Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Image of two of carvings by Jimmie John. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Cecilia John. She is pictured on page 99 of Carter's book "From History's Locker," with the caption: 'Teh is um'. Cecelia John, 83 yrs, Nootka name, 'Mo ah chat."
Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."
Portrait of Cecilia John. She is pictured on page 99 of Carter's book "From History's Locker," with the caption: 'Teh is um'. Cecelia John, 83 yrs, Nootka name, 'Mo ah chat."
Fonds consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Smith recorded at the time of creation. It gives name and age (if known) of the sitters as well as lineage, employment, and style of dress.
In 1976, a group of students from the Kyuquot Elementary, a First Nations elementary school on the West coast of Vancouver Island, decided to make a filmstrip that documented their lives in the fishing village. The children’s intention behind making these photographs was to raise money for a summer field trip to Victoria, Vancouver, and the Okanagan. As part of the fundraiser, the children made a visual map depicting their daily travel to school by boat and a hand-written order form for the film. Collection consists of documents created by the Kyuquot Elementary School and Mr. Moore, a former Assistant Professor of Anthropology in the 1970s. The collection consists of one correspondence letter written by Mr. Moore requesting a copy of their filmstrip, four pages of typewritten filmstrip descriptions, one handwritten map and flyer created by the Kyuquot Elementary School and one 70 frame color filmstrip that was digitized in 2017. [At the time of processing, it was unknown if the fundraiser was successful.]
An image of a boat docked at the harbor at sunset. According to the documentation included with the filmstrip, the description of the image states "The Reserve wharf at sunset."
An image of a drawing by the Kyuquot Elementary School children titled "Made by F.+W. Stocks Kyuquot B.C. 1976 with the help of the people of Kyuquot."