Mostrando 80 resultados

Series consists of records relating to Elizabeth Johnson’s activities with the Classification Subgroup of CFI, Collections Access Group. Records include correspondence, memoranda, meeting minutes, preliminary decisions, reports, work summaries, Aboriginal Research Ethics Workshop: Research, Respect, Reciprocity, community consultation, principles to establish partnerships between First Peoples and Canadian Museums, principles of collection access, visible storage, exhibit ideas, terms of reference, Clothing and Textile Collection reports, and culturally sensitive objects identification list.

Subseries consists of records relating the course Anthropology 431 Museum Principals and Methods which Elizabeth Johnson taught regularly between 1993 and 2002. Records in the series include notes and lecture notes, correspondence, syllabi, contracts bibliographies, course description grading schemes, history of the University of British Columbia and the Museum of Anthropology’s massive carvings, artifact list, acquisition background information form, and Elizabeth Johnson’s short biography.

Subseries consists of records relating to a work shop for curators of Korean art. This work shop was held in Seoul, Korea and the consequently elements of this file relate to travel arrangements. Records in this series are comprised of correspondence and notes.

Subseries consists of records relating to a lecture on the Cantonese opera given by Elizabeth Johnson. Records in this series are comprised of ephemera, correspondence, notes, syllabi, memoranda, course list, course transaction report, and photocopied book chapters.

Subseries consists of records relating to the course on Chinese Painting taught by Elizabeth Johnson for the department of Art History at the University of British Columbia. The records in this subseries include notes, memoranda, exhibit proposals, correspondence, and annotated essays.

Subseries consists of records relating to Elizabeth Johnson’s research, writing, and publication activities including: The Clothing and Textile Collection at the University of British Columbia Museum of Anthropology; Experimentation in University Museums; Exorcizing the Ghosts of History: Canadian Museums, First Nations and the Negotiation of Repatriation; Bridging the Gaps: A Museum-based Heritage Awareness Programme; Welcome to the Museum of Anthropology!; Material History Review; Clothes that Are Not Worn (except…): The Politics of the Clothing Collection at the Museum of Anthropology. Records include papers, articles, publications, correspondence, calendar of events, abstracts, notes, and Elizabeth Johnson’s short biography.

The records in this subseries relate to an exhibit that was developed by MOA in conjunction with the Tibetan Cultural Society, the Canada Tibet Committee, and Women Working for a Free Tibet. Subseries consists of 1 file of correspondence, memos and exhibit labels.

Subseries consists of records relating to two exhibits installed at MOA, in partnership with the Chinese Cultural Centre (CCC) and supported by a grant from the Festival Hong Kong 1992 Committee. "Contrasts: Hong Kong's New Territories in the Twentieth Century" is a photographic exhibit. It opened in Nov 1992, and continued in the lobby at MOA until May 23 1993. "Possessions from the Past" is an exhibit of Hakka artifacts. It opened in Nov 1992, and continued in the lobby at MOA until Mar 14 1993. Elizabeth Johnson was both curator and coordinator for these exhibits. They were also installed at the Chinese Cultural Centre. Subseries includes budgets, completed application form, CHIN printouts, contact lists, correspondence, draft exhibit proposal, final report, invitations, memos, name lists, notes, photographic negatives, receipts, and speaking notes.

The exhibit was co-curated by Louise Jackson and Elizabeth Johnson. It was installed at MOA from Feb 18 to May 24, 1992. Subseries consists of records relating to the exhibit "Repair, Re-use and Recycle" installed at MOA in 1992. This exhibit focused on Japanese, Indian, Chinese, Philippine, Dutch and Salish textiles. The intent of the exhibit was to highlight the various techniques used by different cultures to prolong the life of household goods. Subseries includes an artifact list, a diagram, a drawing, exhibit labels and notes.

In 1995, a large Musqueam weaving by Krista Point was hung in the Great Hall. Subseries consists of a book, photos, memos and drafts of the Artist's Statement.

