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File contains images of spindle whorls. Images have annotations in the borders.

Subseries contains records directly related to the planning, development and execution of the Transforming Image exhibit at MOA. Planning for the exhibit began in 1983 when grants were obtained to begin research on Northwest Coast paintings. The exhibit itself occurred in 1993. The exhibit was the end result of research and development of a technique to view severely faded Northwest Coast First Nations paintings and painted objects through the use of infrared technology. Records include correspondence and information requests, public relations files, grant application information, budgeting information, papers, conferences and publications about the Transforming Image, files related to the publishing of the Transforming Image book and school interest in the exhibit.

Due to its large volume, The Transforming Image subseries has been broken down further into sub- subseries: Administration records; Research files; Book related; and Institutional photographs.

ref # 1-1-MMM-1

Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).

Subseries contains images of objects and the exhibit.

File contains two images. The first image is a negative depicting two unidentified people dressed in traditional dress. The second image is of the back of an unidentified person looking at a museum description on a wall. There is a mannequin dressed in traditionnal dress placed to the left of the person.

File contains images of drawings that were part of the exhibit <i>Images of Life: 50000 years of Japanese Pre-History</i>. Drawings include illustrations of village life, tools, the inside of houses, and dress.

File contains a proposal for the Images of Life exhibition, designed by McLennan.

File contains images of artifacts in the <i> The World of Spirits: Igbo Masks Exhibit</i>. These artifacts include masks, clothing, and shields.

Subseries contains images of an exhibit at the Prince Rupert Museum featuring works by Norman Tait.

File contains images of the <i>Norman Tait Exhibit</i> at the Prince Rupert Museum.

Subseries contains images showing the exhibit.

File contains images of the <i>Roy Vickers, "Beginnings"</i> exhibit.

Subseries contains images of paintings by John Laford.

Subseries consists of images of the artist who created Ukrainian Easter eggs for the exhibit <i>Symbol of New Hope: The Ukrainian Easter Egg</i>

File contains images of Mary-Ann Novokoneski in front of the exhibit. In addition the contact sheet shows images not available in negative format.

Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."

File contains images of a painting titled "Carrier of the Sweat Lodge" by John Laford. This painting was shown in the exhibit titled <i>Spirits in the Rock</i>.

Subseries contains images of objects in the exhibit <i>The Legacy: Continuing Traditions of Northwest Coast Indian Art.</i> This exhibit was held November 25, 1981 - August 31, 1982. In addition are photographs of the exhibit opening.

Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).

File contains images of artworks used in the exhibit titled <i>Prints Exhibition: Roy Hanuse, Joe David, and Art Thompson</i>.