Where are the children? Healing the legacy slides
- 1-1-JJJ-1 (8.53)
- Dossiê
- 2002
Parte de William McLennan (MOA Curator) fonds
File contains images of the exhibit display.
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Where are the children? Healing the legacy slides
Parte de William McLennan (MOA Curator) fonds
File contains images of the exhibit display.
Pasifika: Island journeys slides
Parte de William McLennan (MOA Curator) fonds
File contains images of the display.
El Corazon Del Mundo: At the heart of the world slides
Parte de William McLennan (MOA Curator) fonds
File contains images showing the exhibit displays.
Parte de William McLennan (MOA Curator) fonds
File contains images of a painting created by Patricia Richardson Logie. The painting depicts a portrait of Blanche MacDonald. In addition, are images of the opening of the exhibit <i>Chronicles of Pride</i> in the great hall of the Museum of Anthropology.
Parte de William McLennan (MOA Curator) fonds
Individuals in the photo include: Dominic Point, Vince Stogan, Wendy Grant [now Wendy John], David Joe, Margaret Dan, Edna Stogran, Debra Sparrow, Mary Charles, Wes Grant, Virginia Joe, Char Grant, Adeline Point, Johnna Sparrow, Stanley Charles, and Victor Guerin. (Identified by Debra Sparrow, June 13, 2017. Recorded by Sue Rowley).
Parte de William McLennan (MOA Curator) fonds
File includes one photograph of MOA Object ID A9416 which is a bentwood chest. The contents of this file were used to create object labels for MOA's Great Hall.
Parte de William McLennan (MOA Curator) fonds
File includes one drawing and three photographs of MOA Object ID A50000 a, b, c, and d which is a totem pole separated into four parts. The images depict the object in its original form prior to separation. The contents of this file were used to create object labels for MOA's Great Hall.
Parte de William McLennan (MOA Curator) fonds
File mainly contains photocopies of images of Northwest Coast pieces featured in the exhibit, and photocopies of historical images of Edenshaw and of First Nations villages. Other textual records include copies of loan agreements between MOA and the Royal BC Museum. The photographs are reproductions of historical photographs featuring Charles Edenshaw.
Parte de William McLennan (MOA Curator) fonds
File includes one drawing and three photographs of MOA Object ID A50001 which is a totem pole. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
Artifacts used in exhibit from MOA + other institutions
Parte de William McLennan (MOA Curator) fonds
File contains the catalogue records of objects that were used in <i>The Transforming Image</i> exhibit.
Parte de William McLennan (MOA Curator) fonds
File includes ten photographs and one drawing of MOA Object ID A50002 a, b, and c which is a totem pole separated into three parts. The images depict the object in its original form prior to separation. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
Parte de William McLennan (MOA Curator) fonds
File contains copies of correspondence between McLennan and the Royal Ontario Museum (ROM) regarding MOA borrowing some pieces from their collection to showcase in the <i>Signed Without Signature</i> exhibit. The majority of the photographs contain in this file are images of a cedar hat held at the ROM. Other photographs depict gold and silver bracelets.
Parte de William McLennan (MOA Curator) fonds
File includes one drawing and eight photographs of MOA Object ID A50004 which is a house board. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
Parte de William McLennan (MOA Curator) fonds
File contains images of bentwood boxes used for public relations for the exhibit. In addition are correspondence with the CBC, and a copy of pages from the guest book from the exhibit.
Parte de William McLennan (MOA Curator) fonds
File includes one drawing and two photographs of MOA Object ID A50005 a, b, and c which are house boards. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
Canadian Museum of Civilization [1 of 2]
Parte de William McLennan (MOA Curator) fonds
File contains photographs and transparencies of various Northwest Coast artifacts housed at the then called Canadian Museum of Civilization [now the Canadian Museum of History]. Other images are of Charles Edenshaw. The textual records contained in this file include catalogue records for many of the artifacts included in this file.
Parte de William McLennan (MOA Curator) fonds
File includes one drawing and six photographs of MOA Object ID A50006 which is a totem pole. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
Parte de William McLennan (MOA Curator) fonds
File includes two drawings and eight photographs of MOA Object ID A50007 a, b, and c which are interior house posts as well as images of the village from where they came. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
Parte de William McLennan (MOA Curator) fonds
File includes one drawing and seven photographs of MOA Object ID A50008 a, b, and c which are interior house posts as well as images of the village from where they came. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
Parte de William McLennan (MOA Curator) fonds
File includes two drawings and 12 photographs of MOA Object ID A50009 a, b, c, d, e, f, g, and h which are interior house posts as well as images of the villages from where they came and other surrounding carvings. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.