Subseries consists of records relating to the exhibit, "Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam," which was installed at MOA from January 28 to July 20, 1986. The exhibit was co-curated by Wendy Grant and Debra Sparrow of the Musqueam Weavers, and Elizabeth Johnson of MOA. Subseries contains agreements, attendance figures, budgets, brochure, comment book (copy), contact lists, correspondence, curators’ statement, draft text for catalogue, ethical review application, exhibit layout diagrams, grant applications, memos, newspaper articles, notes, photographs, slides, published articles, receipts, research paper, speaking notes, transcripts of research interviews, schedules, and audio-taped interviews.

Subseries consists of one file of correspondence, memos, notes, 3 contact sheets accompanied by negatives relating to a proposed exhibition of textile from Tibet and Turkistan.

Subseries consists of one file of memos and notes relating to various undeveloped ideas for exhibition of material drawn from the museums textile collection.

Subseries consists of the project proposal and contact sheets and negatives. The subseries also includes copied sketches detailing the exhibit space.

Subseries consists of one file of notes and correspondence relating to a proposed exhibition of Chinese wood block prints.

Subseries consists of one file relating to an exhibition, proposed by Grace Young to Elizabeth Johnson, on the subject of the wok. The subseries includes a drafted exhibition proposal, correspondence, printed images, magazine and newspaper clippings, notes and extracts from Young’s book The Breath of the Wok.

Series consists of records relating to Elizabeth Johnson's curatorial activities regarding curation (intellectual creation) and coordination (administrative project management) of exhibits hosted by and produced in whole or in part by the Museum of Anthropology, including writing exhibit catalogues. The series consists of agendas, agreements, articles, artifact and acquisition lists, artist biography, attendance figures, books, brochure, business cards, budgets, catalogue drafts, comment book, contract lists, correspondence, curators statement, diagrams, drawings, evaluations, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, expenses, installation diagrams, internal forms (consent forms and exhibit proposal forms), financial records, flyer final report, guidelines, grant applications, invitations, map, memoranda, minutes of meetings, museum exhibit diagrams, notes, object records, permission forms, photographs, photograph labels, photocopies of photographs, plans, policies, press releases, professional guidelines, proposals, publications (books), publicity records, published articles, receipts, reports, reproductions of newspaper ads and articles, research notes, research papers, revisions, schedules, slide list, slides, speaking notes, student papers, surveys, transcripts of research interviews, translations, travelling exhibit, visitor comments, visitor surveys, and videos.

The series is arranged into the following sub-series, based on specific exhibitions:
Subseries A: The Spirit of Tibet
Subseries B: Festival Hong Kong Exhibits: Contrasts and Possessions
Subseries C: Translations of Traditions
Subseries D: Repair, Re-use and Recycle
Subseries E: Open House, 1987
Subseries F: Quilting in East Asia
Subseries G: Records of the Krista Point Exhibit in the Great Hall
Subseries H: A Family Affair
Subseries I: Ancient Cloth … Ancient Code?
Subseries J: Proud to be Musqueam
Subseries K: Hands of Our Ancestors
Subseries L: A Rare Flower
Subseries M: Unity Quilt
Subseries N: Chinese Peasant Textiles Art: Kwantung and Szechuan Provinces
Subseries O: Gallery 3
Subseries P: Nunavutmiutanik Elisasiniq
Subseries Q: Repatriation Panels
Subseries R: Wearing Politics
Subseries S: What is Canadian cultural property?
Subseries T: My Ancestors are still Dancing
Subseries U: Gathering Strength exhibit: Musqueam Weavers

The records in this series refer to an event hosted by MOA in March 1987 which consisted of three days of performances, demonstrations and small exhibits. The records in this subseries include a draft of exhibit text, correspondence and handwritten notes.

Subseries consists of records relating to an exhibit at MOA. This exhibit was planned to coincide with the Quilt Canada conference, 1989. Subseries includes correspondence, labels, memos and notes.

Subseries consists of records relating to the exhibit Ancient Cloth …Ancient Code? It was coordinated by Elizabeth Johnson and curated by Mary Frame. It was installed at MOA from March 4 to May 24 of 1992. The exhibit focused on textiles from various ancient societies from present day Peru. Records include grant applications, budgets, memos, correspondence and photographs.