Slide of a photograph taken in the spring of 1962 or 1963 of Bill Reid as he was working on a carving at Totem Park, UBC.
Sin títuloCollection consists of an Eaton's Promotion Brochure titled "Eaton's Salute to Indian Culture" circa 1966-1967. Highlights displays and activities undertaking traditional arts and cultural events.
19 colour slides of totems and sites in Nootka Sound on the west coast of Vancouver Island.
Sin títuloFonds consists of seventy-three slides of New Guinea and includes images of markets, buildings, local inhabitants, and landscapes in and around Lae, Goroka, Port Moresby, and other unidentified locations.
Sin títuloThe fonds consists of four photographs taken by Richard Cotton of mortuary poles on an island in the Skeena River near Kitsilas, BC.
Sin títuloThe fonds consists of photographs and textual records relating to Delahaye’s years working in Zambia, Africa with the Lozi people.
Sin títuloThe collection consists of slides, photographs and negatives, all copies of Curtis’ most extensive work, “The North American Indian.” The collection is divided into two series: slides and photographs.
This fonds consists of 201 photographs taken by Virginia Kehoe of various art created by Douglas Cranmer. The photographs include large scale totem pole and canoe carving projects, and smaller scale masks, carvings and artwork projects. There are also several photographs of events attended and photographed by Virginia Kehoe.
Sin títuloThis fonds includes items collected by Victoria Henry while she lived in Africa and traveled to Papua New Guinea. The fonds contain newspaper clippings possibly collected by Henry while living in Zambia, East Africa between 1972-1975. The fonds also contains photographs assumed to have been taken by Henry while visiting Goroka, Papua New Guinea, as well as a 1972 Teachers’ College Handbook from the country’s Department of Education.
Sin títuloThe fonds consists of 26 colour slides, including ceremonies and traditions related to weddings and male circumcision taken in Tunisia, as well as scenery and people in Algeria.
Sin títuloThe fonds consists of records relating to African culture and craftsmanship. It includes photographs and slides of Ivory Coast and Nigerian crafts and cultural events, correspondence, research notes about African handicrafts, typed anthropological portraits of craftspeople and related drawings, postcards and magazine clippings.
Sin títuloFonds consists of records related to the Binnings’ correspondence with (predominantly) friends and colleagues overseas in Japan from 1959 to 1971, including Bishop Kojo Sakamoto and members of his family. Mostly composed of personal letters written by hand, several letters are painted using calligraphy. Other records include program brochures and news clippings for exhibits in Japan and North America, and scrapbooks assembled by the Binnings. These either commemorate various visits they took to Japan or of visits their Japanese friends took to Canada. Fonds is divided into three series:
The fonds consists of 66 photographic prints, some of which are hand-coloured, stamped “B.W. Leeson Quatsino, B.C.”, labelled on the front or back with explanatory information, or signed in ink. One print of a longhouse is stamped “The Leeson Collection Copyright 1914.” The photographic subject matter relates to British Columbia’s Kwakwaka'wakw First Nations and the British Columbia landscape. Also included is a copy of Portraits of the Indians of Quatsino by Benjamin W. Leeson (Kit #20) by Susan Roper, produced by the Research Project on Early B.C. Photography at the Vancouver Public Library around 1972, and 23 duplicate slides which accompany it.
Sin títuloThe collection consists of research reports collected by Iris and Jack Lieber during their time in Africa and 5 Super 8 video reel tapes were collected during their time in Papua New Guinea. The research reports were written by students at the University of Ibadan, where Jack Lieber worked as a professor in the Department of Education. Reels include footage from schools and the community in Papua New Guinea. Collection also includes two books published by Jack Lieber, and a piece of correspondence sent to him.
Sin títuloFonds includes 20 audio reels used to record speakers of the Secwepemc language of Secwepemctsin. Gibson created the recordings while conducting research for his dissertation, “Shuswap Grammatical Structure” (1973). Other materials include a copy of a photograph of Gibson with two of his informants, and a copy of his obituary.
