- 1-4-B-51 (23.12)
- Bestanddeel
- 1980 - 1998
File contains images of Norman Tait and his work at various stages of his career. In addition is a copy of transcript of an interview with Norman Tait conducted by Marjorie Halpin.
24 results with digital objects Show results with digital objects
File contains images of Norman Tait and his work at various stages of his career. In addition is a copy of transcript of an interview with Norman Tait conducted by Marjorie Halpin.
Oversized photographs of totem poles on Anthony Island
File contains images of totem poles being removed from Anthony Island.
Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission
File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.
File contains images showing the ceremony and pole raising at the Museum of Anthropology.
Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission
File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
File contains images of various different pieces of Northwest Coast artwork located at YVR. These artwork pieces include: the cedar crabs from the <i>Pacific Passage</i> installation; <i>Hetux, Thunderbird, the Keeper of the Sky</i> installation; the whaling canoe from the <i>Rainbow off the Beach</i> installation; the <i>Origins of Light</i> installation; the <i>The Supernatural Worlds: The Land, The Sea, The Sky</i> installation; and the <i> Musqueam Welcoming Area</i> installation, which includes several Salish weavings.
This file contains images of totem poles collected for research. Some images are from the collections of other institutions.
Carving and installation at MOA
File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.
File consists of photographic prints depicting Oweekeno cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50006 in MOA's Great Hall.
File contains images of Jim Hart carving or attending events such as pole raising.
File includes one photograph of MOA Object ID A6985 which is a totem pole. The contents of this file were used to create object labels for MOA's Great Hall.
File includes one photograph of MOA Object ID A6543 which is a totem pole. The original document sleeve was annotated with the phrase "Hallway to Theatre" on a sticky note. The contents of this file were used to create object labels for MOA's Great Hall.
File includes one drawing and three photographs of MOA Object ID A50043 which is a speaker's post. The photograph is annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
File contains images of a pole raising called the Skilay Memorial pole raising in Haida Gwaii.
File includes one photograph of MOA Object ID A50042 which is an eagle sculpture. The photograph is annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
File consists of images of Walter Harris standing in front of a totem pole.
File includes one drawing and two photographs of MOA Object ID A50041 which is a house front totem pole. The contents of this file were used to create object labels for MOA's Great Hall.
File includes one drawing and three photographs of MOA Object ID A50038 which is a totem pole. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
File contains images of Stan Green carving outside his workshop as well as close up images of his masks. In addition is coresspondence between Stan Green and Darrin Morrison inviting Green to speak at an event.