOA. Educational programs include self-guided and guided tours, children’s programs, and programs for adults relating to museum exhibits. Special events include lectures, film series, exhibit openings, exhibits programs, dance and theatre performances, concerts, artist talks and demonstrations, seminars, symposiums, dialogues, workshops, summer camps, welcoming ceremonies for visiting cultural groups (such as Tibetan monks and Maori), fashion shows, book launches, and research interviews. The series contains press releases, brochures and handouts, correspondence, memoranda, reports, newspaper clippings, photographs, meeting minutes, program instructions, program development, attendance sheets, schedules, audio and video recordings, audiotape inventory, and interview transcripts.

Public Programming and Education. University of British Columbia. Museum of Anthropology.

Special projects

This series consists of records relating to special educational projects carried out by staff responsible for MOA’s public programming and education function, such as the development of exhibits and educational materials such as websites, videos, source books, text and image labels, and project resources. The series contains correspondence, meeting minutes, audio and video recordings, interview transcripts, photographs, internship reports, research trip resource binders, panels, exhibit comment postcards and tags, access handbooks, conference proposals, conference programs, conference reports, publications, and marketing materials.

Public Programming and Education. University of British Columbia. Museum of Anthropology.

General Administration

This series consists of records created, received, and/or used by individuals, groups or committees responsible for public programming and education function of the Museum.
Contains records related to public programming and education policy development, finances, planning, as well as other administrative activities.
Records in this series include correspondence, memoranda, drafts, query/suggestion forms, meeting minutes, grants, acquisition proposal report, reports, guidelines, policy proposals, and handwritten notes.

Public Programming and Education. University of British Columbia. Museum of Anthropology.

Photographs

Series consists of photographs, negative and slides documenting activities of the Museum of Anthropology. Most activities took place at the museum, but some took place elsewhere. The activities documented include exhibit openings, exhibit preparation, celebrations, artists working, presentations, conferences, workshops, and notable guests.
Slides in subseries 1-5 are stored in five binders, arranged chronologically. Photographs, negatives and slides in subseries 6-8 are stored in boxes, arranged according to the events they depict. Slides in subseries 9 are stored in a box, arranged topically.

Public Programming and Education. University of British Columbia. Museum of Anthropology.

Exhibition files

Series consists of records related to the administration and realization of exhibits that Halpin organized at the Museum of Anthropology. Records include correspondence, memoranda, handwritten notes, draft copies, proposals, brochures, newspaper clippings, newsletters, loan forms, photocopies of photos and articles, photographs, negatives, contact prints, travel insurance slips, grant applications, reports, and budgets. Many of the files include research conducted on specific artists featured in various exhibitions as well as pictures of their works of art, gallery plans, rough drafts of labels, and bibliographies compiled for research purposes.

Administration files

Series consists of textual records related to Dr. Halpin’s administrative activities while she was the curator of Ethnology at the Museum of Anthropology. Records include correspondence, memoranda, reports, minutes, applications, agendas, grants, budgets, exhibition schedules, newsletters, pamphlets and internal review reports related to museum policies and the development of the museum’s acquisition policy. There are also records related to various committees, curriculum reports, and acquisition evaluations for specific items which were considered for purchase by the museum.

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