Close-up image of a figure in a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Image of the lower portion of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Image of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Image of a totem pole in Alert Bay, BC, at the grave of the Kwakiutl Chief Mungo Martin. The pole was carved to honor the Chief. This image shows the pole right after it has been raised, with the ropes used to raise it still attached. Additional information and images of this pole are featured on pages 28-33 of Carter's book "From History's Locker."
Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Image of a totem pole by Gilford Island carver Sam Johnson. The pole depicts the Eagle and "Tzonqua." A picture of Johnson with this pole is printed on page 54 of Carter's book From History's Locker.
Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.
Additional images of this pole are printed on page 122 of Carter's book Abundant Rivers.
Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.
The pole, known as Pole-in-Sand, represents the sandbar at mouth of Skeena River.
Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.
This pole is shown on page 127 of Carter's book Abundant Rivers, with the inaccurate caption: "This well-carved pole belongs to Mr. Russell, one of the councillors at Kitsegukla. The predominant long-billed bird is a mythical figure called 'Weneel.'"
Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.
This pole is shown on page 127 of Carter's book Abundant Rivers, with the inaccurate caption: "This well-carved pole belongs to Mr. Russell, one of the councillors at Kitsegukla. The predominant long-billed bird is a mythical figure called 'Weneel.'"
Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).
Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).
Image of a portion of one totem pole at Kispiox Village in BC. Another totem pole is visible in the background. These poles appear to be a few from a larger group that is pictured on pages 114-115 of Carter's book Abundant Rivers.
Image of an old carved house post or totem pole at the Mamalilikulla village, Village Island. The post is still standing, but leaning sharply to the side.
Image of an old gravehouse in Gitsegukla, with the totem pole known as Pole-in-the-Sand visible in the background. This image, or one similar to it, is printed on page 123 of Carter's book Abundant Rivers, with the caption: "This old grave house has fallen to decay leaving some of this long departed soul's worldly goods exposed once more to the light of day. It was customary among most of the Indian tribes to bury the prized possessions of an individual along with his remains. This ancient rite is no longer practised."
