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Subseries consists of records relating to research on residential schools that led to the production of the exhibit Speaking to Memory: Images and Voices from St. Michael's Residential School, held at the Museum of Anthropology, UBC.

Subseries consists of records related to the 1987 Commonwealth Conference which brought together heads of government, delegates and media from every commonwealth country in the world. The MOA contributed examples of Northwest Coast art to the conference.

File contains print outs of catalogue records of Tsimshian artifacts featured in the Dundas Collection Exhibit hosted at MOA from February to June 2008.

This subseries consists of records related to the traveling exhibit that came to MOA called <i>Treasures of the Tsimshian from the Dundas Collection.</i> Records include draft correspondence, and draft exhibit photos and text (including case labels).

This file contains the beginning stages of exhibit design for the <i>Signed Without Signature</i> exhibit. This file is divided into two parts: concrete wall, and window wall photo. These refer to structural elements in the gallery space where objects and signage were to be displayed.

File contains one spiral bound book (unpublished) containing photographs of the Signed without Signature exhibition and events, as well as a review of the exhibition.

File contains text used in the exhibit <i>Signed Without Signature</i>.

File contains copies of artifacts labels for some of the pieces featured in the <i>Signed without Signatures</i> exhibit.

File contains copies of the labels and cases featured in the <i>Signed without Signature</i> exhibit.

File contains images of an argilite carving of a man with a pronounced lebret piercing.

File contains four photographs of a Northwest Coast style cedar hat. The textual records include a photocopy of an image of the hat featured in the photographs, as well as a photocopy of an image of two silver bracelets.

File contains copies of correspondence between McLennan and the Royal Ontario Museum (ROM) regarding MOA borrowing some pieces from their collection to showcase in the <i>Signed Without Signature</i> exhibit. The majority of the photographs contain in this file are images of a cedar hat held at the ROM. Other photographs depict gold and silver bracelets.

File mainly contains photocopies of images of Northwest Coast pieces featured in the exhibit, and photocopies of historical images of Edenshaw and of First Nations villages. Other textual records include copies of loan agreements between MOA and the Royal BC Museum. The photographs are reproductions of historical photographs featuring Charles Edenshaw.

File contains information related to the opening of the <i>Signed Without Signature</i> exhibit. Records include a postcard of the exhibit, press releases, and email correspondence addressed to and sent from McLennan related to the exhibit.

File contains photocopies of images of some of the silver work featured in the <i>Signed withot Signature: Works by Charles and Isabella Edenshaw</i> exhibit.

Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.

File contains a copy of the <i>Through my Eye</i> exhibit record, as well as copies of the exhibit's excerpts from the Vancouver Museum. There is also a postcard from the Vancouver Museum of a Tsimshian frontlet.

File contains correspondence between Bill McLennan and staff at the Vancouver Museum. In addition are letters sent to some of the artists involved with the exhibit.

File mainly contains images of the artists involved in the <i>Through My Eyes</i>, such as Jim Hart and Robert Davidson and some of the artifacts featured in the exhibit. The textual records contain a copy of the file's content.

File contains copies of newspaper clippings and full editions of magazines that feature and/or reviews the <i>Through My Eyes</i> exhibit at MOA.