Sin títuloThe fonds consists of printed ephemera relating to First Nations art, correspondence, and photographs of Gitksan totem poles.
Sin títuloThis fonds consists of 136 slides taken by E. Polly Hammer on various trips to British Columbia, Alaska, Manitoba, and Minnesota during the time she was based in Manitoba. The slides primarily depict totem poles from throughout the Northwest coast, including carvings by Mungo Martin and Henry Hunt. There are also depictions of petroglyphs and other works of art, as well as buildings (houses, museums, forts, and other dwelling places) and landscapes. There are also several photographs of events attended and photographed by E. Polly Hammer. The fonds also contains a booklet with information on and images of totem poles in Prince Rupert, British Columbia.
Sin títuloFonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.
Sin títuloFonds consists of 83 photographs taken between 1974 and 75 when Dan Jorgensen was in Papua New Guinea to study the Telefolmin people. The images have been mounted on card and are labeled with place and title. Most of them were assigned a number and letter by Dr. Jorgensen. On the verso of the card, Dr. Jorgensen has detailed what is happening in the image.
The material is grouped according to a letter designation which Dr. Jorgensen had assigned. The assistant archivist has assigned a DJ and number to those images that Dr. Jorgensen had not numbered.
D:
1 Daduvip boy
2 village children
3 Daduvip children
4 Foiwalmin boy
5 three young girls
6 3 Telefomin girls
7 Daduvip children
8 women and children
9 women in mourning
10 women and children
11 gov’t headsman
12 Daduvip woman [Mislabeled. This is a portrait of Robinokof, a young man, of Dividuvip hamlet.]
13 father and son
14 Faiwolmin hunter
15 decorated feather bag
16 spirit house
15 Faiwolmin man
17 imitation headdress [initiation?]
19 two men in dance regalia
20 traditional dress
21 dancing costume
22 Telefolmin men
F:
1 prized taro plant
2 new taro garden
4 man and his gear
5 mother and child
6 pandanus fruit
7 preparing food
8 cooking fruit
9 placing cooking stones
10 cooking fruit parcels
11 food for feast
12 singeing pig
12 cooking for feast
13 & c. 2 small feast
14 cooking for feast
15 Daduvip women
16 pig-kill
17 binding pig for sacrifice
18 killing pig
19 kill pig
20 pig dispatched
21 singeing pig
23 butchering a pig
H:
1 & c. 2 ancestral village
2 Telfolip village
3 house building
4 house building
5 house building
6 house building
7 & c. 2 old Daduvip woman
8 spirit house
9 spirit house
10 the Yolan-ritual house
11 men’s compound
12 Kobelman
13 menstrual & childbirth hut
15 ethnographer’s house
[DJ] :
1 curing ceremony
2 plating ritual
3 ceremonial planting
4 curer & patient
5 fighting demonstration
6 fighting demonstration
7 fighting shield
8 fight demonstration
9 healing ritual
10 healing ritual
11 healing rituals
12 sacred netbag
13 child prophet NOTE: Consultation of photographer necessary before public display of this image
14 dancers
15 clay sculptures
16 Ifitamin valley
17 slow cooking technique
18 preparing a fire
19 ceremony
20 curing ritual
21 food for feast
22 (H 14 F 3) old garden house
In 1976, a group of students from the Kyuquot Elementary, a First Nations elementary school on the West coast of Vancouver Island, decided to make a filmstrip that documented their lives in the fishing village. The children’s intention behind making these photographs was to raise money for a summer field trip to Victoria, Vancouver, and the Okanagan. As part of the fundraiser, the children made a visual map depicting their daily travel to school by boat and a hand-written order form for the film. Collection consists of documents created by the Kyuquot Elementary School and Mr. Moore, a former Assistant Professor of Anthropology in the 1970s. The collection consists of one correspondence letter written by Mr. Moore requesting a copy of their filmstrip, four pages of typewritten filmstrip descriptions, one handwritten map and flyer created by the Kyuquot Elementary School and one 70 frame color filmstrip that was digitized in 2017. [At the time of processing, it was unknown if the fundraiser was successful.]
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